| Daniel Massey | ... | Rogers (segment "1: Midnight Mass") | |
| Anna Massey | ... | Donna (segment "1: Midnight Mass") | |
| Mike Pratt | ... | Clive (segment "1: Midnight Mass") (as Michael Pratt) | |
| Erik Chitty | ... | Old Waiter (segment "1: Midnight Mass") | |
| Jerold Wells | ... | Waiter (segment "1: Midnight Mass") | |
| Terry-Thomas | ... | Critchit (segment "2: The Neat Job") | |
| Glynis Johns | ... | Eleanor (segment "2: The Neat Job") | |
| Marianne Stone | ... | Jane (segment "2: The Neat Job") | |
| John Forbes-Robertson | ... | Wilson (segment "2: The Neat Job") | |
| Curd Jürgens | ... | Sebastian (segment "3: This Trick'll Kill You") (as Curt Jurgens) | |
| Dawn Addams | ... | Inez (segment "3: This Trick'll Kill You") | |
| Jasmina Hilton | ... | Indian Girl (segment "3: This Trick'll Kill You") | |
| Ishaq Bux | ... | Fakir (segment "3: This Trick'll Kill You") | |
| Michael Craig | ... | Maitland (segment "4: Bargain in Death") | |
| Edward Judd | ... | Alex (segment "4: Bargain in Death") | |
| Robin Nedwell | ... | Tom (segment "4: Bargain in Death") | |
| Geoffrey Davies | ... | Jerry (segment "4: Bargain in Death") | |
| Arthur Mullard | ... | Gravedigger (segment "4: Bargain in Death") | |
| Tom Baker | ... | Moore (segment "5: Drawn and Quartered") | |
| Denholm Elliott | ... | Diltant (segment "5: Drawn and Quartered") | |
| Terence Alexander | ... | Breedley (segment "5: Drawn and Quartered") | |
| John Witty | ... | Gaskill (segment "5: Drawn and Quartered") | |
| rest of cast listed alphabetically: | |||
| George A. Cooper | ... | (scenes deleted) | |
| Roy Evans | ... | Passerby On Street (uncredited) | |
| Frank Forsyth | ... | (uncredited) | |
| Tommy Godfrey | ... | Landlord (segment "5: Drawn and Quartered") (uncredited) | |
| Genine Graham | ... | (uncredited) | |
| Geraldine Hart | ... | (uncredited) | |
| Tony Hazel | ... | (uncredited) | |
| Daniel Jones | ... | Print Shop Assistant to Arthur Gaskill (uncredited) | |
| Maurice Kaufmann | ... | Bob Dixon (segment "5: Drawn and Quartered") (uncredited) | |
| Sylvia Marriott | ... | Mrs. Breedley (uncredited) | |
| Elsa Smith | ... | (uncredited) | |
| Tony Wall | ... | (uncredited) | |
Directed by | |||
| Roy Ward Baker | |||
Writing credits(in alphabetical order) | ||
| Al Feldstein | stories | |
| William M. Gaines | stories | |
| Milton Subotsky | writer | |
Produced by | |||
| Charles W. Fries | .... | executive producer | |
| Max Rosenberg | .... | producer | |
| Milton Subotsky | .... | producer | |
Original Music by | |||
| Douglas Gamley | |||
Cinematography by | |||
| Denys N. Coop | |||
Film Editing by | |||
| Oswald Hafenrichter | |||
Casting by | |||
| Ronnie Curtis | |||
Art Direction by | |||
| Tony Curtis | |||
Set Decoration by | |||
| Fred Carter | |||
Makeup Department | |||
| Roy Ashton | .... | makeup artist | |
Production Management | |||
| Teresa Bolland | .... | production manager | |
| Arthur Stolnitz | .... | production supervisor (as Art Stolnitz) | |
Second Unit Director or Assistant Director | |||
| Anthony Waye | .... | assistant director | |
Art Department | |||
| Bill Waldron | .... | construction manager | |
Sound Department | |||
| Danny Daniel | .... | sound mixer | |
| Gerry Humphreys | .... | sound re-recording mixer | |
| Charlie McFadden | .... | boom operator | |
| Clive Smith | .... | sound editor | |
Camera and Electrical Department | |||
| John Harris | .... | camera operator | |
| David Wynn-Jones | .... | focus puller (uncredited) | |
Costume and Wardrobe Department | |||
| John Briggs | .... | wardrobe master | |
Other crew | |||
| Betty Harley | .... | continuity | |
| Paul Thompson | .... | production executive | |
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| Tales from the Crypt | Due occhi diabolici | Don't Look Now | No Man's Land: The Rise of Reeker | Sin City |
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| News articles | IMDb Horror section | IMDb UK section |
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The idea of a horror anthology movie interested me, so I sat down to watch this movie tonight. While the basic structure and idea was good, I was amazed at how sluggish and indifferent most of the five episodes were. Most of this seemed to be because of relatively poor writing--this SHOULD have been a lot more interesting than it was.
The first, third and fourth segments were all completely forgettable and so I won't bother elaborating on them. They just weren't very interesting or scary. The second one, starring Terry-Thomas, wasn't exactly brilliant, but was pretty enjoyable and the final scene, though a tad cheesy, made me really laugh--so it was worthwhile. The only one of the five that really worked well was the final segment that starred Tom Baker (you know, the Dr. Who that everyone liked so much in the 1970s). Baker played an angry artist who wanted revenge on three men who had cheated him and the way this played out was indeed clever. Because of this and the concluding scene, at least the movie ended on a positive note. However, due to the film's highly uneven nature, I'd not recommend it. It's not so much bad--it's just not very good either. Apparently, I am in the minority, though, as several other reviewers liked it.
By the way, a very, very similar film was also made by this same production company, ASYLUM, as it involves four different stories strung together with a central theme. However, ASYLUM is a better and more interesting picture.