Aguirre, der Zorn Gottes (1972)

Director:

Werner Herzog

Writer:

Werner Herzog (written by)

Release Date:

3 April 1977 (USA)

Genre:

Adventure | Biography | Drama | History

Tagline:

On this river, God never finished his creation.

Plot:

In in 16th century, the ruthless and insane Aguirre leads a Spanish expedition in search of El Dorado.

Plot Keywords:

River | Expedition | Spanish | Empire | Inca

Awards:

3 wins & 1 nomination

Cast

Klaus Kinski	...	Don Lope de Aguirre
Helena Rojo	...	Inez
Del Negro	...	Brother Gaspar de Carvajal
Ruy Guerra	...	Don Pedro de Ursua
Peter Berling	...	Don Fernando de Guzman
Cecilia Rivera	...	Flores
Daniel Ades	...	Perucho (as Dan Ades)
Edward Roland	...	Okello
Alejandro Chavez
Armando Polanah	...	Armando
Daniel Farfán
Julio E. Martínez
Alejandro Repulles	...	Gonzalo Pizarro
Indianern der Kooperative Lauramarca
rest of cast listed alphabetically:
Justo González	...	González
Antonio Marquez

Also Known As:

Aguirre, Wrath of God (UK)
Aguirre: The Wrath of God (USA)

Runtime:

93 min

Country:

West Germany

Language:

German

Color:

Color (Eastmancolor)

Aspect Ratio:

1.33 : 1

Sound Mix:

Mono

Certification:

West Germany:12 | South Korea:15 | South Korea:12 (2002) | Argentina:18 | Australia:M (cable rating) | Australia:PG (original rating) | Finland:K-16 | Norway:16 | UK:A (original rating) | UK:PG (video rating) (1991)

Filming Locations:

Aguaruna Lands, Peru

Company:

Werner Herzog Filmproduktion

Trivia:

The legend has it, that, after the incident when Klaus Kinski wanted to leave the set and Werner Herzog threatened to kill him and himself, Herzog directed Klaus Kinski with a gun pointed to him for the rest of filming.

Goofs:

Anachronisms: Peruvian Indians play a song called Valicha composed in the 20th Century.

Quotes:

Okello: [Hallucinating] That is no ship. That is no forest.
[Arrow hits him]
Okello: That is no arrow. We just imagine the arrows because we fear them.

Movie Connections:

Featured in Incident at Loch Ness (2004)

Soundtrack:

Aguirre, Der Zorn Gottes (Lacrime Di Re)

Herzog's masterpiece

AGUIRRE: THE WRATH OF GOD (1972) Spaniards in search of El Dorado descend down an intense mountain peak with barely a path on it. Men slosh through a wet jungle forest with cannibals, dragging horses, cannons and women on thrones with them. Rafts try to navigate harsh rapids with no end in sight, sending one of them into a whirlpool. This is the first ten minutes. And it is probably easier than what it took to make the film.

Werner Herzog's masterpiece follows Klaus Kinski as a conquistador leading a group of men through his personal madness in Peru, searching for the mythical city of gold. Kinski wasn't an actor, he was a time-traveller, and his performances for Herzog are his best. My favorite scene of all his work is in this film early-on: as the huge group of slaves struggle and burn their souls carrying a woman on a throne-chair against the unforgiving jungle mud and trees, Kinski suddenly appears in the middle to offer a helping hand. He writhes and morphs, grabbing the slaves and shoving them, screaming at the top of his lungs, "Fools!!! The sedan chair is stuck!"

AGUIRRE is what got Herzog noticed around the world as part of a new group of German filmmakers along with Fassbinder and Wenders. His previous film was EVEN DWARVES STARTED SMALL, which resulted in Kinski calling him, "A mere dwarf director." The battles between he and Kinski should be legendary by now. The final result in Herzog stating he will grab his gun and kill both himself and Kinski as the actor was threatening to leave the production. Kinski was convinced and finished the film.

This story and more is part of the excellent analog track by Herzog, covering all of the hardcore production that overwhelms the more famous Coppola problems making Apocalypse Now. Herzog didn't have millions of dollars, rather 300 grand, had to live on the rafts for months and deal with the jungle and Kinski. But he never bitches - you do what you have to do, and the film is never compromised, from the costumes, the beautiful real locations and the boat hanging in the tree to the eerie group of small monkeys at the end (which Herzog had to steal, even though he paid for them). The analog track is constant (many now seem to take pauses to watch the film) with background on the idea, actors, filming and philosophies. Yes, that is a real mummy in the cannibal camp, for which Herzog's brother had to buy a passenger ticket for the plane ride over.

The DVD is another fantastic release giving the nice treatment to a title that can't be making them millionaires. The image looks great and is not letterboxed, so I assume that that is how Herzog prefers it. The three trailers didn't add much to the presentation, but that's a minor point. When they are finished with the entire Herzog collection, it will be one of the most fascinating career studies on DVD.