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Aguirre, der Zorn Gottes (1972)
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Overview
User Rating:
Release Date:
3 April 1977 (USA) moreTagline:
On this river, God never finished his creation. morePlot:
In in 16th century, the ruthless and insane Aguirre leads a Spanish expedition in search of El Dorado. full summary | full synopsisAwards:
3 wins & 1 nomination moreUser Comments:
Herzog's masterpiece moreCast
(Credited cast)| Klaus Kinski | ... | Don Lope de Aguirre | |
| Helena Rojo | ... | Inez | |
| Del Negro | ... | Brother Gaspar de Carvajal | |
| Ruy Guerra | ... | Don Pedro de Ursua | |
| Peter Berling | ... | Don Fernando de Guzman | |
| Cecilia Rivera | ... | Flores | |
| Daniel Ades | ... | Perucho (as Dan Ades) | |
| Edward Roland | ... | Okello | |
| Alejandro Chavez | |||
| Armando Polanah | ... | Armando | |
| Daniel Farfán | |||
| Julio E. Martínez | |||
| Alejandro Repulles | ... | Gonzalo Pizarro | |
| Indianern der Kooperative Lauramarca | |||
| rest of cast listed alphabetically: | |||
| Justo González | ... | González | |
| Antonio Marquez | |||
Additional Details
Parents Guide:
View content advisory for parentsRuntime:
93 minColor:
Color (Eastmancolor)Aspect Ratio:
1.33 : 1 moreSound Mix:
MonoCertification:
West Germany:12 | South Korea:15 | South Korea:12 (2002) | Argentina:18 | Australia:M (cable rating) | Australia:PG (original rating) | Finland:K-16 | Norway:16 | UK:A (original rating) | UK:PG (video rating) (1991)Fun Stuff
Trivia:
This was the first Werner Herzog film with Klaus Kinski. It was the start of an extremely stormy, and sometimes violent, professional relationship that lasted 15 years, moreGoofs:
Crew or equipment visible: In one shot where the camera moves around the rafts, you can see the crew's living arrangements (a bunch of rafts with huts on them) near the bank of the river. moreQuotes:
Don Lope de Aguirre: Perucho, don't you think the cannon might be a little bit rusty?Perucho: It might.
more
Soundtrack:
Aguirre, Der Zorn Gottes (Lacrime Di Re) moreFAQ
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AGUIRRE: THE WRATH OF GOD (1972) Spaniards in search of El Dorado descend down an intense mountain peak with barely a path on it. Men slosh through a wet jungle forest with cannibals, dragging horses, cannons and women on thrones with them. Rafts try to navigate harsh rapids with no end in sight, sending one of them into a whirlpool. This is the first ten minutes. And it is probably easier than what it took to make the film.
Werner Herzog's masterpiece follows Klaus Kinski as a conquistador leading a group of men through his personal madness in Peru, searching for the mythical city of gold. Kinski wasn't an actor, he was a time-traveller, and his performances for Herzog are his best. My favorite scene of all his work is in this film early-on: as the huge group of slaves struggle and burn their souls carrying a woman on a throne-chair against the unforgiving jungle mud and trees, Kinski suddenly appears in the middle to offer a helping hand. He writhes and morphs, grabbing the slaves and shoving them, screaming at the top of his lungs, "Fools!!! The sedan chair is stuck!"
AGUIRRE is what got Herzog noticed around the world as part of a new group of German filmmakers along with Fassbinder and Wenders. His previous film was EVEN DWARVES STARTED SMALL, which resulted in Kinski calling him, "A mere dwarf director." The battles between he and Kinski should be legendary by now. The final result in Herzog stating he will grab his gun and kill both himself and Kinski as the actor was threatening to leave the production. Kinski was convinced and finished the film.
This story and more is part of the excellent analog track by Herzog, covering all of the hardcore production that overwhelms the more famous Coppola problems making Apocalypse Now. Herzog didn't have millions of dollars, rather 300 grand, had to live on the rafts for months and deal with the jungle and Kinski. But he never bitches - you do what you have to do, and the film is never compromised, from the costumes, the beautiful real locations and the boat hanging in the tree to the eerie group of small monkeys at the end (which Herzog had to steal, even though he paid for them). The analog track is constant (many now seem to take pauses to watch the film) with background on the idea, actors, filming and philosophies. Yes, that is a real mummy in the cannibal camp, for which Herzog's brother had to buy a passenger ticket for the plane ride over.
The DVD is another fantastic release giving the nice treatment to a title that can't be making them millionaires. The image looks great and is not letterboxed, so I assume that that is how Herzog prefers it. The three trailers didn't add much to the presentation, but that's a minor point. When they are finished with the entire Herzog collection, it will be one of the most fascinating career studies on DVD.