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| Ruth Gordon | ... | Maude | |
| Bud Cort | ... | Harold | |
| Vivian Pickles | ... | Mrs. Chasen | |
| Cyril Cusack | ... | Glaucus | |
| Charles Tyner | ... | Uncle Victor | |
| Ellen Geer | ... | Sunshine Doré | |
| Eric Christmas | ... | Priest | |
| G. Wood | ... | Psychiatrist | |
| Judy Engles | ... | Candy Gulf | |
| Shari Summers | ... | Edith Phern | |
| Tom Skerritt | ... | Motorcycle Officer (as M. Borman) | |
| Susan Madigan | ... | Girlfriend | |
| Ray K. Goman | ... | Police Officer (as Ray Goman) | |
| Gordon Devol | ... | Police Officer (as Gordon DeVol) | |
| Harvey Brumfield | ... | Police Officer | |
| Henry Dieckoff | ... | Butler | |
| Philip Schultz | ... | Doctor | |
| Sonia Sorrell | ... | Head Nurse | |
| Margot Jones | ... | Student Nurse | |
| Barry Higgins | ... | Intern | |
| rest of cast listed alphabetically: | |||
| Hal Ashby | ... | Bearded Man Watching Model Train (uncredited) | |
| Michael L. Davis | ... | Policeman (uncredited) (unconfirmed) | |
| Jerry Randall | ... | (uncredited) | |
| Cat Stevens | ... | Man in Front of Maude at Funeral (uncredited) (unconfirmed) | |
Directed by | |||
| Hal Ashby | |||
Writing credits | ||
| Colin Higgins | (written by) | |
Produced by | |||
| Colin Higgins | .... | producer | |
| Mildred Lewis | .... | executive producer | |
| Charles Mulvehill | .... | producer (as Charles B. Mulvehill) | |
Cinematography by | |||
| John A. Alonzo | (director of photography) (as John Alonzo) | ||
Film Editing by | |||
| William A. Sawyer | |||
| Edward Warschilka | |||
Casting by | |||
| Lynn Stalmaster | |||
Production Design by | |||
| Michael D. Haller | (as Michael Haller) | ||
Costume Design by | |||
| William Ware Theiss | (as William Theiss) | ||
Makeup Department | |||
| Kathryn Blondell | .... | hair stylist | |
| Bob Stein | .... | makeup artist | |
Production Management | |||
| Wesley J. McAfee | .... | unit production manager (as Wes McAfee) | |
Second Unit Director or Assistant Director | |||
| Michael J. Dmytryk | .... | first assistant director (as Michael Dmytryk) | |
| Robert Enrietto | .... | second assistant director | |
Art Department | |||
| James Cane | .... | set dresser | |
Sound Department | |||
| Richard Portman | .... | re-recording | |
| William Randall | .... | sound | |
| James Richard | .... | sound editor (as James A. Richards) | |
| Frank E. Warner | .... | sound editor (as Frank Warner) | |
Special Effects by | |||
| A.D. Flowers | .... | special effects | |
Stunts | |||
| Pamela Bebermeyer | .... | stunt double (as Pam Bebermeyer) | |
| Buddy Joe Hooker | .... | stunt coordinator (as Joe Hooker) | |
| Buddy Joe Hooker | .... | stunt double (as Joe Hooker) | |
| Jerry Randall | .... | stunt double | |
Camera and Electrical Department | |||
| Richard Hart | .... | gaffer | |
| Joe R. Marquette Jr. | .... | camera operator (as Joe Marquette Jr.) | |
| Charles Record | .... | head grip | |
Costume and Wardrobe Department | |||
| Andrea E. Weaver | .... | wardrobe supervisor (as Andrea Weaver) | |
Editorial Department | |||
| Sam Gemette | .... | editorial apprentice | |
| Don Zimmerman | .... | editorial apprentice | |
Music Department | |||
| Ken Johnson | .... | music editor | |
| Paul Samwell-Smith | .... | music recording supervisor | |
| Cat Stevens | .... | composer: songs | |
| Cat Stevens | .... | performer: songs | |
Other crew | |||
| Pablo Ferro | .... | titles | |
| Steven J. Silver | .... | production associate (as Steve Silver) | |
| Jeff Wexler | .... | production assistant | |
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The self-destructive and needy wealthy teenager Harold (Bud Cort) is obsessed by death and spends his leisure time attending funerals, watching demolishing of buildings, visiting junkyards, simulating suicides trying to get attention of his indifferent, snobbish and egocentric mother and having sessions with his psychologist. When Harold meets the anarchist seventy nine year-old Maude (Ruth Gordon) at a funeral, they become friends and the old lady discloses others perspectives of the cycle of life for him. Meanwhile his mother enlists him in a dating service and tries to force Harold to join the army. On the day of the eightieth anniversary of Maude, Harold proposes her but he finds the truth about the end of the cycle of life.
The cult "Harold and Maude" was a huge success in Brazil for people of my generation with a refreshing and funny exposition of themes like death, love and life through the friendship and love of a teenager and a septuagenarian woman. The complex Harold is a young man that needs the attention of his indifferent mother. He found in his childhood the only moment that she really seemed to be worried about him after a serious accident in school and he uses to fake suicides trying to have the same attention back. Maude is an anarchist old woman not attached to material stuff like properties or collections that steals cars for self-locomotion. Along a few days, Maude gives a lesson of life to Harold, changing his behavior and feelings forever. The performances of Ruth Gordon and Bud Cort in this weird love story are unforgettable and the soundtrack with Cat Steven's songs is another plus. Unfortunately "Harold and Maude" has been forgotten in Brazil by the distributors and neither the VHS nor the DVD has been released in my country; I just have a tape recorded from the cable TV. My vote is eight.
Title (Brazil): "Ensina-me a Viver" ("Teach me to Live")