The post HBO’s Cinemax and Sky Enlists ‘The Raid’ Director Gareth Evans for Gangland Drama appeared first on /Film.
Perrette, who is exiting the show at the end of Season 15, tweeted on Monday that this week’s installment of the popular CBS procedural is not to be missed. “Excited about tomorrow’s new #NCIS !!!” the actress wrote. “It’s absolutely a ‘Do Not Miss It’ episode!!!!”
Given that fans still have not been given any inkling as to how “NCIS” will write out Perrette’s character,
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This week’s question: In light of recent “Galaxy Quest” and “Lord of the Rings” news, which movie/movie franchise should be rebooted as a TV series? (question courtesy of Allison Keene)
Pilot Viruet (@pilotbacon), Vice
I have so many ideas for this! During that season we got “Minority Report” and “Limitless,” I got angry about how many of these reboots/remakes/sequels are male-skewering and male-dominated and started making a list of all the movies I’d rather see instead – obviously ones that are more focused on telling stories about women and non-binary folks. “Whip It” could be a fantastic Freeform teen drama series (I’m still angry that
“Stranger Things” Lost Sister Was Originally Supposed to Be a 30-Year-Old Man
The six teenagers at the heart of the series — brainy Alex (Rhenzy Feliz), good-hearted Karolina (Virginia Gardner), lacrosse star Chase (Gregg Sulkin), “social justice warrior” Gert (Ariela Barer), gothic Nico (Lyrica Okano), and soft-spoken Molly (Allegra Acosta) — aren’t exactly friends when we meet them, despite all attending the same upper-class high school in Los Angeles. But they’ve grown up together due to their parents’ membership in the Pride,
Composer Carlos Rafael Rivera layered a silky yet haunting string melody over the gritty images created by Method Studios, giving the Netflix drama a flair reminiscent of its premium channel competitors. An obscene amount of gun violence is expected and is called upon throughout the minute-long introduction, along with pictures of death, tough women, and political rivalry. The sequence was executive produced by Angela Lupo and produced by Emily Schaeberle, with Jonn Likens serving as creative director.
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