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Fledgling writer Briony Tallis, as a 13-year-old, irrevocably changes the course of several lives when she accuses her older sister's lover of a crime he did not commit. Based on the British romance novel by Ian McEwan.
Director:
Joe Wright
Stars:
Saoirse Ronan,
Brenda Blethyn,
James McAvoy
An espionage thriller set in WWII-era Shanghai, in which a young woman, Wang Jiazhi, gets swept up in a dangerous game of emotional intrigue with a powerful political figure, Mr. Yee.
The incredibly spoiled and overprivileged students of Camden College are a backdrop for an unusual love triangle between a drug dealer, a virgin and a bisexual classmate.
Director:
Roger Avary
Stars:
James Van Der Beek,
Shannyn Sossamon,
Jessica Biel
At the start of World War II, the fate of the free world hangs in the balance at the posh Hotel Splendide in Bordeaux. Cabinet members, journalists, physicists, and spies of all persuasions gather in order to escape the Nazi occupation of Paris. High society socialites hobnob with jailbirds. Murderous intrigues, scientific secrets and love affairs flourish. Written by
Sujit R. Varma
Director and auteur Jean-Pierre Rappenau was 8 years old during the spring of 1940 as France's Third Republic disintegrated in a matter of a few weeks. It was a time, he says, when "all the adults were a little bit insane." He and the production staff have lovingly and meticulously recreated that world in a film where all the characters are essentially fictional. The structure, a classic farce, is ideal for the period as multiple plot lines zip and intersect only to come together in a logical, satisfying conclusion. The peg for this plot is Frederic, played by brilliant newcomer Gregory Derangere, who is fully up to playing opposite Adjani, Depardieu and Ledoyen. The real strength of the film is in its supporting performances. M. Rappeneau has cast the film exquisitely with actors who volunteered ideas for both action and dialogue and who know and prove that it is possible to fully realize a character with just two short sentences of dialogue. Though not yet as widely influential as Renoir's 'Rules of the Game,' 'Bon Voyage' richly deserves to be a companion piece to that classic. Though it demands a lot of the audience, it gives much back. One of its demands is tolerance for a certain coyness and misdirection as to the exact genre we are watching: a crime melodrama, no, a spy thriller, ah, a romantic comedy. Recommend it to cinemaphile friends. Just be sure to let them discover for themselves that it is a romantic comedy.
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Director and auteur Jean-Pierre Rappenau was 8 years old during the spring of 1940 as France's Third Republic disintegrated in a matter of a few weeks. It was a time, he says, when "all the adults were a little bit insane." He and the production staff have lovingly and meticulously recreated that world in a film where all the characters are essentially fictional. The structure, a classic farce, is ideal for the period as multiple plot lines zip and intersect only to come together in a logical, satisfying conclusion. The peg for this plot is Frederic, played by brilliant newcomer Gregory Derangere, who is fully up to playing opposite Adjani, Depardieu and Ledoyen. The real strength of the film is in its supporting performances. M. Rappeneau has cast the film exquisitely with actors who volunteered ideas for both action and dialogue and who know and prove that it is possible to fully realize a character with just two short sentences of dialogue. Though not yet as widely influential as Renoir's 'Rules of the Game,' 'Bon Voyage' richly deserves to be a companion piece to that classic. Though it demands a lot of the audience, it gives much back. One of its demands is tolerance for a certain coyness and misdirection as to the exact genre we are watching: a crime melodrama, no, a spy thriller, ah, a romantic comedy. Recommend it to cinemaphile friends. Just be sure to let them discover for themselves that it is a romantic comedy.