The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
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A Puerto-Rican ex-con, just released from prison, pledges to stay away from drugs and violence despite the pressure around him and lead on to a better life outside of NYC.
As he plans his next job, a longtime thief tries to balance his feelings for a bank manager connected to one of his earlier heists, as well as the FBI agent looking to bring him and his crew down.
Jerry Lundegaard's inept crime falls apart due to his and his henchmen's bungling and the persistent police work of the quite pregnant Marge Gunderson.
Director:
Joel Coen
Stars:
William H. Macy,
Steve Buscemi,
Peter Stormare
The continuing saga of the Corleone crime family tells the story of a young Vito Corleone growing up in Sicily and in 1910s New York; and follows Michael Corleone in the 1950s as he attempts to expand the family business into Las Vegas, Hollywood and Cuba. Written by
Keith Loh <loh@sfu.ca>
During the "Little Italy" parade in the long shot a white man opens a window and looks out. Clearly with his big Afro and mustache, he is part of the 1970's, not early 1900's. See more »
Quotes
[first lines]
Title Card:
The godfather was born Vito Andolini, in the town of Corleone in Sicily. In 1901 his father was murdered for an insult to the local Mafia chieftain. His older brother Paolo swore revenge and disappeared into the hills, leaving Vito, the only male heir, to stand with his mother at the funeral. He was nine years old.
[gunshots and screams]
Woman:
[subtitled from Italian]
They've killed the boy! They've killed young Paolo! They've killed your son Paolo!
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Crazy Credits
As with the first film no opening credits are shown. Although it is now commonplace for films not to have opening credits, it was considered innovative in 1974. See more »
"Pop Goes the Weasel"
(uncredited)
Traditional English nursery rhyme (first published 1855)
Inadvertently played by Tahoe party band when Pentangeli wishes them to play "The Tarantalla." See more »
After seeing The Godfather and improving it as one of my favorite films, I wanted to get more into The Godfather so I rented this. Words can't describe how great this sequel was. The acting once again was amazing and the story and how the movie went on just never got me bored. Everything in this movie was clearly beautiful. The ending by far was my favorite when there all sitting at the table talking. There were so many great scenes like Vito when he was younger, Fredo at the lake, and many many more. You have to see this movie because it's just brilliant filmaking. It's not better than it's first film but still an extremely worth sequel.
10/10
82 of 111 people found this review helpful.
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After seeing The Godfather and improving it as one of my favorite films, I wanted to get more into The Godfather so I rented this. Words can't describe how great this sequel was. The acting once again was amazing and the story and how the movie went on just never got me bored. Everything in this movie was clearly beautiful. The ending by far was my favorite when there all sitting at the table talking. There were so many great scenes like Vito when he was younger, Fredo at the lake, and many many more. You have to see this movie because it's just brilliant filmaking. It's not better than it's first film but still an extremely worth sequel.
10/10