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Eddie Redmayne’s ‘Early Man’ to Be Released by Lionsgate in North America
Directed by Nick Park from a script by Mark Burton and John O’Farrell, the stop-motion movie is co-financed by the U.K.’s Aardman and France’s Studiocanal. It’s a re-team of the companies following 2015’s “Shaun the Sheep.” Lionsgate also handled the domestic distribution for “Shaun the Sheep.”
Redmayne was the first cast member who boarded the toon, set at the dawn of time when prehistoric creatures and woolly mammoths roamed the earth. »
- Dave McNary
'Pirates 5' and 'Baywatch' Set Sail Over Memorial Day Weekend
Memorial Day weekend brings two new wide releases to theaters in Disney's Pirates of the Caribbean: Dead Men Tell No Tales and Paramount's R-rated comedy Baywatch, the latter of which got a head start on the weekend holding preview screenings last night and arriving nationwide today. Neither are necessarily expected to blow the doors off with Pirates looking to finish well behind the last three films, especially Pirates of the Caribbean: At World's End, which currently holds the Memorial Day opening weekend record of $139.8 million. Meanwhile there are a few questions as to just how high Baywatch will finish as Paramount really could use a win with this one as not one of their four releases this year has managed to hit $45 million domestically. At the top, while it isn't expected to top $100 million for the four day or even the $90.1 million Pirates of the Caribbean: On Stranger Tides delivered »
- Brad Brevet <email@example.com>
Blake Lively to Star in Murder Mystery From 'Big Little Lies' Author (Exclusive)
24 May 2017 2:54 PM, PDT | The Hollywood Reporter - Movie News | See recent The Hollywood Reporter - Movie News news »
Blake Lively's got a secret.
Chris Weitz, Paul Weitz and Andrew Miano are producing via their Depth of Field shingle. Lively will also executive produce the adaption, which is currently out to potential directors.
Lively will play Cecilia Fitzpatrick, a chronic perfectionist whose suburban bubble is burst when she finds a note from her husband addressed to her with instructions to open it in the event of his death. But he's still alive. She then discovers a secret that her husband has been »
- Mia Galuppo
T.J. Miller Exiting HBO's 'Silicon Valley'
The actor best known for his portrayal of blowhard entrepreneur Erlich Bachman in the HBO comedy will not be back for the upcoming fifth season. HBO confirmed the news of his exit on Thursday.
"The producers of Silicon Valley and T.J. Miller have mutually agreed that T.J. will not return for season 5," said the cable network in a statement. "In Erlich Bachman, T.J. has brought to life an unforgettable character, and while his presence on the show will be missed, we appreciate his contribution and look forward to future collaborations."
News of Miller's departure comes »
- Bryn Elise Sandberg
Sony’s Silver Sable, Black Cat Movie Lands Gina Prince-Bythewood as Director
Gina Prince-Bythewood is in talks to direct “Silver and Black,” the second announced standalone film in Sony’s Marvel Universe. If the deal goes through, she would become first African-American woman to direct a movie based on Marvel characters. The film will be based on the characters Silver Sable and Black Cat (aka Felicia Hardy), who are known for their connections with Spider-Man. Silver Sable is a mercenary who runs a company that hunts criminals. She hasn’t been introduced in a previous film. Meanwhile, Hardy made her debut in “The Amazing Spider-Man 2,” played by Felicity Jones. Also Read: »
- Carli Velocci and Matt Donnelly
Rosario Dawson in Negotiations to Star in X-Men Spinoff ‘New Mutants’
Dawson will play Dr. Cecilia Reyes. Her character in the spinoff acts as a mentor for the young adult ensemble cast that already includes “Game of Thrones” star Maisie Williams and “Split” star Anya Taylor-Joy.
Williams is set to play Rahne Sinclair, or Wolfsbane, who must figure out how to reconcile her ability to turn into a wolf with her religious beliefs. Taylor-Joy is Illyana Rasputin, »
- Ashley Boucher
'Boss Baby 2' With Alec Baldwin to Hit Theaters in Spring 2021
Universal and Dwa announced the news Thursday. The animated movie will hit theaters on March 26, 2021.
The Boss Baby, about a power-obsessed infant voiced by Baldwin, has been a sleeper hit at the global box office, earning $468.4 million to date. The North American haul is $167 million, while Boss Baby has earned $301.4 million overseas.
The budding Boss »
- Pamela McClintock
STX Wins Amy Schumer’s ‘I Feel Pretty’ for US Distribution
STX is sitting pretty now that they’re in business with Amy Schumer.
The young mini-major acquired domestic distribution rights to the comedy out of Cannes. The title was repped by UTA Independent Film Group lead Rena Ronson. The package will begin shooting this July in Boston.
- Matt Donnelly
Emmy experts predict a ‘Feud’ feud for Best Movie/Mini Supporting Actor: Stanley Tucci vs. Alfred Molina
Best Movie/Mini Actress isn’t the only Emmy category where “Feud: Bette and Joan” could battle itself for the win. According to our experts, there’s another “Feud” feud brewing in the race for Best Movie/Mini Supporting Actor. As of this writing we’ve polled 15 journalists from top media outlets, and they’re split between two stars of […] »
- Daniel Montgomery
Lionsgate Nabs Eddie Redmayne's 'Early Man' for U.S.
Oscar-winning Wallace and Gromit director Nick Park's long-awaited return to the big screen will be released by the studio's Summit Entertainment label. A Feb. 16, 2018 release in the U.S. is planned, to follow Studiocanal’s European release nearly a month earlier on Jan. 18.
- Etan Vlessing
'Djam': Film Review | Cannes 2017
Algerian-born French writer-director Tony Gatlif has carved a unique niche making quasi-documentary dramas rooted in underclass folk music and the marginalized migrant groups who perform it. A former Best Director prize-winner, Gatlif's fifth Cannes premiere Djam revolves around the subculture of "rebetiko", an emotionally charged storytelling style that spread from poor urban communities in Greece and Turkey to the islands of the Aegean. The plot loosely mirrors key themes in the songs, which are steeped in exile and loss, but still lusty and defiant.
Djam is very much in Gatlif's signature style, with flavorsome musical set-pieces taking precedence over scrappy »
- Stephen Dalton
‘Baywatch’ Review: Dwayne Johnson and Zac Efron Sink in the Shallows
We have come to think of Dwayne Johnson — former pro wrestler, action star with a sense of humor, Disney animated singer, just-kidding-maybe presidential candidate and self-described “franchise Viagra” — as the movie star this generations needs, and for the most part, he is. But as the saying goes, he can heal the sick but not raise the dead. And make no mistake: “Baywatch” is dead on arrival. A summer franchise movie that can’t decide if it wants to be a hard-r bawdy comedy, a d-bag-comes-of-age tale or a fairly unironic reboot of the glossy TV show (which ran from 1989- »
- Alonso Duralde
‘Wonder Woman’ Director Patty Jenkins: ‘Just Trying to Make a Badass’
Gal Gadot revealed at the premiere that one of the things she’s most looking forward to about the films release is a new kind of role model.
“Growing up I had Superman and Batman to look up to. All the girls and all the boys, that’s what we had,” she said. “I think that it’s so important that we also have strong female figures to look up to, and Wonder Woman is an amazing one. It’s great that after 75 or 6 years she finally gets her own movie.”
#WonderWoman star @GalGadot: "Growing, I had Superman and Batman to look up to." pic.twitter.com/TAWZybsidb
— Variety (@Variety) May 26, 2017
Although Gadot has already been seen as Wonder Woman, in »
- Jacob Bryant
Cannes Film Review: ‘Visages Villages’
There was once a time — it now sounds ageist and sexist — when something would get written off as “an old man’s movie.” That meant a film created by a director at an age where just watching it, you could feel a certain stiffness in the joints, a too-slowed-down-for-its-own-good pace, a nagging (as opposed to enlightening) stillness of gaze. Examples of old man’s movies would be Alain Resnais’ “Wild Grass,” Elia Kazan’s “The Last Tycoon,” and — to me, though many would consider this opinion blasphemous — Akira Kurosawa’s “Ran.” But has there ever been a director who gives the lie to the old-man’s-movie trope like Agnès Varda? She’s 88, and makes films like she’s 28. Her movies are the opposite of old wo(man’s) movies. They’re a tonic — just watching them makes you feel younger.
Her new one, “Visages Villages” (which does indeed take place in villages, »
- Owen Gleiberman
'Jean Douchet: Restless Child' ('Jean Douchet, L'Enfant agite'): Film Review | Cannes 2017
Of the many critics and cineastes to emerge from the French New Wave, 88-year-old Jean Douchet is probably one of the best known in his homeland, but also one of the least read or watched.
This is because, after joining the Cahiers du Cinema during its heyday in the late 1950s, and then serving as deputy editor-in-chief alongside Eric Rohmer until 1963, Douchet would more or less devote the next fifty-odd years of his life to teaching – not teaching in the traditional sense of a classroom or textbook, but presenting movies at cine-clubs, cinematheques and film schools across France, »
- Jordan Mintzer
Germany’s Culture Minister Launches Second Edition of Face to Face with German Films in Cannes
In Cannes this week Germany’s minister of culture Monika Gruetters helped launch the second year of “Face to Face with German Films,” a campaign that celebrates German cinema success internationally.
She was joined at the event, staged at the elegant Villa Rothschild, by actors Ronald Zehrfeld, Louis Hofmann, Volker Bruch and Alexander Fehling, who are among those leading the campaign this year. German Films, which promotes German movies worldwide, organizes the campaign, and was represented at the event by managing director Mariette Rissenbeek, and chairman Peter Herrmann.
Among the guests were several who had films in the festival including directors Fatih Akin, whose revenge drama “In the Fade” is in competition, Valeska Grisebach, whose Western genre movie “Western” is in Un Certain Regard, and Ali Soozandeh, whose animated feature “Tehran Taboo” is in Critics’ Week. “In the Fade’s” cinematographer Rainer Klausmann also attended.
Others at the event included actor Franz Rogowski, »
- Leo Barraclough
Watch Greg Gianforte Apologize for Attacking Reporter (Video)
Newly elected Montana congressman Greg Gianforte used his victory speech Thursday night to apologize for attacking Guardian reporter Ben Jacobs. “I should not have treated that reporter that way, and for that, I’m sorry, Mr. Ben Jacobs,” Gianforte said, drawing cheers from his supporters. According to Jacobs and two other witnesses, the reporter was attacked — “bodyslammed” as Jacobs described it — by Gianforte at the candidate’s campaign headquarters on Wednesday after asking a question about the Republicans’ healthcare plan. Also Read: Gop Candidate Who Attacked Reporter Wins Montana Special Election An interview with Fox News was being set up at the time, »
- Ross A. Lincoln
These 13 Movies Were Rated the Most Damaging to Lgbt People in 2016 (Photos)
From perpetuating stereotypes to deploying violence against queer people as plot devices or straight-up refusing to clarify the orientation of meaningful Lgbt characters in film, these portraits were are considered the most damaging or ineffective from any major Hollywood film in 2016. “Finding Dory” (Disney) Much ado was made about two women being a same-sex couple in the animated film — but their cameo was so fleeting and, as the study points out, director Andrew Stanton refused to confirm or deny this as true. GLAAD did not count the characters in its tally of 70 represented »
- Matt Donnelly
Cannes Facetime: Tunisian director Kaouther Ben Hania
Tunisian director Kaouther Ben Hania is the only Arab auteur in the Cannes official selection this year. Her first full-fledged feature, “Beauty and the Dogs,” which screens in Un Certain Regard, is centered around the rape of a young woman by policemen outside a beachfront nightclub in Tunisia, based on a true case that sparked plenty of outrage. Ben Hania spoke to Variety about the challenges of bringing to the screen a story that is symbolic of Tunisia after the Arab Spring.
“Beauty and the Dogs” seems a natural transition from your previous works, “Imams Go to School,” “Challat of Tunis” and “Zaineb Hates the Snow,” which, simply put, are about social issues. What drew you to this subject?
The real rape case that happened in 2012 in Tunis made a big impression on me. I was struck by the courage of this girl who persisted in suing the policemen [who raped her] and »
- Nick Vivarelli
Cannes: ‘The Summit’s’ Santiago Mitre on Fiction in Politics, Politics in Fiction
Cannes — World premiering in Cannes’ Un Certain Regard, the third feature from Argentine Santiago Mitre (“The Student,” “Paulina”) follows an Argentine President (Ricardo Darín) at a Latin American summit, who is conflicted on a political and personal level. Dolores Fonzi (“Paulina”) plays his daughter, Elena Anaya an Oriana Fallaci-ish journalist, Christian Slater a U.S. diplomat. Sold internationally by Film Factory Ent., “The Summit” is produced by K & S (Pablo Trapero’s “The Clan”), La Union de los Rios (“Paulina,” “The Student”) Spain’s Mod Producciones (Alejandro González Iñárritu’s “Biutiful”) and France’s Maneki Films (Pablo Trapero’s “White Elephant”). “The Summit” marks a step-up into a far higher-profile production from the Cannes 2015 Critics’ Week winner and co-writer of “White Elephant”. “The Summit” will be released in the U.S. in August via Warner Bros. Pictures.
What drive you to make “The Summit,” a political thriller-drama, what interests you about politics? »
- Emilio Mayorga
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