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Directed by | |||
| Robert Zemeckis | |||
Writing credits | ||
| Robert Zemeckis | (written by) & | |
| Bob Gale | (written by) | |
Produced by | |||
| Neil Canton | .... | producer | |
| Bob Gale | .... | producer | |
| Kathleen Kennedy | .... | executive producer | |
| Frank Marshall | .... | executive producer | |
| Steven Spielberg | .... | executive producer | |
Original Music by | |||
| Alan Silvestri | |||
Cinematography by | |||
| Dean Cundey | (director of photography) | ||
Film Editing by | |||
| Harry Keramidas | |||
| Arthur Schmidt | |||
Casting by | |||
| Jane Feinberg | |||
| Mike Fenton | |||
| Judy Taylor | |||
Production Design by | |||
| Lawrence G. Paull | |||
Art Direction by | |||
| Todd Hallowell | |||
Set Decoration by | |||
| Hal Gausman | |||
Costume Design by | |||
| Deborah Lynn Scott | (as Deborah L. Scott) | ||
Makeup Department | |||
| Dorothy Byrne | .... | hair stylist | |
| Ken Chase | .... | makeup designer | |
Production Management | |||
| Jack Grossberg | .... | unit production manager | |
| Dennis E. Jones | .... | unit production manager | |
| Arthur F. Repola | .... | post production supervisor (as Arthur Repola) | |
Second Unit Director or Assistant Director | |||
| Mitchell Bock | .... | first assistant director: second unit | |
| Pamela M. Eilerson | .... | second assistant director (as Pamela Eilerson) | |
| Frank Marshall | .... | second unit director | |
| David McGiffert | .... | first assistant director | |
| Concetta Rinaldo-Williams | .... | dga trainee (as Concetta Rinaldo) | |
Art Department | |||
| Cameron Birnie | .... | set designer | |
| Ernest Depew | .... | construction coordinator (as Ernie Depew) | |
| Al Gaynor | .... | graphic artist | |
| Al Gaynor | .... | scenic artist | |
| Kirk D. Hansen | .... | paint foreman | |
| Joseph E. Hubbard | .... | set designer | |
| Dick Lasley | .... | production illustrator | |
| Margie Stone McShirley | .... | set designer (as Marjorie Stone McShirley) | |
| James Passanante | .... | standby painter (as Jim Passanante) | |
| Joe Pfaltzgraf | .... | assistant property master | |
| Andrew Probert | .... | production illustrator | |
| Michael Scheffe | .... | construction coordinator: DeLorean | |
| Arthur Smedley | .... | lead person (as Art Smedley) | |
| 'Dangerous' Bob Widin | .... | assistant property master | |
| John Zemansky | .... | property master | |
| Mario D'Alfonso | .... | labor foreman (uncredited) | |
| Robert Misetich | .... | paint foreman (uncredited) | |
| Drew Struzan | .... | poster artist (uncredited) | |
Special Effects by | |||
| Sam Adams | .... | special effects | |
| Richard Chronister | .... | special effects | |
| William A. Klinger | .... | special effects (as William Klinger) | |
| Kevin Pike | .... | special effects supervisor | |
| Kimberley Pike | .... | special effects | |
| Neil Smith | .... | special effects foreman | |
| Steve Suits | .... | special effects | |
| David Wischnack | .... | special effects foreman | |
| Neil Trifunovich | .... | special effects buyer (uncredited) | |
Visual Effects by | |||
| Steve Gawley | .... | supervising modelmaker (uncredited) | |
| Ned Gorman | .... | production buyer (uncredited) | |
| Pamela Marcotte | .... | visual effects (uncredited) | |
| Michael Moore | .... | assistant visual effects editor (uncredited) | |
| Ken Ralston | .... | visual effects supervisor: Bafta (uncredited) | |
| Jay Riddle | .... | animation camera: ILM (uncredited) | |
| Thomas Rosseter | .... | optical lineup (uncredited) | |
Stunts | |||
| Richard E. Butler | .... | stunts | |
| Charles Croughwell | .... | stunts (as Charlie Croughwell) | |
| Loren Janes | .... | stunts | |
| Max Kleven | .... | stunts | |
| Bernie Pock | .... | stunts | |
| Spiro Razatos | .... | stunts | |
| Robert Schmelzer | .... | stunts | |
| John-Clay Scott | .... | stunts | |
| Walter Scott | .... | stunt coordinator | |
| Per Welinder | .... | stunts | |
| Bob Yerkes | .... | stunts | |
| Charles Croughwell | .... | stunt double: Michael J. Fox (uncredited) | |
| Terry Jackson | .... | stunts (uncredited) | |
Costume and Wardrobe Department | |||
| Brian Callahan | .... | costume supervisor: men | |
| Julie Starr Dresner | .... | key costumer | |
| Haleen K. Holt | .... | costume illustrator (uncredited) | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter (as Donah J. Bassett) | |
| Barbara Palmer Dixon | .... | assistant film editor (as Barbara Dixon) | |
| Terry Haggar | .... | color timer | |
| Roger Jaep | .... | apprentice film editor | |
| Peter Lonsdale | .... | assistant film editor (as Peter N. Lonsdale) | |
| Charles Simmons | .... | apprentice film editor | |
| David Handman | .... | assistant editor (uncredited) | |
Music Department | |||
| Dick Bernstein | .... | music software | |
| James B. Campbell | .... | orchestrator (as James Campbell) | |
| Bones Howe | .... | music supervisor | |
| Kenneth Karman | .... | music editor | |
| Huey Lewis | .... | musician | |
| Dennis S. Sands | .... | music scoring mixer (as Dennis Sands) | |
| Deborah Zimmerman | .... | assistant music editor | |
| Tommy Johnson | .... | musician: tuba (uncredited) | |
Transportation Department | |||
| Bob Cornell | .... | transportation captain (as Bob R. Cornell) | |
| John Feinblatt | .... | transportation coordinator | |
| Tom Garris | .... | transportation captain | |
| Eugene Schwartz | .... | transportation manager (as Gene Schwartz) | |
| Jack Carpenter | .... | driver: insert car (uncredited) | |
| Gregory Dultz | .... | driver (uncredited) | |
Other crew | |||
| Kate Barker | .... | assistant: Ms. Kennedy | |
| Maureen O. Beall | .... | production coordinator (as Maureen Osborne-Beall) | |
| Richard L. Calkins | .... | animal handler (as Richard Caulkins) | |
| Jeffrey R. Coates | .... | production associate | |
| Ron Cobb | .... | consultant: DeLorean time travel | |
| Robert R. Draney | .... | assistant accountant | |
| Lynn D. Ezelle | .... | assistant accountant | |
| Ann Furia | .... | assistant accountant | |
| Anthony Gibson | .... | production associate | |
| Babette Gorman | .... | assistant: Mr. Canton (as Babette T. Gorman) | |
| Nancy Hansen | .... | script continuity (as Nancy B. Hansen) | |
| Diana L. Hayes | .... | production associate | |
| Brad Jeffries | .... | choreographer | |
| Leanne Moore | .... | production accountant | |
| Julie Moskowitz | .... | assistant: Mr. Spielberg | |
| Gail Oliver | .... | assistant: Mr. Zemeckis | |
| Eileen Omaye | .... | assistant: Mr. Gale | |
| Ramon Pahoyo | .... | craft service (as Ramon B. Pahoyo) | |
| Paul Pav | .... | location manager | |
| Bonne Radford | .... | production controller | |
| Mary T. Radford | .... | assistant: Mr. Marshall | |
| Marsha Robertson | .... | unit publicist | |
| Nina Saxon | .... | title design | |
| Rob Stevens | .... | assistant production coordinator | |
| Steven Talmy | .... | production associate | |
| Judy Thomason | .... | assistant: Mr. Repola | |
| Robert Weatherwax | .... | animal handler | |
| Alexander Xavier Ponce-Bonano | .... | scientific consultant (uncredited) | |
Thanks | |||
| Mark Campbell | .... | special thanks | |
| Ron Hitchcock | .... | special thanks | |
| Gregg Landaker | .... | special thanks | |
| Steve Maslow | .... | special thanks | |
| Tim May | .... | special thanks | |
| Stephen Semel | .... | special thanks | |
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| Back to the Future Part II | The Goonies | The Karate Kid | Toy Story | Fat Albert |
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| Full cast and crew | Company credits | External reviews |
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| IMDb USA section | Add this title to MyMovies |
Back To The Future is such an inventive and exciting piece of filmmaking that it is impossible to forget about it. The casting of every character involved was absolutely perfect, and the performances were spectacular. I first saw this film when I was six years old, and it is the only movie that I know of that I don't think I could ever get sick of.
One of the best things about Back To The Future is that it really makes you think. You can have in-depth conversations about the plausibility of the story-line and spend hours discussing the film. The story is awesome, it is delivered cleverly and entertainingly, and the movie as a whole is just so much FUN that it can be forgiven whatever number of time-travel discrepancies that may be found in the plot.
I cannot recommend this movie enough. I have never found a movie other than this one that provides such a huge dose of great fun, and it has the desirable quality where you are able to see something new each time you see it. The only problem is that they stopped at part III.