A director is forced to work with his ex-wife, who left him for the boss of the studio bankrolling his new film. But the night before the first day of shooting, he develops a case of psychosomatic blindness.
Suffering from writer's block and eagerly awaiting his writing award, Harry Block remembers events from his past and scenes from his best-selling books as characters, real and fictional, come back to haunt him.
Val Waxman is a film director who was once big in the 1970's and 1980's, but has now has been reduced to directing TV commercials. Finally, he gets an offer to make a big film. But, disaster strikes, when Val goes temporarily blind, due to paranoia. So, he and a few friends, try to cover up his disability, without the studio executives or the producers knowing that he is directing the film blind. Written by
Despite the fact that this was filmed in the standard spherical format, "Filmed in Panavision" is listed in the end credits. While " filmed in Panavision " once meant widescreen- what panavision originally was- a format The film was shot with Panavision cameras and lenses so it's still filmed with Panavision. See more »
In the scene where they pitch the film to Val (about 16:30 into the film) the boom is visible in the mirror. See more »
We once had a discussion about music and he threatened to push me down a flight of stairs.
It worked. He pushed me down a flight of stairs.
See more »
A conformist movie about non-conformism (WATCH IT AGAIN!)
I really don't understand why your users rated this movie as a mediocre one (when I write this, it has 6.3 points). This is a superb irony on the irrational fashion that runs through the Western Elite (European and American). It's a game between rational and irrational, under the pretext of a blind director who initially wants to make a nonconformist movie and he ends by making it "per accidens". "Thanks God the French exist!" says Woody Allen at a certain moment. Well, we should really thank God for that. The French have style. The French have art (or used to have). What came under my eyes very rapidly was that, although Woody Allen movie is surprisingly commercial, very easy to understand from a superficial perspective, it is a movie about postmodernism, about how art is made. Tristan Tzara, my compatriot and the initiator of the Suprarealist movement called DADAISM would have been very enthusiastic over the movie in the movie (which, a propos, is never shown to us!!!). You should watch this movie with your eyes and ears and with your mind open, because you'll see something else.
49 of 76 people found this review helpful.
Was this review helpful to you?
| Report this