Cowboy James Franciscus seeks fame and fortune by capturing a Tyrannosaurus Rex living in the Forbidden Valley and putting it in a Mexican circus. His victim, called the Gwangi, turns out ... See full summary »
When a spaceship lands on the moon, it is hailed as a new accomplishment, before it becomes clear that a Victorian party completed the journey in 1899, leading investigators to that mission's last survivor.
Sinbad and his crew intercept a homunculus carrying a golden tablet. Koura, the creator of the homunculus and practitioner of evil magic, wants the tablet back and pursues Sinbad. Meanwhile... See full summary »
John Phillip Law,
The first spaceship to visit Venus crash lands in the sea, freeing a small native Venusian creature called the Ymir. Eventually growing to enormous size, it threatens the city of Rome. Written by
Steve Hill <firstname.lastname@example.org>
Ray Harryhausen: a man feeding peanuts to the elephant that later battles the Ymir. He did so because the actor scheduled to play the part didn't show up. He later appears in a crowd fleeing the zoo. See more »
The General, fearing that the space ship has sunk, points to a body of water on the map and says that the lost astronauts are now "20,000 leagues under the sea." Of course, it's a coy reference to the recent sci-fi flick 20,000 Leagues Under the Sea (and Jules Verne's novel). However, a league is about 3 miles; no ship could sink 60,000 miles under the sea since the earth isn't that large. The Verne title refers to the amount of miles traveled under the sea, not how deep the craft was operating. So the General has made a geographical error while trying to make a hip quip. See more »
Pepe! Is it your desire that the fishes, they swim away? Come on! Pull up on the net, here.
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Opening credits prologue: A FISHING VILLAGE IN SICILY See more »
The thing that distinguished Ray Harryhausen's movies from other '50s science fiction pictures was truth in advertising. Other producers crammed their posters with all kinds of things you knew you were never going to see on the screen, but with Harryhausen you got what was advertised and then some, whether it was flying saucers decimating Washington or (as in this case) a giant Venusian reptile terrorizing Rome. This movie is fast-paced, well-made, and intelligently crafted. The scene in the barn is a gem. And enough of this crap about the special effects being old fashioned. We're not talking about fashion here, children, we're talking about art. Stop-motion is an art form in itself and it may only appeal to minority tastes but so what. To slam Haryhausen's work for not looking like CGI graphics is like criticizing Rembrandt for creating pictures with a brush and paint instead of using a digital camera. Fashions change, art endures. That's your lesson for today.
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