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Badge of Fear (1997)
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Overview
User Rating:
Tagline:
Be careful how you treat a lady. Especially if she wears a badge.Plot:
A policewoman gets involved with the actor she was supposed to protect. full summary | add synopsisPlot Keywords:
User Comments:
if you watch all of this, you deserve a medal more (2 total)Cast
(in credits order) | Josie Davis | ... | Officer Samantha 'Sam' Edwards |
 | Daniel Matmor | ... | Brock Williams |
| David Ellsworth | ... | Pete Andreur |
| Lori Rockwell | ... | Peggy Williams |
| Mike Toney | ... | Lt. Dan Fields |
| Brock Woods | ... | Neal Ashton |
| Ian Chandler Scott | ... | Jamie |
| Sean McGarry | ... | Victor Staboos |
| Gino Greco | ... | Tom Calahan |
| Sharon Young | ... | Linda |
| Joe Freeman | ... | Sgt. Dave Koehler |
| Steve Karr | ... | Pepe |
| Tony Greco | ... | Delivery Boy |
| David Nicola | ... | A.D. |
| Julie Morris | ... | Surveillance Technician |
| Bill Losey | ... | Surveillance Technician |
Directed by | |||
| Roberto Tenura | |||
Writing credits(in alphabetical order) | ||
| Lee Braddock | writer | |
Produced by | |||
| Robert P. Amira | .... | executive producer | |
| Peter Greco | .... | producer | |
| Brock Woods | .... | producer | |
Original Music by | |||
| Ken Fix | (as Ken Fixy II) | ||
| Jeffrey Dean Johnson | |||
| Steven Jae Johnson | |||
| Jim Lim | |||
Cinematography by | |||
| Philip D. Schwartz | |||
Film Editing by | |||
| Linda Schubell-Sundlin | (as Linda Sundlin) | ||
Makeup Department | |||
| Nicole Roybal | .... | makeup artist | |
Production Management | |||
| Sue Mischel | .... | executive in charge of production | |
| Wally Samson | .... | production manager | |
Sound Department | |||
| Arthur J. Congero | .... | sound editor | |
| David Nicola | .... | boom operator | |
Camera and Electrical Department | |||
| Gary Bonchek | .... | key dolly grip | |
| Mike Flanigan | .... | electrician | |
| Tony Greco | .... | assistant camera | |
| Steven L. Henry | .... | best boy grip (as S. Reno Henry) | |
| Greg Hoffman | .... | still photographer | |
| Michael R. Long | .... | electrician | |
| Michael R. Long | .... | grip | |
| Ron N. Sill | .... | chief lighting technician (as Ron Sill) | |
| Ed Wagner | .... | video engineer | |
Costume and Wardrobe Department | |||
| Colleen Fleming | .... | wardrobe | |
Other crew | |||
| Ian Scott | .... | production coordinator | |
Production CompaniesDistributors
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
81 minCountry:
USALanguage:
EnglishColor:
ColorCertification:
USA:RFilming Locations:
Las Vegas, Nevada, USAFAQ
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Chances are that you could easily find a better way to spend your time and/or money than this debacle. Policewoman Samantha is reassigned from the narcotics squad to the much less exciting Personnel Surveillance Force. Her first new mission is to pacify the routine of a well-known actor, who's gonna be filming in her beat for awhile. With his marriage seemingly on the rocks, the situation between Sam and the actor becomes quite heated. But, when the actor's estranged wife talks reconciliation, Sam turns out to be a sore loser, which I don't think is supposed to be as predictable as it is. Also, throw in there Sam's unpleasant recollection from childhood of her father-figure relationship, although he, too, was a cop, killed in the line of duty. Some of the acting and behavior is very stiff and contrived. Much of the film is botheringly slow-paced. You should be awarded a BADGE OF -NO- FEAR if you view this entire production.