After a visit with his sons, Schillinger realizes he needs to get paroled. He convinces McManus to let him return to Em City with the condition that he leaves Beecher alone. Beecher comes out of the ...
With things wild in Em City, O'Reily begins a surprising affair. Zabitz asks Schillinger for protection from Keller--who tries to get into the rehab program to make amends with Sister Pete. Beecher ...
"The IMDb Show" Thanksgiving special: Alan Tudyk ranks his top five droids of all time, we track down the cast of Roman J. Israel, Esq., and we share our favorite Thanksgiving TV episodes with memorable sitcom families.
Oz chronicles life inside an experimental cell block in the Oswald Maximum Security Correctional Facility: Level Four called Emerald City. Under unit manager Tim McManus and Warden Leo Glynn, the inmates in Em City all struggle to fulfill their own needs. Some fight for power; either power over the drug trade or power over the other inmate factions. Others want money, either through slinging 'tits' (drugs), gambling or other scams. Others, Corrections officers and inmates alike, simply want to survive long enough to make parole or even to see tomorrow. The show gives a no-holds-barred account of prison life with all the plots, subplots and conflicts given context and explanation by the show's wheelchair-bound narrator, Augustus Hill. Written by
In the 2013 book "Difficult Men: Behind the Scenes of a Creative Revolution: From The Sopranos and The Wire to Mad Men and Breaking Bad", author Brett Martin notes that while he was a writer and executive producer on Oz, Tom Fontana would often subsidize Oz actors' outside theater projects. Fontana said that he gave the donations so that he wouldn't actually have to attend the shows--that it was "worth $1000 not to have to see a play." See more »
Miguel Alvarez - The large black-and-white rose tattoo on the back of the character's hand, throughout the course of the series, alternates between being on his right hand and on his left. See more »
More genius from the creators of "Homicide: Life on the Street"
OK, it's violent and bloody and vicious and cruel. It's also wildly creative, beautifully filmed, brilliantly acted (with very few exceptions) and has a great framing device. The stories are both filled with detail and minutiae, and also have overarching moral tales and "big picture" flow. At the end of almost every episode you'll probably find yourself muttering "This is SUCH a good show!"
Although it is ostensibly the story of a prison and its many prisoners, 'Oz' can be viewed as primarily the story of one man, Tobias Beecher. Beecher has committed vehicular manslaughter while driving drunk. Because Beecher is a lawyer, the court decides to make an example of him and sends him to maximum security at Oswald Penitentiary. His journey through Oz is basically the rest of the series, and it's certainly no yellow brick road he follows. Everything that you could imagine happening in a prison setting happens, and probably a lot you wouldn't imagine.
He gets assigned to "Em" City (Emerald City), an experimental unit in Oz; the goal of Em City is to try a different living environment, one that might give the prisoners a chance at changing their lives and possibly rehabilitate them. Managed by a true prison reform zealot, Tim McManus, Em City is for many prisoners the only hope in their lives. The inmates of Em City are some of the most brutal offenders in the entire penitentiary - McManus insists that these are the prisoners to try to reach. McManus also picks newer prisoners, ones that don't have life sentences, to add to the mix and to give them a shot at rehabilitation.
Every episode has a storyteller - most of the time the storyteller is Augustus Hill, shot while killing a cop and now confined to a wheelchair. Because he is unable to be physically brutal anymore, because he is more imprisoned than even his fellow prisoners, Augustus is very insightful and is used to heighten and clarify themes for the audience.
The other inmates in Em City all have their own character development and story arcs - some are impressively vibrant but brief, others last for the whole series - but ultimately the writers always return to Beecher and his story. His friends (few), his enemies (many), his family, and his relationships with the prison staff.
Amid the worst that prison can dish out, the inmates struggle with the meaning of religion, with definitions of family, with the corruption of politics, with friendship, betrayal, and ultimately, survival. There are moments of sheer wanton destruction, unspeakable violence, shocking cruelty, and pure evil. It's prison! There is nothing glorified here; inmates do drugs to escape the horror of their realities, gangs murder each other over trivialities, inmates and guards commit rape just because they can. But how they manage to survive - and IF they manage to survive - keeps you watching.
Some key performances: The always perfect J.K. Simmons as Schillinger, the leader of the Aryans; Chris Meloni as Chris Keller (quite a different part than his character on L&O: SVU!); Lee Tergesen as Beecher; Eamonn Walker as Said, the leader of the Muslims; Dean and Scott Winters (real-life brothers) as Ryan and Cyril O'Reilly; and Kirk Acevedo as Miguel Alvarez, a member of the Latinos. But honestly, the whole cast is excellent. Even most of the "guest starring" roles - new inmates who practically have an expiration date stamped on them - are good, and at least are pretty interesting.
It's coming out on DVD in dribs and drabs - rent it, borrow it, steal it, whatever. But watch it!
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