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3:10 to Yuma (1957) More at IMDbPro »

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42 out of 48 people found the following comment useful :-
Tense, well-directed with excellent performances and atmosphere..., 3 June 2005

Author: ironside (robertfrangie@hotmail.com) from Mexico

*** This comment may contain spoilers ***

Delmer Daves has certainly proved himself as one of Hollywood's most talented directors—at least in the Western genre... His "3:10 To Yuma" echoes "High Noon" in some respects, but to make frequent on the similarity misses the point of a very fascinating picture…

"3:l0 to Yuma" is a classic among suspense Westerns, a serious examination of the nature of heroism of an ordinary man in control of a dangerous outlaw... It is fundamentally a distinguished psychological drama played out in the claustrophobic setting of a hotel under mental and physical siege… The film deals with two entirely opposing characters locked together in an isolated room where Daves' camera moves ceaselessly on their course of action...

After a holdup and the killing of a coachman with a gold shipmen, Ford is captured in a saloon, where he is wasting his time in amorous advances with a lovely barmaid (Felicia Farr).

But how to hold him? For his gang, who have made their getaway, will most likely be back to claim him... Ford is sure of this, as his care-free indifference makes it easy to see… The cowed citizenry (echoes of the Zinneman picture) become equally certain… Someone has got to get him out of local circulation and then on to a train to Yuma where he can stand trial…

Who will undertake such task?

The best offer comes from an austere farmer motivated by a severe desperation... Struggling Heflin sees in the 200 dollars his last chance of salvation as his means of subsistence are too little, and the prolonged drought is killing his cattle... For him, there is no other option...

So Ford expects his gang to follow him, and eventually they do... Richard Jaeckel—'the man who slept on the sofa' was how everyone remembered him in this picture—is sinister evidence of discovery…

In a hotel room, therefore, they sweat it out… But Van Heflin does most of the sweating, trying to cope, until the train is due, with a situation beyond his experience… For Van Heflin is not even a true professional, as Will Kane was in "High Noon" (who had somewhat similar train-waiting problems), but an amateur, having to deal with Ford's every physical and psychological ruse; having, in the last resort—finding some sort of moral obligation in the job—to resist temptation...

The outlaw, an intelligent man, continually seeks for a way that will give him his freedom, but becomes deeply fascinated by his 'keeper'. What kind of creature is this who toils on some miserably piece of land, cares so deeply for it, gets no fun at all out of life and seems so greatly incorruptible?

Whatever he is, he's the complete antithesis of Ford… You get the impression that the outlaw is confronted by a being from another planet… Who wouldn't be intrigued?

Van Heflin could so easily have repeated his leading homesteader role in Shane, but, in fact, he adds another layer to him…

Ford, in one of his best performances, and he has given many, gets the utmost from his greatest gift...

The women in the picture, Felicia Farr and Leorna Dana, make a solid contribution to its depth…

With a nice musical score, this great psychological Western draws its drama and power from the interaction of two excellent characters rather than gun blazing action...

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48 out of 61 people found the following comment useful :-
Tense little thriller that stands out for it's simplicity and it's strong characterisation, 16 March 2002
Author: bob the moo from Birmingham, UK

Farmer Evans looks to avoid conflict and work his farm in peace, when he witnesses a stage coach being held up he doesn't get involved. However due to drought and debt threatening his farm, he takes the job of escorting the leader of the gang to Yuma and prison when he is caught. The sheriffs fool the gang into thinking that Wade has been taken by coach and Evans and Wade stay in a hotel room until the train to Yuma. However with Wade's gang getting closer, the clock ticking and Evans' posse deserting him man by man the stakes rise.

It's a western but it could easily have been in any setting if it was done this well. The story is clever but really picks up once Wade is captured – in both Evans' home and in the hotel room, the dialogue becomes clever and meaningful. The story is kept tense (with Evans getting increasingly sweaty) despite being very talky. Wade works Evans in a Machiavellian flow of dialogue that visually gets to him throughout. However once it is clear that honour is important over money the countdown to the tense walk to the train station is on.

Heflin is great as the farmer who takes a stand only to see pride swell up in his family, in a way he respects the criminal for taking risk and being brave in contrast to his middle road lifestyle. Ford is effortlessly brilliant as the criminal blessed with charisma and charm with a dangerous streak underneath – in one key scene he sets out Heflin's character when he easily casts a spell charming Heflin's wife and sons. However beneath the dialogue he is slightly jealous of the farmer's settled life and this adds spice to the relationship between the two.

Overall this is a fantastic western, but if it was set in the modern day it would be a brilliant cop thriller, or in space, a brilliant sci-fi. The key is the central relationship between the two men – here it is perfect and the tension that builds towards the fateful walk to the station is gripping.

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40 out of 51 people found the following comment useful :-
Striking Imagery, 15 August 2005
Author: Lechuguilla from Dallas, Texas

In the Old West, a meek family man (Van Heflin), already under pressure to save his cattle and homestead from a devastating drought, must now confront a ruthless, but smooth-talking, killer (Glenn Ford). Textured characterization of these two men, with seemingly opposite motivations, more than offsets a somewhat thin story, a credit both to the film's dialogue and to the acting.

The pace is slow and plodding. The tension builds gradually, as the clock counts down the hours and minutes to the arrival of the 3:10 p.m. train to Yuma (Arizona), that will end the standoff. The film's simple theme of good vs. evil evokes similar stories from the old Gunsmoke TV series of the 1950s.

The film gets off to a powerful start, with a stark B&W image of a distant stage coach moving across a barren desert landscape, as Frankie Laine wails, with affectation, the mournful theme song. It's one of the most striking opening scenes in cinema history.

While the dialogue and acting are more than competent, it's the visuals that really distinguish this film. The overall B&W imagery provided by cinematographer Charles Lawton, Jr. is almost in the same league as the B&W imagery from cinematographers Gregg Toland and Stanley Cortez.

Apart from the thin story, my only significant quibble with the film is its finale, which I found to be unrealistic, and unsatisfying. These issues aside, "3:10 To Yuma" is a technically well made western that thankfully eschews displays of gratuitous violence, and focuses instead on the psychology of human conflict.

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43 out of 57 people found the following comment useful :-
Van Heflin's best, 20 September 2004

Author: bkoganbing from Buffalo, New York

*** This comment may contain spoilers ***

This is one of the best westerns ever made, a good blend of subtle psychology and action with some taut editing. There isn't one moment of film wasted in this one.

I also believe that this is Van Heflin's best screen performance. His Dan Evans is an everyman in the west. A rancher struggling to get by and support his family, he happens to be a dead shot and together with that and his need for money, he agrees to take outlaw Ben Wade to Yuma Territorial Prison.

Glenn Ford's Ben Wade is a complex man. He's an outlaw and a killer, the first few minutes of the film establish that. But he's tired. He can easily get away. But the sight of Felicia Farr at that saloon, makes him pause and linger when he should be skedaddling with the rest of his gang. They shouldn't have been stopping at the saloon in the first place. But Ford needed some quiet time and his acting does convince you of his need for a breather.

Anyway Ford's nabbed and stage line owner Butterfield, played by Robert Emhardt offers a reward and Heflin needs the money. The only other one aiding Heflin is Henry Jones playing Alex Potter the town drunk. He's a comic character, when they stop at Heflin's ranch, Jones inquires of his two sons where Heflin might keep a jug handy. You laugh but Delmar Daves is very subtly setting you up for later heroics.

Ford and Heflin are together most of the film and they have good chemistry. Ford works on Heflin, he'd just as soon offer a bribe to get out of his fix and Heflin comes close to taking it.

The best scene in the film is when Heflin's wife Leora Dana comes after Heflin. She finds him hold up in a hotel with Ford handcuffed to the bed just after a shootout in which Henry Jones was killed. They talk, Heflin's not sure he's coming out of this and Dana tries to tell him to give it up. Earlier Robert Emhardt has also told him to give it up. But Heflin's sticking to his duty now. The comical town drunk has just been killed in a very brutal fashion for standing up for law and order and he couldn't look himself in the face if he shirked his responsibility.

Remember Heflin is no John Wayne type hero. He's your everyman citizen taking on responsibility for his community's safety. He and Dana play this beautifully and if you don't get an emotional response you are made of stone.

Van Heflin had already gotten an Oscar for Johnny Eager. But I think his performance here is even better. Why he was overlooked in the Academy sweepstakes in 1957 is beyond belief. It's Heflin's film and it's a great tribute to a very underrated actor.

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31 out of 35 people found the following comment useful :-
photography by charles lawton is amazing, 18 July 2005

Author: Sleepy-17 from Colorado

I normally don't comment on movies others have already commented on, but this one's been really bother me because no one really noted just how outstanding the cinematic compositions are. They're eye-poppingly gorgeous and remind me of a western Citizen Kane. In some scenes the Deep Focus technique (lots of hot light so that the background is in sharp focus) is outstanding. The artistry is almost out of place in this exciting but preposterously noirish western. There doesn't seem to be anything else in Lawton's repertoire (maybe parts of Two Rode Together?) as good, but director Daves' respect for good pictorials is evident in most of his efforts. It's a great collaboration, and a pretty good picture that's not as great as the sum of its parts. *** Most of the other comments rightly comment on Glenn Ford's cool acting. Isn't it time for him to get a Lifetime from AFI?

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27 out of 30 people found the following comment useful :-
A classic suspense film that works both within and beyond its 'western genre'., 3 March 2006

Author: information-22 from United Kingdom

A well crafted film. Superbly paced, composed and edited with hardly a frame out of place. From the very moment the film hits the screen with the 'Columbia' statue and haunting soundtrack you are held throughout. The lead actors, Glenn Ford and Van Heflin are perfectley cast with strong support from Leora Dana, Henry Jones, Robert Emhart, Felicia Farr, Guy Wilkinson et al. This is a film when all the elements that make a good movie - script,music,photography,acting,editing,direction - come together as one and excel. Delmer Daves,Director, has clearley been influenced by other film-makers; there appear to be brief references to Battleship Potemkin and Bicycle Thieves among others. 3.10 to Yuma is a classic suspense film, that works within and beyond its 'western genre'. It remains to be seen what James Mangold, Director(Walk The Line etc.) and his team make of a proposed re-make scheduled for 2007. They will have to work very hard indeed to come close to the quality of the original production. A good start would be to retain the Frankie Laine soundtrack performance.

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29 out of 35 people found the following comment useful :-
The greatest Western of all time?, 29 August 2004

Author: johnbach1978 from UNITED KINGDOM

The 3:10 to Yuma must surely be in any fan of the 5o's Western genre top 10. Glenn Ford is at his best as outlaw and gang leader Ben wade, it does not take him long to shoot someone, ride into town and then proceed to chat the local barmaid up. When captured he goes one better and makes a play for his armed escorts wife! Van Heflin is superb and worthy of an Oscar in his role as the hard up rancher making a pay day out of being Fords captor.

The tension that mounts as Heflin & Ford wait for the train to arrive at the station whilst surrounded by Fords gang is unbearable, and the twist at the end is both unexpected and brilliant in its delivery.

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18 out of 23 people found the following comment useful :-
Another great western from Elmore Leonard, 1 November 2001

Author: shhazam2 from California

This movie was enjoyable to me before I knew anything about Elmore Leonard's writings.

The underlying story is made into a very watchable movie by the director and involves a ruthless but insightful gunman being held for subsequent transport by train which will take him to prison. The job of guarding him is taken on by reluctant guard. This temporary guard is a civilian who takes on the job only because he desperately needs the money to save his farm and family.

Typical of Leonard stories, the main characters have strengths and weaknesses not at first evident but when these traits become evident they are significant factors in the outcome of the story.

It is an intelligent movie which is great to watch. I highly recommend it.

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16 out of 20 people found the following comment useful :-
Psychotic killer or gentleman thief?, 3 June 2003
Author: erskine_fincher from Florida

I've liked this movie for a long time. Watching it last night, though, it finally occurred to me to wonder about the character played by Glenn Ford. I don't really understand what motivates him, or his gang.

Some people have commented that the closing scene is unbelievable, but I think that's only true because we never get a fix on Glenn Ford's character. Is he a psychotic killer, or is he a gentleman thief?

The psychotic killer label is supported by his actions in the opening scene of the stage coach robbery. He didn't even try to talk himself out of that situation, even though the driver was one against twelve and couldn't carry out his threat without being gunned down instantly. It's also supported by the fear that his name strikes into the hearts of all the townspeople. A man doesn't generate that kind of fear by simply robbing stage coaches. Obviously, he and his gang have done a lot of killing.

The gentleman thief label is supported by his complete lack of bullying characteristics. In every other situation of the movie except that opening scene, he uses his charm to try to get around people. He doesn't attempt to run roughshod over them. That completely contradicts the image of a guy who shoots first and asks questions later.

As for his gang, they show an extraordinary amount of loyalty to him and each other, which makes the shooting during the stage coach robbery that much more unconvincing. Why would they be loyal to a leader who didn't even try to save one of his own? Maybe that was just an anomaly. Ford tells us later in the movie that his gang will always go to extraordinary lengths to save one of their own, and they do just that to try to free him. Yet, at the end, he chooses to save the life of Van Heflin rather than go with his gang. Okay, so he decided that Van Heflin was a good guy worth saving, even if it did get his second in command killed. I don't mind that. What bothers me is, why is he so confident that, having turned his back on his gang, they are going to try to rescue him again in Yuma??? If I'm in that gang, he's made his choice and he can swing for it.

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13 out of 17 people found the following comment useful :-
A tough act to follow, 11 August 2007

Author: lastliberal from Florida

Christian Bale and Russell Crowe are going to have to perform feats of magic to beat this film. There is no doubt that they have picked one of the toughest westerns to beat in their remake.

There is shooting, but this is not a shoot-'em-up western. It is a thoughtful game of chess between a ruthless outlaw (Glenn Ford) and a farmer (Van Heflin). To see Ford, who we lost last year, try to buy Helflin (Johnny Eager, Shane), and see Heflin grow in courage was magnificent.

Every one else fades as these two play their game. The ending was terrific. I am anxious to see if they change it.

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