IMDb > Maroc 7 (1967)

Overview

User Rating:
4.4/10   65 votes
MOVIEmeter: ?
Down 24% in popularity this week. See why on IMDbPro.
Director:
Writer:
David D. Osborn (writer)
Contact:
View company contact information for Maroc 7 on IMDbPro.
Release Date:
January 1968 (USA) more
Genre:
Tagline:
Morocco -The double crossroads of the world
Plot:
The lady of a top fashion magazine doubles as a jewel thief and becomes involved in Moroccan intrigue. | add synopsis
Plot Keywords:
User Comments:
Not bad, but nothing special; the gorgeous women are its strongest point more (5 total)

Cast

  (Cast overview, first billed only)
Gene Barry ... Simon Grant
Elsa Martinelli ... Claudia
Leslie Phillips ... Raymond Lowe

Cyd Charisse ... Louise Henderson
Denholm Elliott ... Inspector Barrada
Alexandra Stewart ... Michelle Craig
Angela Douglas ... Freddie
Eric Barker ... Prof. Bannen
Tracy Reed ... Vivienne
Maggie London ... Suzie
Ann Norman ... Alexa
Penny Riley ... Penny
Lionel Blair ... Hotel receptionist
Anthony Bygraves ... Young photographer
Paul Danquah ... Police Officer
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Additional Details

Runtime:
91 min | France:96 min
Country:
Language:
Color:
Color (Eastmancolor)
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
Company:

FAQ

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2 out of 2 people found the following comment useful.
Not bad, but nothing special; the gorgeous women are its strongest point, 28 April 2007
5/10
Author: gridoon

Loaded with pretty girls, exotic locations, and double-crosses, "Maroc 7" keeps your attention, but never builds too much excitement. Despite being filmed on location in Morocco, the cinematography makes the picture look cheap (or maybe I just watched a bad print), and the director has the bad habit of filming his "big" scenes in near-complete darkness, making it a pain to try and see what's going on. The male lead, Gene Barry, is a bit too old and a bit too smarmy for his "smooth ladies' man" role, but Alexandra Stewart is simply gorgeous and Elsa Martinelli is not far behind. The 60's were certainly a great decade for screen babes, and there is perhaps no other genre demonstrating that point more clearly than these spy capers. (**)

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