When the menace known as the Joker emerges from his mysterious past, he wreaks havoc and chaos on the people of Gotham, the Dark Knight must accept one of the greatest psychological and physical tests of his ability to fight injustice.
Eight years after the Joker's reign of anarchy, the Dark Knight, with the help of the enigmatic Catwoman, is forced from his exile to save Gotham City, now on the edge of total annihilation, from the brutal guerrilla terrorist Bane.
After the rebels are overpowered by the Empire on their newly established base, Luke Skywalker begins Jedi training with Master Yoda. His friends accept shelter from a questionable ally as Darth Vader hunts them in a plan to capture Luke.
The final confrontation between the forces of good and evil fighting for control of the future of Middle-earth. Hobbits: Frodo and Sam reach Mordor in their quest to destroy the "one ring", while Aragorn leads the forces of good against Sauron's evil army at the stone city of Minas Tirith. Written by
Each of the cast members was given a gift on their last day of shooting, usually a prop that was significant to their roles. Miranda Otto received one of Eowyn's dresses and her sword, Liv Tyler received Arwen's "dying dress", Orlando Bloom got one of Legolas' bows. See more »
When Gandalf and Pippin conclude their meeting with Denethor and leave, the bottom of Gandalf's robe clearly has been soaked in dirty water. Then the next shot of his robe from behind shows it to be clean. See more »
Smeagol, I've got one! I've got a fish, Smeag. Smeagol!
Pull it in. Go on. Go on. Go on. Pull it in.
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There's a text written in maori: Me mahara tonu taatou nga Uri- aapakura noo tuaanuku nei, noo te waaotuu te tu kekehua ana o ngaa Eldarin kua hohouu mai i te Uru-moana. Which is in english: Let us dedicate our memories to the spirits of the Eldar who came to us from the Ocean that lies to the West. See more »
Just as Peter Jackson felt that LOTR had to be made as one large, three-part, cinematic piece, I decided to write my IMDb review of all three movies as a single, multi-part essay. Click on my screen-name and hit "Chronological" to view my reviews of the Fellowship and Two Towers. I make no guarantees about the quality and consistence of my review, but I do guarantee that these three films offer very high and very consistent quality from beginning to end. The acting, cinematography, art, and direction simply can not be beat.
Which of the three movies is my favorite varies with my mood and the same holds true for Tolkien's books. When I am immersed in the story, ROTK is my favorite. When I simply want to have fun with the whole experience, I love Fellowship. And when I want something intense, evocative and thoughtful, I go for the Two Towers.
Frodo, Sam and Golem are on their way to Mount Doom and their bodies, nerves, and relationships have borne the greatest burden on middle earth. The rest of the fellowship is rallying to the defense of Minas Tirith, and preparing for even more deadly battles to come.
The heroism and romance are incredibly moving - when was the last time you saw an entire audience leaving a theater after a fantasy movie rubbing their eyes? The sets are breathtaking - even moreso than in the previous two films.
The casting and acting are superb.
The film delivers at every level and is the jewel in the trilogy's well-earned crown.
Return of the King offers a resolution of all of the major story arcs in LOTR. As with the classic Tolkien trilogy, however, you may be able to predict some of what will occur, but never all of it and you'll never guess how you will get there. The same fatalistic and paradoxically unpredictable feeling of Tolkien's grand plots is present throughout ROTK especially. The major theme in ROTK, however, is the varied ways and means of heroism both intentional and unintended, and Tolkien's examination of sacrifice and heroism is as inspiring as it is subtle. Amazingly, it all comes through in the films.
Even more than the previous two films, Jackson and his writers took liberties with the story-line. Like the others, however, this serves the film better than simple adaptation from one medium to another. By reordering some of the chronology and adding scenes and plot devices which are consistent with Tolkien's world and characterizations, the film-makers actually do a better job of preserving the concepts and themes of the story than they could have with a pure adaptation. The lengthy epilogue in Tolkien's book is greatly reduced, reordered, and somewhat changed in order to work in the film. Some parts actually appear very early in ROTK. And some aspects of Tolkien's epilogue are disclosed in the Two Towers, though not directly depicted. But all of the really important components of the epilogue are, at least strongly implied if not well illustrated in ROTK.
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