This film is a satire of the women's liberation movement, staring a trio of female impersonators. Candy is an aloof heiress caught in an unhappy relationship with her brother. Jackie is a ... See full summary »
"Gray's Anatomy" meets "Swingers" in this medical comedy as medical intern Ron Wilson plots to become Chief Resident with the help of Ivy League reject Steven Powell. As Dr. Wilson fights ... See full summary »
Jimmy Boner, a 20-something slacker living with his parents, is given an ultimatum by his wicked stepmother to find a job and move out within 3 months after he accidentally walks in on her book club meeting wearing nothing but an iPod.
With a new book deal, a fabulous apartment and a stable relationship, psychologist turned sex expert Kate Langford is living her dream. But when her publisher pairs her up with the arrogant... See full summary »
Adam J. Harrington,
Greta, a Swedish student comes to Paris with a view to making it there. But comely and friendly as she is, she soon becomes the prey of all the rutting males around. To run away from their ... See full summary »
Shortly after its premiere, in New Jersey, this film was shown in Pennsylvania, where the State Board of Censors changed the title for screenings around that state to SEX CRUSHED TO EARTH, which is comprehensible for the time, but the work is after being a morality play, with the lead character, Adrienne Renault(Louise Glaum) realizing what the wages of her superficial existence are to be. Adrienne, star of the Frivolity Theatre in New York, enjoys stealing husbands with her major acquisition being Phillip Overman (William Conklin) whose wife she scorns when Mrs. Overman begs for his return; a chorine, Daisy (Peggy Pearce) is impressed by Adrienne's victorious self-absorption, and when the latter disposes of Overman in favor of a millionaire, Dick Wallace (Irving Cummings), the two performers find themselves in competition for him, which buckles the flooring of Adrienne's harsh philosophy. Although baldly a melodrama, SEX has many good moments and effective scenes, is well directed by Fred Niblo, and is a proper showcase for Glaum, who at the time of filming outdistances Theda Bara in the sweepstakes for America's favorite vamp; the titles offer witty art design, editing is smoothly done and Cummings, as a wealthy man about town, gives an outstanding, nuanced performance as the axle of the story.
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