7.7/10
24,588
233 user 66 critic

You Can Count on Me (2000)

R | | Drama | 22 December 2000 (USA)
A single mother's life is thrown into turmoil after her struggling, rarely seen younger brother returns to town.

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Nominated for 2 Oscars. Another 30 wins & 41 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Mabel
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Sheila
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Rachel Louise Prescott
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Thomas Gerard Prescott
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Sheriff Darryl
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Amy
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Young Sammy Prescott
Peter Kerwin ...
Young Terry Prescott
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Minister
Lisa Altomare ...
Waitress
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Storyline

Adult siblings Sammy Prescott and Terry Prescott have had a special bond with each other since they were kids when their parents were tragically killed in a car accident. That bond is why single mom Sammy, who still lives in the family home in Scottsville, upstate New York with her eight year old son Rudy, is excited to hear that Terry, who she has not seen or heard from in a while, is coming home for a visit. That excitement is dampened slightly upon Terry's arrival, when she learns that he, broke, is only there to borrow money. As adults, Sammy, who works as a lending officer in the local bank, is seen as the responsible sibling, while unfocused Terry is seen as the irresponsible drifter. Regardless, Sammy welcomes what ends up being Terry's longer than planned visit if only so that he can help take care of Rudy, who has no adult male figure in his life. Rudy has never known his deadbeat biological father, with whom Sammy wants nothing to do. As Terry - acting as the supposed adult ... Written by Huggo

Plot Summary | Add Synopsis

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for language, some drug use and a scene of sexuality | See all certifications »

Parents Guide:

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Details

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Release Date:

22 December 2000 (USA)  »

Also Known As:

Puedes contar conmigo  »

Filming Locations:

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Box Office

Budget:

$1,200,000 (estimated)

Opening Weekend USA:

$118,170, 12 November 2000, Limited Release

Gross USA:

$9,180,275, 10 June 2001
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Kenneth Lonergan, a first time Director, had protection from studio interference by his Executive Producer and friend, Martin Scorsese. They had met when Scorsese's then-girlfriend Illeana Douglas had auditioned for one of Lonergan's plays. See more »

Goofs

When Samantha is talking on the phone, the handset is not connected to the base and the base is not connected to the phone jack. See more »

Quotes

Rudy: [as Terry is packing up] Where are you going?
Terry: I don't know. I just want to get out of this town. And if you've got any sense when you get old enough you'll get out of here too. Your Mom's gonna live in this town for the rest of her life, and you know why? Because she thinks she has to. Don't ask me why, but that's the truth. She thinks there's all these things she has to do, but you want to know one thing about your Mom? She's a bigger fuck-up than I ever was. I mean, I know I messed up. You ...
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Crazy Credits

Jeffrey Sharp would like to dedicate his work on this film to his mother, Virginia Sharp Albright, with love and admiration. See more »

Connections

Referenced in The 66th Annual Golden Globe Awards (2009) See more »

Soundtracks

Texas Eagle
Written by Steve Earle
Performed by Steve Earle and the Del McCoury Band
Courtesy of South Nashville Music / WB Music Corp. (ASCAP)
And E-Squared, LLC.
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User Reviews

I really don't know where to begin.
8 August 2002 | by See all my reviews

I don't. This is just one of Those Movies, y'know? Shot for shot it's great. The cinematography definitely knows what it's doing and it's VERY mindful of itself in such a way that we can ignore it if we're not paying attention to it. As such, the camera steps out of the way and we're free to absorb the story, as simple as it may be. Man... I honestly loved this movie. The acting was top-notch, the principles were great and everyone else was cast so perfectly that every second of the film just falls into place. Just go see it. Please. Mark Ruffalo gives a fantastic performance as an Unfamous, Untalented Bob Dylan. The script is not heavy-handed. It's charming without being aware of itself. It's just a really really good film in the style of good films (re: The Sweet Hereafter) that's going the way of the dodo under the weight of these iconoclastic Hollywood heavy hitters (re: Shaymalan et al). Such a good film. So good.


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