Carrie (1976)

User Rating:

7.4/10   

Director:

Brian De Palma

Writers:

Lawrence D. Cohen (writer)
Stephen King (novel)

Release Date:

3 November 1976 (USA)

Genre:

Drama | Horror | Thriller

Tagline:

You were warned never to push Carrie to the limits. Now you must face the evil consequences.

Plot:

A mousy and abused girl with telekinetic powers gets pushed too far on one special night.

Plot Keywords:

Prom | Student | Teacher | Night | Outsider

Awards:

Nominated for 2 Oscars. Another 3 wins & 4 nominations

Cast

Sissy Spacek	...	Carrie White
Piper Laurie	...	Margaret White
Amy Irving	...	Sue Snell
William Katt	...	Tommy Ross
Betty Buckley	...	Miss Collins
Nancy Allen	...	Chris Hargensen
John Travolta	...	Billy Nolan
P.J. Soles	...	Norma Watson
Priscilla Pointer	...	Mrs. Eleanor Snell
Sydney Lassick	...	Mr. Fromm
Stefan Gierasch	...	Mr. Henry Morton
Michael Talbott	...	Freddy DeLois
Doug Cox	...	The Beak
Harry Gold	...	George Dawson
Noelle North	...	Freida Jason

Runtime:

98 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Canada:R (Nova Scotia/Ontario) | West Germany:16 (re-rating) | West Germany:18 (original rating) | Portugal:M/16 | Finland:(Banned) (uncut) (1977) | Finland:(Banned) (cut) (1978) | Finland:K-16 (uncut) (1993) | Finland:K-18 (uncut) (1991) | Brazil:16 | South Korea:18 | Argentina:16 (re-rating) (2000) | Argentina:X (original rating) | Argentina:18 (re-rating) (1983) | Spain:18 | New Zealand:R16 | Australia:R | Canada:13+ (Quebec) | Canada:18A (Alberta) (2000) | Canada:PA (Manitoba) | Chile:18 | France:-16 | Iceland:16 | Netherlands:16 | Norway:15 (2000) | Norway:18 | Peru:18 | Singapore:M18 | Sweden:15 | UK:18 | USA:R (certificate #24688) | Ireland:18 | UK:X (original rating)

Filming Locations:

Culver City Studios - 9336 W. Washington Blvd., Culver City, California, USA

Company:

Redbank Films

Trivia:

Nancy Allen claims that she never realized that her character was going to be so evil until she saw the finished film, she thought that she and John Travolta were playing such self-centered, bickering morons that they were there for comic relief. Piper Laurie also thought that the character of Margaret White was so over the top that the film had to be a comedy.

Goofs:

Revealing mistakes: When Chris and Billy are in the car, Chris calls Billy a stupid shit and he slaps her cheek with the back of his hand. A loud sound is heard, but he clearly isn't actually hitting her hard.

Quotes:

Chris Hargenson: She can't get away with this. I'm gonna get her.
Sue Snell: Let it go, Chris.
Chris Hargenson: Like Hell, I will!

Movie Connections:

Referenced in "Life's Work: Pilot (#1.1)" (1996)

Soundtrack:

I Never Dreamed Someone Like You Could Love Someone Like Me

MELDING OF TWO GREAT ARTISTS

"Carrie" is a melding of two great artists, in this case, Stephen King, who wrote the novel and Brian DePalma, who directed the film. This is a tense, exciting thriller that is also a sturdy character study. It's hard to make a film that can accomplish both, but DePalma does it.

King's novel mostly dealt with a telekinetic girl who is cruelly treated by her classmates. DePalma and screenwriter Lawrence Cohen follow the novel fairly closely, with the exception of the ending, which is a great deal more sensationalistic and better, in my opinion. (King himself liked the finale and the film, as stated in his exceptional study of the horror genre "Danse Macabre")

As is the case in most DePalma films, the technical credits are superb. The cinematography (by Mario Tosi)is extremely effective; colors and shadows have never been shot more effectively in a DePalma film since. The film score is by Pino Donaggio, and it marks the first collaboration between Donaggio and DePalma. (Bernard Herrmann died shortly after "Obsession" was completed) Donaggio is among the most underrated and overlooked composers of his time. His scores for "Dressed to Kill", "Blow Out" and "Body Double" are all exceptional and all deserved Oscars. "Carrie" is no less brilliant, as it accomplishes what all great scores are supposed to do: enhance the film without giving anything away. Paul Hirsch's editing is also extremely effective as it was in "Sisters", "Obsession", "Blow Out" and "Raising Cain".

But it is the performances that make "Carrie" stand out. Carrie is played by Sissy Spacek in a performance of such power and strength that she received an Oscar nomination for Best Actress (the first actress ever to be nominated for a horror film; the second would be Sigourney Weaver for "Aliens")She manages to hit all the right notes. A lesser actress would have veered toward melodrama. Spacek plays the role more realistically and the film is much more effective that way. (Just in case you didn't know, Spacek was a DePalma regular, but off-screen; she was the art director for several of his early pictures). Also, "Carrie" marked the return of Piper Laurie to films after a too-long hiatus (her last credit was "The Hustler") Here, she plays Carrie's mother. Again, a lesser actress would have veered toward melodrama, but Laurie resists the temptation. Her performance is a real knockout and also garned an Oscar nomination (she should have won, but typical Academy genius set in and gave the prize to Beatrice Straight who was in "Network" for a whopping 10 minutes and really didn't do much.)Also, as a side note, this film also is a start for some future DePalma regulars such as John Travolta (his first major studio film) and Nancy Allen (her first major role)

What I really liked about "Carrie" is the absolutely perfect ending. I had commented before that "Sisters" had an absolutely perfect ending. The one thing about Brian DePalma is that he knows how to end a picture. "Dressed to Kill" had a really good one, although some people hated it as well as "Blow Out". "The Fury" has the greatest ending of all the DePalma thrillers.

A small note to finish: In 1999, "Carrie 2" was made by profiteers at MGM. Despite a rich premise, the film was an artistic failure. DePalma had nothing to worry about. The sequel (retread might be a better word) lacks everything that makes DePalma's original so good. Rent or buy the original, on tape (in pan-and-scan or widescreen)and DVD (widescreen)and forget the sequel, even if they give it away.

**** out of 4 stars