Moi Ivan, toi Abraham (1993)

User Rating:

7.5/10   

Director:

Yolande Zauberman

Writer:

Yolande Zauberman (writer)

Release Date:

26 May 1993 (France)

Genre:

Drama

Plot:

In 1930s Poland, it was traditional for some Christian boys to live for a time with Jewish families in order to learn a trade from Jewish craftsmen...

Plot Keywords:

Boyhood Friends | Coming Of Age | Circumcision | Jewish Culture | Racism

Awards:

3 wins

Cast

Roma Alexandrovitch	...	Abraham
Aleksandr Yakovlev	...	Ivan (as Sasha Yakovlev)
Vladimir Mashkov	...	Aaron
Mariya Lipkina	...	Rachel
Hélène Lapiower	...	Reyzele
Aleksandr Kalyagin	...	Mardoche
Rolan Bykov	...	Nachman
Zinoviy Gerdt	...	Zalman
Aleksey Serebryakov
Armen Dzhigarkhanyan
Aleksey Gorbunov
Valeri Ivchenko
Daniel Olbrychski	...	Stepan
Oleg Yankovskiy	...	Prince
Ailika Kremer	...	Mania

Also Known As:

Ivan and Abraham
Me Ivan, You Abraham
Ya - Ivan, Ty - Abram

Runtime:

105 min

Country:

France | Belarus

Language:

Yiddish | Polish | Russian | Romany

Color:

Black and White

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono

Certification:

Sweden:11

Company:

Belarusfilm

Boys of different faiths survive in Polish shtetl

Abraham is 9 years old, a Jewish lad in a Polish shtetl in the late 1930's. This shtetl is not like the one in Fiddler on the Roof. It is positively Middle Ages, all dirt roads and rough huts, poor peasants and rich landlords. A hardscrabble existence at the best of times, but about to be blown into oblivion by the start of World War 2.

Ivan is 14 years old, a Christian boy sent to live in the Jewish shtetl to learn a trade from Abraham's father.

Roma Alexandrovitch plays Abraham, and Alexandr (Sacha) Yakovitch plays Ivan. The differences between these two boys, and also their similarities, serve as allegories to the great troubles about to enfold Europe.

The boys are fond of each other, to the point of comparing their Jewish and Christian differences by playing doctor in the haystacks. Yet their affection will be severely tried, as events beyond their control split the shtetl.

The local rich landlord sells the land and displaces the tenants, an allegory to the coming shoa of the Polish Jews.

The boys run away, but are mistaken for Gypsies. Another allegory to the fate of the Gypsies under the German invaders.

This movie is brooding and dark. Only the boys affection brings any light. Yet, how can a story about the early stages of World War 2 be anything but sombre?