John LeCarre's spy thriller is brought to the big screen. A British spy is banished to Panama after having an affair with an ambassador's mistress. Once there he makes connection with a local tailor with a criminal past and connections to all of the top political and gangster figures in Panama. The tailor also has a wife, who works for the canal administrator, and a huge debt. The spy's mission is to learn what the President intends to do with the Panama Canal, but he's really in business for himself, blackmailing the tailor into spinning a fantastic tale about the canal being sold to China and former mercenaries ready to topple the current government. Written by
John Sacksteder <email@example.com>
One key difference between John le Carré's 'The Tailor of Panama' novel and this film adaptation is that the book was set before the United States' handover of the Panama Canal's sovereignty to Panama whereas this movie is set afterwards. See more »
When Harry the tailor visits the president for a fitting, the president is a man. But during the transfer of the Panama Canal in 1999 to 2004, the president of Panama was Mireya Moscoso - a woman. See more »
Andrew 'Andy' Osnard:
Best I could do Andrew. Under the circumstances, given your sins. They were baying for blood.
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Dumb. Stupid. Requires short attention span. I'm not talking about the movie, but rather the people who have critically lambasted this intelligent, stylish adaptation of John Le Carre's novel. Kudos to John Boorman, Pierce Bronsnan, Geoffrey Rush and a stellar cast. If you looking for an alternative to braindead blockbusters and regurgitated teenage comedies, then you've stumbled upon the right film. Imagine the complete antithesis of James Bond, a man who puts self before king and country, and loves them and leaves them with relish - enter Brosnan's Andy Osnard. Sit back and watch with sheer delight as this corrupt British spook pulls the strings that sets the U.S. on course for a second invasion of Panama. Misinformation is the game, and Osnard is planning to get rich on it. His pawn is the tailor of the title, Harry Pendel (brilliantly played by Geoffrey Rush). The film moves a snappy pace, the dialogue is witty and often times hilarious, and the cinematography, music and editing are all first rate. Who cares if two shots of a jet in the air scream bad CGI? That's not what this film is about. We're talking intelligent plotting, great writing, excellent acting, and another sexy, devilish turn for Brosnan that is slightly reminiscent of his Thomas Crown character. Brosnan, in my opinion, always fares best when he's playing against Bond type -- and here he excels. DO NOT listen to the naysayers on this one -- unless GODZILLA or ARMAGGEDON are your favorite movies. If you appreciate the dense, textured films of the late 60's-early 70's, then this one is for you. They sure don't make them like this anymore and you wouldn't know that they had with regard to Tailor, since Columbia's flying this one way under the radar. As always, they must be figuring that it'll play to the over 35 demo, so why even bother promoting it. Sad times these are, folks, when a first rate entertainment like this is ignored at the box office, and ignored by its own distributors. But there's always another Scream, American Pie and Halloween around the corner, so viva la cinema. Highest rating.
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