A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
The movie is based on the infamous "Stanford Prison Experiment" conducted in 1971. A makeshift prison is set up in a research lab, complete with cells, bars and surveillance cameras. For ... See full summary »
John LeCarre's spy thriller is brought to the big screen. A British spy is banished to Panama after having an affair with an ambassador's mistress. Once there he makes connection with a local tailor with a nefarious past and connections to all of the top political and gangster figures in Panama. The tailor also has a wife, who works for the Panamanian president and a huge debt. The mission is to learn what the President intends to do with the Panama Canal. But what the two do is concoct a tremendous fictional tale about former mercenaries who are ready to topple the current government and are willing to work with Britain and the US to do so. Written by
John Sacksteder <firstname.lastname@example.org>
This brilliant actor is so reminiscent of Alec Guiness, sinking into his roles so well and in this movie merging with the character, every inch the fawning fussy tailor with other agendas on the side and a secret past. I do not care for Jamie Lee Curtis's performances normally, I find her brittle with no depth, but here she shines with a light sense of humour and a feminist conscience and fidelity that brings a true authenticity to the role. the marriage portrayed here is highly believable, lots of lovely nuances and the tailor himself fussilly tending to braiding his daughter's hair and making sure the children get to school on time. Enter Pierce Brosnan who portrays an appalling cad here. You can tell he relishes the chance to play a true unsophisticate, preying on any woman who crosses his path. I will not give away the plot which spins very much like "Our Man in Havana" another wonderful movie. some of the roles were prettied up for Hollywoodland, Marta was more tragic and mute than she needed to be, Jamie Lee far too soignee and elegant. All in all a 7 out of 10. John Boorman never lets me down.
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