| Photos (see all 221 | slideshow) | Videos (see all 10 NEW) |
| Edward Norton | ... | The Narrator | |
| Brad Pitt | ... | Tyler Durden | |
| Helena Bonham Carter | ... | Marla Singer | |
| Meat Loaf | ... | Robert 'Bob' Paulson (as Meat Loaf Aday) | |
| Zach Grenier | ... | Richard Chesler | |
| Richmond Arquette | ... | Intern | |
| David Andrews | ... | Thomas | |
| George Maguire | ... | Group Leader | |
| Eugenie Bondurant | ... | Weeping Woman | |
| Christina Cabot | ... | Group Leader | |
| Sydney 'Big Dawg' Colston | ... | Speaker | |
| Rachel Singer | ... | Chloe | |
| Christie Cronenweth | ... | Airline Attendant | |
| Tim De Zarn | ... | Inspector Bird | |
| Ezra Buzzington | ... | Inspector Dent | |
| Dierdre Downing-Jackson | ... | Woman on Plane | |
| Bob Stephenson | ... | Airport Security Officer (as Robert J. Stephenson) | |
| Charlie Dell | ... | Doorman | |
| Rob Lanza | ... | Man in Suit | |
| David Lee Smith | ... | Walter | |
| Holt McCallany | ... | The Mechanic | |
| Joel Bissonnette | ... | Food Court Maitre D' | |
| Eion Bailey | ... | Ricky | |
| Evan Mirand | ... | Steph | |
| Robby Robinson | ... | Next Month's Opponent | |
| Lou Beatty Jr. | ... | Cop at Marla's Building | |
| Thom Gossom Jr. | ... | Detective Stern | |
| Valerie Bickford | ... | Susan, Cosmetics Dealer | |
| Jared Leto | ... | Angel Face | |
| Peter Iacangelo | ... | Lou | |
| Carl Ciarfalio | ... | Lou's Body Guard (as Carl N. Ciarfalio) | |
| Stuart Blumberg | ... | Car Salesman | |
| Todd Peirce | ... | Man #1 at Auto Shop | |
| Mark Fite | ... | Man #2 at Auto Shop | |
| Matt Winston | ... | Seminary Student | |
| Joon B. Kim | ... | Raymond K. Hessel | |
| Bennie Moore | ... | Bus Driver with Broken Nose (as Bennie E. Moore Jr.) | |
| Lauren Sanchez | ... | Channel 4 Reporter (as W. Lauren Sanchez) | |
| Pat McNamara | ... | Police Commissioner Jacobs | |
| Tyrone R. Livingston | ... | Banquet Speaker | |
| Owen Masterson | ... | Airport Valet | |
| David Jean Thomas | ... | Policeman (as David Jean-Thomas) | |
| Paul Carafotes | ... | Salvator, Winking Bartender | |
| Christopher John Fields | ... | Proprietor of Dry Cleaners | |
| Anderson Bourell | ... | Bruised Bar Patron #1 | |
| Scotch Ellis Loring | ... | Bruised Bar Patron #2 | |
| Michael Shamus Wiles | ... | Bartender in Halo | |
| Andi Carnick | ... | Hotel Desk Clerk | |
| Edward Kowalczyk | ... | Waiter at Clifton's | |
| Leonard Termo | ... | Desk Sergeant | |
| Van Quattro | ... | Detective Andrew | |
| Markus Redmond | ... | Detective Kevin | |
| Michael Girardin | ... | Detective Walker | |
| rest of cast listed alphabetically: | |||
| Jawara | ... | Fight Patron Saying 'What's going on?' | |
| Michael Arturo | ... | BMW Salesman (uncredited) | |
| Paul Dillon | ... | Irvin (uncredited) | |
| Eddie Hargitay | ... | Chanting Fighter (uncredited) | |
| Phil Hawn | ... | Banquet Guest (uncredited) | |
| Baron Jay | ... | Waiter (uncredited) | |
| Jim Jenkins | ... | Restaurant Maitre'd (uncredited) | |
| Kevin Scott Mack | ... | Passenger Clutching Armrest (uncredited) | |
| Louis Ortiz | ... | Fight Patron (uncredited) | |
| Hugh Peddy | ... | Fight Club Man (uncredited) | |
| J.T. Pontino | ... | Fight Club Man (uncredited) | |
| Chad Randau | ... | Waiter (uncredited) | |
| Marcio Rosario | ... | Fighter (uncredited) | |
| Gregory Silva | ... | Riley Wilde, Fighter (uncredited) | |
| Brian Tochi | ... | Fight Bully (uncredited) | |
| Alejandro Valdez | ... | Bar Worker saying "His name is Robert Paulsen" (uncredited) | |
Directed by | |||
| David Fincher | |||
Writing credits(WGA) | ||
| Chuck Palahniuk | (novel) | |
| Jim Uhls | (screenplay) | |
Produced by | |||
| Ross Grayson Bell | .... | producer | |
| Ceán Chaffin | .... | producer (as Cean Chaffin) | |
| John S. Dorsey | .... | associate producer | |
| Art Linson | .... | producer | |
| Arnon Milchan | .... | executive producer | |
Original Music by | |||
| Dust Brothers | |||
| John King | (as The Dust Brothers) | ||
| Michael Simpson | (as The Dust Brothers) | ||
Cinematography by | |||
| Jeff Cronenweth | |||
Film Editing by | |||
| James Haygood | |||
Casting by | |||
| Laray Mayfield | |||
Production Design by | |||
| Alex McDowell | |||
Art Direction by | |||
| Chris Gorak | |||
Set Decoration by | |||
| Jay Hart | (as Jay R. Hart) | ||
Costume Design by | |||
| Michael Kaplan | |||
Makeup Department | |||
| Fríða Aradóttir | .... | key hair stylist (as Frida Aradottir) | |
| Jean Ann Black | .... | makeup artist: Mr. Pitt (as Jean A. Black) | |
| Rob Bottin | .... | special makeup effects supervisor | |
| Rebecca Deleo | .... | hair consultant: Mr. Pitt | |
| Rick Glassman | .... | special dental effects | |
| Patricia Miller | .... | hair stylist (as Patty Miller) | |
| Julie Pearce | .... | key makeup artist | |
| Art Pimentel | .... | mold maker: Rob Bottin Productions (as Arthur Pimentel) | |
| Margaret Prentice | .... | makeup artist | |
| Randy Westgate | .... | makeup artist (as Randy S. Westgate) | |
| Lisa Buono | .... | additional makeup artist (uncredited) | |
| Zoltan Elek | .... | makeup artist (uncredited) | |
Production Management | |||
| Julie M. Anderson | .... | production supervisor | |
| Peter Mavromates | .... | post-production supervisor | |
| Helen Pollak | .... | unit production manager | |
Art Department | |||
| Fanée Aaron | .... | model maker | |
| Sam Aguilar | .... | labor foreman | |
| Craig B. Ayers Sr. | .... | greensman | |
| P. Scott Bailey | .... | lead man (as Scott Bailey) | |
| Charles W. Belisle | .... | set dresser | |
| Kai Blomberg | .... | set dresser | |
| Max E. Brehme | .... | set dresser | |
| David B. Brenner | .... | propmaker foreman (as David Brenner) | |
| Thomas E. Brown | .... | head paint foreman (as Tom Brown) | |
| Richard K. Buoen | .... | illustrator (as Rick K. Buoen) | |
| Bryan Duff | .... | assistant property master | |
| Franco Esile | .... | set dresser | |
| Brian Ferguson | .... | set dresser | |
| Neil Gahm | .... | propmaker foreman | |
| Collin Grant | .... | storyboard artist | |
| Will Grant | .... | set dresser (as William Andrew John Grant) | |
| Chris Grantz | .... | set dresser | |
| Bryan Hill | .... | set dresser | |
| Luis G. Hoyos | .... | set designer | |
| Bill 'Kauhane' Hoyt | .... | stand-by painter | |
| Peter J. Kelly | .... | set designer | |
| Tani Kunitake | .... | illustrator | |
| Tim R. Lafferty | .... | construction foreman (as Tim Lafferty) | |
| Larry Laurent | .... | paint foreman | |
| John Leone | .... | labor foreman | |
| Julia K. Levine | .... | set designer (as Julia Levine) | |
| 'Butch' Montgomery | .... | propmaker foreman | |
| Bryce Moore | .... | assistant property master | |
| Roy 'Bucky' Moore | .... | property master | |
| Fred O'Connor | .... | propmaker | |
| Jeff Passanante | .... | construction coordinator | |
| Tyler Patton | .... | set dresser | |
| Adam Pearlman | .... | set dresser | |
| S. Quinn | .... | art department coordinator | |
| Peter A. Ramsey | .... | storyboard artist (as Peter Ramsey) | |
| Seth Reed | .... | assistant art director | |
| Greg Rocco | .... | on-set dresser (as Gregory N. Rocco) | |
| Paul M. Rohrbaugh III | .... | paint foreman (as Paul Milton Rohrbaugh III) | |
| Steve Roll | .... | propmaker foreman (as Stephen Roll) | |
| Eric Rosenberg | .... | graphic designer | |
| Hugo Santiago | .... | set designer | |
| Andrew M. Scudier | .... | paint foreman (as Andy Scudier) | |
| Doug Sieck | .... | set dresser | |
| Domenic Silvestri | .... | set designer (as Domenic H. Silvestri) | |
| Danielle Simpson | .... | set dressing buyer (as Danielle M. Simpson) | |
| Bruce G. Smith | .... | paint foreman | |
| George Stokes | .... | propmaker foreman (as George W. Stokes Jr.) | |
| Clint Taylor | .... | propmaker foreman | |
| Manuel Valenzuela | .... | labor foreman (as Manny Valenzuela) | |
| Timothy Vierra | .... | propmaker foreman | |
| Timothy S. Wiles | .... | set dresser (as Tim Wiles) | |
| G. Roger Abell | .... | leadman: reshoots (uncredited) | |
| Dianne Chadwick | .... | art department assistant (uncredited) | |
| Skip Crank | .... | props (uncredited) | |
| Tammy DeRuiter | .... | painter (uncredited) | |
| Sean Hood | .... | swing gang (uncredited) | |
| Jim C. Johnson | .... | set dresser (uncredited) | |
| Troy Alan Peters | .... | set dresser (uncredited) | |
| Kevin Wasner | .... | props (uncredited) | |
Sound Department | |||
| Jessica Bellfort | .... | assistant sound editor | |
| Tom Bellfort | .... | adr editor | |
| Steve Boeddeker | .... | sound effects editor | |
| Todd Boekelheide | .... | sound re-recording mixer | |
| David Boulton | .... | adr mixer | |
| Lindakay Brown | .... | conforming sound editor | |
| Derek Casari | .... | adr engineer | |
| Lisa Chino | .... | assistant supervising sound editor | |
| Kyrsten Mate Comoglio | .... | conforming sound editor (as Kyrsten Comoglio) | |
| Don Coufal | .... | boom operator | |
| Andre Fenley | .... | assistant sound editor (as Andrè Fenley) | |
| Malcolm Fife | .... | supervising foley editor | |
| David Gleeson | .... | additional sound mixer | |
| Mark C. Grech | .... | sound technician | |
| Sara Hegarty | .... | assistant sound editor (as Sarah Hegarty) | |
| Hilda Hodges | .... | foley artist | |
| David C. Hughes | .... | sound effects editor | |
| Richard Hymns | .... | supervising sound editor | |
| Misa Kageyama | .... | assistant sound designer | |
| Doc Kane | .... | adr mixer | |
| Ren Klyce | .... | sound designer | |
| Mary Jo Lang | .... | foley mixer (as Maryjo Lang) | |
| Larry Oatfield | .... | conforming sound editor | |
| David Parker | .... | sound re-recording mixer | |
| Brandon Proctor | .... | sound mix technician | |
| Richard Quinn | .... | dialogue editor (as Rich Quinn) | |
| Charleen Richards | .... | adr mixer | |
| John Roesch | .... | foley artist | |
| Christopher Scarabosio | .... | additional adr editor | |
| Larry Schalit | .... | assistant sound editor | |
| Jurgen Scharpf | .... | sound mix technician | |
| Michael Semanick | .... | sound re-recording mixer | |
| Ewa Sztompke | .... | dialogue editor (as Ewa Sztompke-Oatfield) | |
| Carolyn Tapp | .... | foley recordist | |
| Jeff Wexler | .... | sound mixer | |
| Michael J. White | .... | wild adr recordist | |
| Doug Winningham | .... | apprentice sound editor | |
| Gwendolyn Yates Whittle | .... | adr supervisor | |
| David Abrahamsen | .... | sound (uncredited) | |
| John Countryman | .... | sound re-recordist (uncredited) | |
| Jonathan Greber | .... | sound transfer supervisor (uncredited) | |
| Sean Landeros | .... | machine room operator (uncredited) | |
| Joan Malloch | .... | digital audio transferer (uncredited) | |
| Steve Romanko | .... | sound re-recordist (uncredited) | |
| Ronald G. Roumas | .... | sound re-recordist (uncredited) | |
| Dee Selby | .... | dialogue assistant (uncredited) | |
| Dee Selby | .... | digital sound transfers (uncredited) | |
| Mary Works | .... | assistant dialogue editor (uncredited) | |
Special Effects by | |||
| Wayne Burnes | .... | special effects technician | |
| Derrick Crane | .... | special effects | |
| Glen Hanz | .... | sculptor: Rob Bottin Productions, Inc. | |
| Moto Hata | .... | sculptor: Rob Bottin Productions, Inc. | |
| Kevin Pike | .... | special effects | |
| Edward T. Reiff Jr. | .... | special effects | |
| Eric Roberts | .... | special effects foreman | |
| Shawn Roberts | .... | special effects (as Derrell 'Shawn' Roberts) | |
| Cliff Wenger | .... | special effects coordinator | |
| Thomas D. Krausz | .... | specialty prop fabricator (uncredited) | |
| Donn Markel | .... | special effects technician (uncredited) | |
| Michael McGee | .... | special break-away props (uncredited) | |
Visual Effects by | |||
| Josh Aller | .... | custom software: Image Savant | |
| Debbie Andrews | .... | visual effects assistant (as Debbi M. Andrews) | |
| Fritz Archer | .... | digital effects editor: Blue Sky Studios | |
| David Bailey | .... | matte painter: Gray Matter | |
| Richard 'Dr.' Baily | .... | digital animation producer: Image Savant | |
| Richard 'Dr.' Baily | .... | digital animation supervisor: Image Savant | |
| James Battersby | .... | shot designer: Pixel Liberation Front | |
| Xavier Bec | .... | software development: BUF Inc. | |
| Dennis Berardi | .... | visual effects supervisor: Toybox | |
| Les Bernstien | .... | visual effects director of photography | |
| Yann Blondel | .... | CG supervisor: BUF Inc. | |
| Alex Boothby | .... | digital effects artist: Toybox | |
| Francois Boudaille | .... | digital artist: BUF Inc. | |
| Patricia Boulogne | .... | producer: BUF Inc. | |
| Nicholas Brooks | .... | digital compositor: Pixel Liberation Front | |
| Christopher M. Burrows | .... | rotoscoper: Blue Sky Studios | |
| Matthew E. Butler | .... | CG supervisor: Digital Domain (as Matthew Butler) | |
| Jeff Campbell | .... | digital effects compositor: Toybox | |
| Jaime Castañeda | .... | animator: Blue Sky Studios (as Jaime Andres Castañeda) | |
| Olivier Cauwet | .... | digital artist: BUF Inc. | |
| Thomas Clary | .... | digital effects associate producer: POP Film and Animation | |
| Gregory Creaser | .... | digital timer: Pacific Title | |
| Judith Crow | .... | opening sequence team lead: Digital Domain | |
| Andrea D'Amico | .... | visual effects producer: POP Film | |
| Robin L. D'Arcy | .... | visual effects producer (as Robin D'Arcy) | |
| Nicolas Darques | .... | digital artist: BUF | |
| Paolo deGuzman | .... | digital paint artist: Digital Domain (as Paolo J. de Guzman) | |
| Valerie Delahaye | .... | visual effects: Buf Inc | |
| Eric Deltour | .... | digital artist: BUF Inc. | |
| Roy L. Downey | .... | pyro foreman: Stirber Visual Network, Inc. (as Roy Downey) | |
| Tanya Doyle | .... | production assistant | |
| Christophe Dupuis | .... | CG supervisor: BUF Inc. (as Christophe-Oliver Dupuis) | |
| Michael Edland | .... | digital artist: Digital Domain | |
| Mike 'Fuzzy' Ellis | .... | digital film supervisor: Toybox (as Mike Ellis) | |
| Sean Andrew Faden | .... | digital artist: Digital Domain | |
| Lucio I. Flores | .... | software engineer: Digital Domain | |
| Ron Frankel | .... | pre-visualization supervisor: Pixel Liberation Front | |
| Michael J. Frick | .... | digital artist | |
| Sèverine Garnier | .... | digital artist: BUF Inc. | |
| Darin K. Grant | .... | software engineer: Digital Domain | |
| Colin Green | .... | shot designer: Pixel Liberation Front | |
| Derek Grime | .... | CG supervisor: Toybox | |
| Francesco Grisi | .... | producer: BUF Inc. | |
| Kevin Tod Haug | .... | visual effects supervisor | |
| Isabelle Haulin | .... | software development: BUF Inc. | |
| Christopher Holsey | .... | scan record supervisor | |
| Stephen Humphrey | .... | electrical: Stirber Visual Network, Inc. (as Steve Humphrey) | |
| Mark Joiner | .... | digital animation assistant: Image Savant | |
| Katherine Jones | .... | medical artist | |
| Michael Kanfer | .... | film imaging supervisor: Digital Domain (as Michael D. Kanfer) | |
| Joshua I. Kolden | .... | visual effects | |
| Patrick Lachaux | .... | digital artist: BUF Inc. | |
| Ryan Laney | .... | visual effects technical director | |
| Richard Lea | .... | model foreman: Stirber Visual Network, Inc. | |
| Dan Lemmon | .... | digital artist: Digital Domain (as Daniel Lemmon) | |
| Alexander Levenson | .... | modeler: Blue Sky Studios | |
| Matt Linder | .... | digital artist | |
| Lauren A. Littleton | .... | visual effects coordinator: Digital Domain (as Lauren Littleton) | |
| Dave Lockwood | .... | compositor: Gray Matter | |
| Dave Lockwood | .... | roto artist: Gray Matter | |
| Ken Locsmandi | .... | digital artist | |
| Richard Lund | .... | translite photographer | |
| Margaux Mackay | .... | visual effects producer: Gray Matter | |
| Kevin Scott Mack | .... | visual effects supervisor: Digital Domain (as Kevin Mack) | |
| Martha Snow Mack | .... | digital paint artist: Digital Domain | |
| Gray Marshall | .... | lead compositor: Gray Matter | |
| Gray Marshall | .... | visual effects supervisor: Gray Matter | |
| S. Scott McCaulley | .... | facilities supervisor: Digital Domain | |
| John McCunn | .... | pipeline engineer | |
| Leslie McMinn | .... | visual effects assistant | |
| Michael Douglas Middleton | .... | visual effects still photographer | |
| Suzanne Mitus-Uribe | .... | translite matte artist (as Suzanne Mitus) | |
| Eileen Moran | .... | visual effects producer: Digital Domain | |
| Stephane Naze | .... | CG supervisor: BUF Inc. (as Stèphane Naze) | |
| Geoffrey Niquet | .... | CG supervisor: BUF Inc. | |
| Bradley Parker | .... | digital artist: Digital Domain (as Brad Parker) | |
| Brian Peyatt | .... | technical coordinator | |
| Darren Poe | .... | digital compositor: Digital Domain (as Darren M. Poe) | |
| David Prescott | .... | opening sequence team lead: Digital Domain (as David W. Prescott) | |
| Jeff Pyle | .... | model foreman: Stirber Visual Network, Inc. (as Jeff S. Pyle) | |
| Christine Rivard | .... | visual effects | |
| Jim Rutherford | .... | 3D animator: Toybox | |
| Carlos Saldanha | .... | animation supervisor: Blue Sky Studios | |
| Todd Sarsfield | .... | scanning and recording operator | |
| Christopher Scollard | .... | senior digital effects producer: Blue Sky Studios | |
| Irka B. Seng | .... | digital effects coordinator: Blue Sky Studios | |
| Patrick Shearn | .... | producer: BUF Inc. | |
| John Siczewicz | .... | senior digital artist: Blue Sky Studios | |
| Carey Len Smith | .... | visual effects post producer | |
| Laurent Soudrie | .... | software development: BUF Inc. | |
| David Stearn | .... | digital compositor: Digital Domain (as David Stern) | |
| John K. Stirber | .... | miniture pyrotechnics supervisor: Stirber Visual Network, Inc. | |
| Todd Stone | .... | visual effects: John Stirber FX | |
| Rich Thorne | .... | production executive | |
| Mike Thurmeier | .... | animator: Blue Sky Studios | |
| Zachary Tucker | .... | digital artist: Digital Domain | |
| Pènèlope Vandecave | .... | digital artist: BUF Inc. | |
| David Verbeke | .... | CG supervisor: BUF Inc. | |
| Carey Villegas | .... | digital compositing supervisor: Digital Domain | |
| Dave Walvoord | .... | senior lighting & effects artist: Blue Sky Studios | |
| Vernon R. Wilbert Jr. | .... | digital artist: Digital Domain | |
| Kieran Woo | .... | production controller: pre-production, Digital Domain | |
| Rachel Wyn Dunn | .... | digital compositor: Digital Domain (as Rachel Dunn) | |
| Leon Xiao | .... | chief systems administrator | |
| Chris Y. Yang | .... | digital artist: Digital Domain | |
| John Attard | .... | digital effects artist (uncredited) | |
| S. Kai Bovaird | .... | runner (uncredited) | |
| Chad E. Collier | .... | scanning and recording operator: Digital Domain (uncredited) | |
| Drake Conrad | .... | digital film assistant: Toybox (uncredited) | |
| Francisco De Jesus | .... | shader writer: Digital Domain (uncredited) | |
| Shane Glading | .... | digital artist (uncredited) | |
| Mitch Goldstrom | .... | systems administrator: Digital Domain (uncredited) | |
| Rob Gyorgy | .... | digital effects compositor: Toybox (uncredited) | |
| Craig Halperin | .... | digital artist (uncredited) | |
| Michael Hatton | .... | digital effects compositor: Toybox (uncredited) | |
| Elizabeth Holmes | .... | digital effects compositor: Toybox (uncredited) | |
| Rebecca Lilienfeld | .... | assistant visual effects editor: Digital Domain (uncredited) | |
| Michael Manza | .... | 3D animator (uncredited) | |
| Brandon McNaughton | .... | digital compositor (uncredited) | |
| Rob Menapace | .... | motion control operator (uncredited) | |
| J. Brent Poer | .... | digital manager: Digital Domain (uncredited) | |
| Josa Leah 'SDB' Porter | .... | in-house coordinator: Toybox (uncredited) | |
| Kyle Robinson | .... | previs artist (uncredited) | |
| Scott Ross | .... | general manager: Digital Domain (uncredited) | |
| Ed Ulbrich | .... | visual effects executive producer: Digital Domain (uncredited) | |
| Dan Weeks | .... | production programmer: Blue Sky Studios (uncredited) | |
Stunts | |||
| Damon Caro | .... | stunt double | |
| Damon Caro | .... | stunts | |
| Jeff Imada | .... | stunts | |
| David Leitch | .... | stunts | |
| Jimmy Nickerson | .... | stunts | |
| Darrin Prescott | .... | stunts | |
| Michael Runyard | .... | stunt coordinator | |
| Damon Caro | .... | fight choreographer (uncredited) | |
| Richard Cetrone | .... | utility stunts (uncredited) | |
| Debbie Evans | .... | stunts (uncredited) | |
| James M. Halty | .... | stunts (uncredited) | |
| Jeff Imada | .... | stunt coordinator (uncredited) | |
| Hiro Koda | .... | stunts (uncredited) | |
| Lane Leavitt | .... | stunts (uncredited) | |
| David Leitch | .... | stunt double: Brad Pitt (uncredited) | |
| Chris O'Hara | .... | utility stunts (uncredited) | |
| Denney Pierce | .... | stunts (uncredited) | |
| Jimmy N. Roberts | .... | stunts (uncredited) | |
| David Wald | .... | stunts (uncredited) | |
Casting Department | |||
| Sande Alessi | .... | extras casting | |
| Christie Cean George | .... | casting assistant | |
| Mickie McGowan | .... | voice casting | |
| Karen Meisels | .... | casting associate (as Karen Miesels) | |
Costume and Wardrobe Department | |||
| Terry Anderson | .... | set costumer | |
| Elinor Bardach | .... | costume supervisor | |
| Wendy M. Craig | .... | set costumer | |
| Amanda Friedland | .... | set costumer | |
| Wendy J. Greiner | .... | key costumer (as Wendy Greiner) | |
| Rhona Meyers | .... | key costumer | |
| Sloane Morrison | .... | costumer (as Sloane Perry Thorne) | |
Editorial Department | |||
| Babette Dickerson | .... | second assistant editor | |
| Martha Anne Francis | .... | second assistant editor | |
| Robert Longstreet | .... | apprentice editor (as Robert Longstreet Wheeler) | |
| Michael Matzdorff | .... | first assistant editor | |
| Michelle Mendenhall | .... | second assistant editor | |
| Stephen Nakamura | .... | spirit colorist | |
| Alex Olivares | .... | first assistant editor | |
| David Orr | .... | color timer | |
| Joëlle Taar | .... | conforming editor | |
| Angus Wall | .... | editorial consultant | |
| John Venzon | .... | assistant editor (uncredited) | |
Music Department | |||
| Lisa K. Fowle | .... | music editor intern | |
| Charles Goodan | .... | score co-producer | |
| P.J. Hanke | .... | composer: additional music | |
| Art Hodge | .... | score co-producer | |
| John King | .... | score arranger | |
| John King | .... | score mixer | |
| John King | .... | score recordist | |
| Brian Richards | .... | music editor | |
| Michael Simpson | .... | score arranger | |
| Michael Simpson | .... | score mixer | |
| Michael Simpson | .... | score recordist | |
Transportation Department | |||
| Jim Alfonso | .... | transportation captain | |
| Manny Demello | .... | driver | |
| Scott Howard | .... | transportation | |
| Tom Marshall | .... | transportation captain (as Thomas F. Marshall) | |
| Dave Robling | .... | transportation coordinator | |
| Frank Roughan | .... | transportation captain | |
| Marilyn Tasso | .... | transportation office assistant | |
| Gina August | .... | driver (uncredited) | |
| Prentis Woods | .... | driver (uncredited) | |
Thanks | |||
| Johann Benét | .... | thanks | |
| Raymond Bongiovanni | .... | in memory of | |
| P. Scott Makela | .... | in memory of | |
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"Fight Club" an aggressive, confrontational, often brutal satire that is quite possibly a brilliant masterpiece. Taking the "Choose life," anti-consumerism rant at the beginning of "Trainspotting," and carrying it to its logical -- albeit extreme -- conclusion this is a big budget, mainstream film that takes a lot of risks by biting the hand that feeds it. The film's narrator (Edward Norton) is an insignificant cog in the drab, corporate machine, dutifully doing his job and what he's told without question. He's an insomniac slave to his IKEA possessions and only finds joy in going to as many self-help/dealing with terminal diseases sessions as he can. It provides him with an escape from his sleepless nights. That is, until Marla Singer (Helena Bonham Carter), a trashy chain-smoking poser, enters his life and upsets his routine. The narrator also meets Tyler Durden (Brad Pitt), a charismatic soap salesman whose straightforward honesty, candor and sleazy lounge-lizard outfits are a breath of fresh air. One night, after the two men have bonded over beers, Tyler asks the narrator to hit him. At first, it seems like an absurd request but after they pound on each other for a bit, a strange feeling overcomes them. They feel a kind of release and satisfaction at inflicting pain on one another. In a world where people are desensitized to everything around them, the physical contact of fighting wakes them up and makes them feel truly alive. Others soon join in and pretty soon Fight Club becomes an underground sensation. However, it becomes readily apparent that Tyler has more elaborate plans than just organizing brawls at the local bar. David Fincher has taken the dark, pessimistic worldview of "Seven" and married it with the clever plot twists and turns of "The Game" and assembled his strongest effort to date. "Fight Club" is a $50+ million studio film that remains true to its anti-consumer, anti-society, anti-everything message -- right up to the last, sneaky subliminal frame. What makes "Fight Club" a subversive delight is not only its refreshing anti-corporate message but how it delivers said message. As Fincher has explained in interviews, you don't really watch the film but rather download it. Its structure is extremely playful as it messes around with linear time to an incredible degree. The narrative bounces back and forth all over the place like a novel, or surfing on the Internet -- even making a hilarious dead stop to draw attention to itself in a funny, interesting way that completely works. Yet Norton's deadpanned narration holds everything together and allows the viewer to get a handle on what's happening. This is the way films should be made. Why must we always have to go through the A+B+C formula? "Fight Club" openly rejects this tired, clearly outdated structure in favour of a stylized frenzy of jump cuts, freeze frames, slow motion and every other film technique in the book that only reinforces its anarchistic message. A film like this would have never been greenlighted by a major studio if Brad Pitt had not been attached to the project. Once you see the film, it becomes obvious that he was the only choice for Tyler Durden. Like he did with "Kalifornia" and "Twelve Monkeys", Pitt grunges himself down and disappears completely into his role to a frighteningly convincing degree. During many of the brutal fight scenes, he is transformed into a bloody, pulpy mess that'll surely have the "Legends of the Fall" fans running for the exits. It is an incredible performance -- probably his best -- for the simple fact that he becomes the character so completely. If Pitt has the flashy, gonzo role, Edward Norton is his perfect foil as the seemingly meek yet sardonic narrator. It's a deceptively understated performance as the last third of the film reveals but Norton nails it perfectly. He is clearly our surrogate, our introduction into this strange world and his wry observations on our consumer-obsessed culture are right on the money. They are the perfect setup for Tyler's introduction and his view on the world which is clearly a call to arms of sorts, a manifesto that rejects the notion that we are what we own. And ultimately, that is what "Fight Club" tries to do. The film is a cinematic punch to the head as it challenges the status quo and offers a wakeup call to people immersed in a materialistic world where those who have the most stuff, "win." I think that Fincher's film wants us to tear all that down, reject corporate monsters like Starbucks and Blockbuster, and try to figure out what we really want out of life. It's almost as if the film is suggesting salvation through self-destruction. And it is these thought-provoking ideas that makes "Fight Club" a dangerously brilliant film that entertains as well as enlightens.