| Photos (see all 103 | slideshow) | Videos (see all 18) |
Directed by | |||
| Ridley Scott | |||
Writing credits(WGA) | ||
| William Monahan | (written by) | |
Original Music by | |||
| Harry Gregson-Williams | |||
Cinematography by | |||
| John Mathieson | |||
Film Editing by | |||
| Dody Dorn | |||
Casting by | |||
| Antoinette Boulat | |||
| Jina Jay | |||
| Debra Zane | |||
Production Design by | |||
| Arthur Max | |||
Art Direction by | |||
| Maria-Teresa Barbasso | (co-art director) | ||
| Robert Cowper | |||
| Gianni Giovagnoni | (co-art director) | ||
| Ivo Husnjak | |||
| John King | |||
| Marco Trentini | (supervising art director) | ||
Set Decoration by | |||
| Sonja Klaus | |||
Costume Design by | |||
| Janty Yates | |||
Makeup Department | |||
| Hayat Ouled Dahhou | .... | makeup artist: second unit (as Hayat Oulad Dahou) | |
| Paul Engelen | .... | makeup designer | |
| Marcelle Genovese | .... | hair stylist | |
| Elena Gregorini | .... | hair stylist | |
| Giorgio Gregorini | .... | hair stylist | |
| Mercedes Guillot | .... | hair stylist | |
| Teresa Hinton | .... | hair stylist | |
| Melissa Lackersteen | .... | makeup artist | |
| Marese Langan | .... | makeup artist | |
| Abounouom Mariam Lee | .... | makeup artist | |
| Gaetano Panico | .... | hair stylist | |
| Mar Paradela | .... | hair stylist (as Mar Pardela) | |
| Marco Perna | .... | assistant hair stylist | |
| Justin Pitkethly | .... | prosthetics crew | |
| Bouchra Sakhi | .... | makeup artist: second unit | |
| Aldo Signoretti | .... | hair stylist supervisor | |
| Matteo Silvi | .... | makeup artist | |
| David White | .... | prosthetics makeup artist | |
| Ainhoa Eskisabel | .... | assistant hair stylist (uncredited) | |
| Ghislaine Nejjar | .... | additional makeup artist (uncredited) | |
| Anthony Parker | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Moncef Belam | .... | production team | |
| Kimberley Ann Berdy | .... | production supervisor | |
| Alex Corven Caronia | .... | unit manager | |
| Bruce Devan | .... | production manager | |
| Branko Lustig | .... | unit production manager | |
| Alberto Poveda | .... | location unit manager | |
| Emily Stillman | .... | production manager: UK | |
| Ty Warren | .... | production supervisor | |
Art Department | |||
| Fatiha Aitbadi | .... | chargehand greensman | |
| Ben Ansell | .... | model maker | |
| Abdellah Baadil | .... | assistant art director | |
| Tighe Barry | .... | propman | |
| Vera Bauluz | .... | assistant property buyer | |
| Francesca Birri | .... | art department coordinator | |
| Graham Bishop | .... | production buyer | |
| Sally Black | .... | stand-by set dresser | |
| Mike Britton | .... | location set decorator | |
| Alain Brochu | .... | construction coordinator | |
| Rejean Brochu | .... | construction coordinator | |
| Gina Cromwell | .... | production buyer | |
| Nicola De Fresnes | .... | art buyer | |
| Federico del Cerro | .... | assistant property buyer | |
| Constanza Pasqual del Pobil | .... | prop coordinator | |
| Jorge de Soto | .... | assistant painter | |
| Lucio Di Domenico | .... | assistant art director | |
| Giancarlo Di Fusco | .... | painter | |
| Cristiano Donzelli | .... | storyboard artist | |
| Sarah Duncan | .... | set decorating assistant | |
| Luke Edwards | .... | set decorating assistant | |
| Daniel Elias | .... | prop trainee | |
| Saida Elidrissi | .... | art department assistant | |
| Roberta Federico | .... | assistant art director | |
| Alejandro Fernández | .... | assistant art director | |
| Laurent Ferrie | .... | drapesman | |
| Rod Forbes | .... | propman | |
| James Foster | .... | draughtsman | |
| Hugh Fottrell | .... | props | |
| Alex Friedrich | .... | senior model maker | |
| Damir Gabelica | .... | construction foreman | |
| Andy Garner | .... | sculptor | |
| Martin Gaskell | .... | property making supervisor: Morocco | |
| Kathy Heaser | .... | researcher/set decoration assistant | |
| Nick Hewison | .... | prop man | |
| Roger Holden | .... | key greensman | |
| Peter James | .... | stand-by art director | |
| Charles Jellis | .... | props | |
| Nazha Kajja | .... | props coordinator | |
| Eric Lafrance | .... | construction foreman | |
| Claudio Magrini | .... | foreman | |
| Domenico Mancino | .... | blacksmith (as Memmo) | |
| Nick Milner | .... | supervising propman | |
| Mily Moreno | .... | storeperson | |
| Iñigo Navarro | .... | set designer | |
| Benjamin Palmer | .... | model maker | |
| Benjamin Palmer | .... | property maker | |
| Steve Payne | .... | chargehand dressing props | |
| Bárbara Pérez-Solero | .... | assistant set decorator | |
| Graeme Purdy | .... | property master | |
| Paul Purdy | .... | property master | |
| Domenico Reordino | .... | painter | |
| Mark Reynolds | .... | stand-by dresser | |
| Petr Richter | .... | propman | |
| Terry Royce | .... | chargehand dressing propman | |
| Monica Sallustio | .... | assistant art director | |
| Saverio Sammali | .... | set designer | |
| Alessandro Santucci | .... | assistant art director | |
| Bob Sherwood | .... | supervising propman | |
| Eleonora Sparagna | .... | construction coordinator | |
| Jim Stanes | .... | graphic artist | |
| Roland Stevenson | .... | supervising sculptor | |
| Antonio Tarolla | .... | assistant art director | |
| Fernando Valento | .... | construction manager | |
| Ana Viana | .... | props | |
| Max Von Turpentine | .... | scenic artist | |
| Karen Wakefield | .... | location set decorator | |
| Dicken Warner | .... | props | |
| Mickey Woolfson | .... | chargehand stand-by props | |
| David E. Duncan | .... | storyboard artist (uncredited) | |
| Kristopher Gifford | .... | art department assistant (uncredited) | |
| Glauco Isidori | .... | painter (uncredited) | |
Special Effects by | |||
| Beverly Austin | .... | prosthetics coordinator | |
| Norman Baillie | .... | special effects buyer | |
| Charlie Bluett | .... | special effects prosthetics | |
| Caimin Bourne | .... | special effects technician | |
| David Brighton | .... | special effects assistant supervisor | |
| David Campos | .... | special effects technician | |
| Anthony S. Ciccarelli | .... | special effects technician | |
| Simon Cockren | .... | special effects technician | |
| Ian Corbould | .... | special effects floor supervisor (as Ian J. Corbould) | |
| Neil Corbould | .... | prosthetics supervisor | |
| Neil Corbould | .... | special effects supervisor | |
| Paul Corbould | .... | special effects assistant supervisor | |
| Pau Costa | .... | supervisor: Spain | |
| Manex Efrem | .... | special effects senior technician | |
| Raymond Ferguson | .... | workshop supervisor | |
| Serge Gagne | .... | special effects technician | |
| Peter Haran | .... | special effects technician | |
| Alan Hedgcock | .... | special effects makeup | |
| Javier Jal | .... | special effects technician | |
| Oliver Jarlett | .... | special effects | |
| Jennifer Latour | .... | prosthetic assistant: finisher | |
| Waldo Mason | .... | special effects makeup | |
| Danielle McAulay | .... | special effects technician | |
| Jason McCameron | .... | special effects | |
| Martin 'Marty' McLaughlin | .... | snow effects supervisor | |
| Mark Meddings | .... | special effects coordinator | |
| Javier H. Moneo | .... | special effects technician | |
| Kevin Nolan | .... | special effects technician | |
| Peter Norcliffe | .... | costume props: Robert Allsopp and Associates | |
| Jalila Otky | .... | office coordinator: special effects, Morocco | |
| Jalila Otky | .... | special effects and prosthetics coordinator: Morocco | |
| Steve Painter | .... | special effects makeup: floor supervisor | |
| Kieran Reed | .... | previz artist | |
| Graham Riddell | .... | miniature lead senior effects technician | |
| Lee Rider | .... | special effects technician | |
| Dave Roddham | .... | special effects technician | |
| Raúl Romanillos | .... | special effects senior supervisor: Spain | |
| Corina Rosca | .... | special effects office coordinator | |
| Jean-Nicolas Roussel | .... | special effects technician | |
| Mustapha Steila | .... | special effects coordinator: Morocco | |
| Carrie Thiel | .... | motion capture choreographer | |
| Cliff Wallace | .... | special effects makeup | |
| Anne Marie Walters | .... | senior model maker: special miniature effects | |
| Steven Warner | .... | special effects senior technician | |
| David Watkins | .... | senior special effects technician | |
| Josh Weston | .... | special effects makeup | |
| Andy Williams | .... | special effects floor supervisor: second unit (as Andrew Williams) | |
| Daniel Williams | .... | special effects technician | |
| Gareth Wingrove | .... | special effects technician: physical effects | |
| Alan Young | .... | special effects senior technician | |
Visual Effects by | |||
| Paul Alexiou | .... | visual effects film editorial: MPC | |
| Victoria Alonso | .... | visual effects producer | |
| Oliver Atherton | .... | roto/paint artist | |
| Jonathan Attenborough | .... | lighting/rendering technical director | |
| Peter Bach | .... | head of film: Clear | |
| Andrew Baggarley | .... | data wrangler: MPC | |
| Adrian Banton | .... | 2D supervisor: Double Negative | |
| Adrian Banton | .... | co-supervisor: Double Negative | |
| Judy Barr | .... | digital compositor | |
| Oliver Shyal Beardsley | .... | crowd simulation technical director: MPC | |
| Graham Bell | .... | motion capture technician: MPC | |
| Kieran Belshaw | .... | digital film recordist | |
| Lizzie Bentley | .... | digital matte painter: MPC | |
| Paul Birkett | .... | digital rotoscope artist: MPC | |
| Nic Birmingham | .... | lighting technical director: MPC | |
| Roger Bolton | .... | digital compositor: MPC London | |
| Jon Bowen | .... | senior compositor | |
| Charlie Bradbury | .... | visual effects producer: MPC | |
| Jessica Braun | .... | visual effects artist | |
| Steven Bray | .... | digital artist | |
| Richard Briscoe | .... | senior digital compositor | |
| Lyndy Brown | .... | studio manager: Baseblack | |
| Gary Brozenich | .... | CG supervisor: MPC | |
| Andrew Bunday | .... | render wrangler: MPC | |
| Delphine Buratti | .... | digital compositor | |
| Melissa Butler Adams | .... | digital compositor: Clear | |
| James Butler | .... | roto/prep artist | |
| Nick Cannon | .... | technical operations manager: MPC | |
| Tom Carrick | .... | motion capture technician: MPC | |
| Mei-Ming Casino | .... | visual effects producer: Framestore CFC | |
| Peter Chiang | .... | visual effects supervisor: Double Negative | |
| Evangelos Christopoulos | .... | effects technical director: MPC | |
| Alessandro Cioffi | .... | digital compositor | |
| Mike Connolly | .... | digital compositor: Baseblack | |
| Alfonso Cottier | .... | 3D Modeller: MPC | |
| Steve Cullingford | .... | rigging | |
| Emanuele D'Arrigo | .... | technical director | |
| Claudia Dehmel | .... | visual effects coordinator: Double Negative | |
| Dimitri Delacovias | .... | digital matte painter | |
| Andre Camargo de Souza | .... | lighting technical director: MPC | |
| Ian Differ | .... | visual effects editor | |
| Gavin Digby | .... | supervising compositor | |
| Jo Dixon | .... | visual effects editor | |
| Paul Driver | .... | data operative | |
| Katherine Durant | .... | roto artist | |
| Clwyd Edwards | .... | lead effects tecnical director: MPC | |
| Dick Edwards | .... | digital effects compositor | |
| Michael Bruce Ellis | .... | 2D supervisor: Double Negative (as Mike Ellis) | |
| Michael Elson | .... | head of production: MPC | |
| Stephen Elson | .... | visual effects producer: Baseblack | |
| James D. Etherington | .... | digital compositor | |
| Joe Eveleigh | .... | lighting technical director | |
| Jonathan Fawkner | .... | 2D lead: Framestore CFC | |
| Jonathan Fawkner | .... | digital supervisor: Framestore CFC | |
| Marco Fiorani Parenzi | .... | digital artist | |
| Niall Flinn | .... | technical director | |
| Juan Jesus Garcia | .... | art director: Jerusalem & Kerak, MPC (as Juan Garcia) | |
| Juan Jesus Garcia | .... | digital matte painting supervisor: MPC | |
| Adam Gascoyne | .... | sequence supervisor: Clear | |
| Tracey Gibbons | .... | visual effects associate producer | |
| Julian Gnass | .... | digital compositor: MPC | |
| Richard Gomes | .... | visual effects technical director | |
| Vincent Goodsell | .... | digital compositor | |
| Elysia Greening | .... | digital artist: MPC | |
| Robin Griffin | .... | visual effects executive producer | |
| Dave Griffiths | .... | visual effects programmer: MPC | |
| Alex Guri | .... | digital effects artist | |
| Andy Hague | .... | visual effects editorial | |
| Qian Han | .... | roto/prep artist | |
| Pete Hanson | .... | studio manager | |
| Andrew Harvey | .... | visual effects programmer | |
| John Harvey | .... | CGI supervisor | |
| Ed Hawkins | .... | supervising compositor | |
| Kieron Helsdon | .... | lead technical director: MPC | |
| Kieron Helsdon | .... | previs artist: MPC | |
| Aeon Henderson | .... | digital compositor | |
| Sean Heuston | .... | compositor | |
| Jeremy Hey | .... | digital artist | |
| Tim Hey | .... | digital compositor: MPC | |
| Martin Hobbs | .... | head of production | |
| Kay Hoddy | .... | roto/prep artist | |
| Nic Hodgkinson | .... | compositor | |
| Matt Holland | .... | compositor | |
| Katja Hollmann | .... | digital lab supervisor: Lipsync Post | |
| Vlad Holst | .... | lighting technical director | |
| Russell Horth | .... | digital compositor: MPC | |
| Greg Howe-Davies | .... | roto/prep artist | |
| Pete Howlett | .... | roto/prep artist | |
| Roberto Hradec | .... | research & development: MPC | |
| Simon Hughes | .... | digital compositor: CLEAR | |
| Nancy Hyland | .... | compositor | |
| Zoe Izzard | .... | data operator | |
| Zoe Izzard | .... | digital film recordist | |
| Gemma James | .... | data operative | |
| Andrew Johnson | .... | visual effects editorial | |
| Linda Johnson | .... | crowd simulation technical director | |
| Tim Jones | .... | visual effects artist: MPC | |
| Barry Kane | .... | rendering technical director | |
| Per Karefelt | .... | researh & development: Baseblack | |
| Uzma Khalid | .... | digital effects artist | |
| Tom Kimberley | .... | digital compositor: MPC | |
| Balazs Kiss | .... | lighting/rendering technical director: MPC | |
| Ryan Knowles | .... | data operator | |
| Carsten Kolve | .... | crowd simulation research and development: MPC | |
| Carsten Kolve | .... | crowd simulation technical director: MPC | |
| Arek Komorowski | .... | digital artist | |
| John Kozak | .... | researh & development: Baseblack | |
| Zoe Lamaera | .... | digital compositor | |
| Debbie Langford | .... | motion capture artist: MPC, London | |
| Douglas Larmour | .... | digital compositor | |
| Sian Lawson | .... | horse supervisor: motion capture unit | |
| Rick Leary | .... | CG supervisor | |
| Philippa Leathers | .... | data operator | |
| Luke Letkey | .... | digital artist | |
| Bryan Litson | .... | match move technician: MPC | |
| David Lloyd | .... | render engineer: MPC | |
| Natalie Lovatt | .... | visual effects assistant: post-production | |
| Natalie MacDonald | .... | digital compositor: MPC | |
| Angela Magrath | .... | matchmove artist | |
| Gary Marshall | .... | motion capture assistant: MPC | |
| Helena Masand | .... | CG artist | |
| Zebedee Massey | .... | data wrangler | |
| Greg Massie | .... | crowd simulation technical director: MPC | |
| Christoph Matthiesen | .... | digital artist | |
| Marian Mavrovic | .... | lead compositor | |
| Jolene McCaffrey | .... | digital compositor: MPC | |
| Steve McGillen | .... | roto and paint artist | |
| Alasdair McNeill | .... | digital artist | |
| Alex Mein Smith | .... | rotoscope artist | |
| Ivan Mena | .... | digital compositor: Double Negative | |
| Craig Mepham | .... | technical animator | |
| Brett Miller | .... | lead technical director | |
| Steve Moncur | .... | digital lighting supervisor | |
| Peter Muyzers | .... | technical director: MPC | |
| Tristan Myles | .... | digital compositor: Double Negative | |
| Dan Neal | .... | lead technical director: MPC | |
| Salima Needham | .... | digital compositor | |
| Stuart Nelhams | .... | visual effects film editorial: MPC | |
| Elliot Newman | .... | digital artist | |
| Donal Nolan | .... | digital compositor: Baseblack | |
| Cenay Oekmen | .... | digital effects artist | |
| Gruff Owen | .... | compositing artist | |
| Matthew Packham | .... | digital compositor | |
| Isaac Partouche | .... | motion capture supervisor: MPC | |
| Arnaud Pecqueur | .... | matte painter | |
| David Phillips | .... | digital compositor | |
| Adrian Pinder | .... | technical director: cloth, texturing and simulation: MPC | |
| Tristan Porter | .... | roto/prep Artist: MPC | |
| Tim Pounds-Cornish | .... | visual effects editor: MPC | |
| Scott Pritchard | .... | digital compositor: MPC | |
| James Prosser | .... | visual effects coordinator | |
| Howard Protheroe | .... | digital paint artist: Framestore CFC | |
| Farhan Qureshi | .... | digital effects artist | |
| Ollie Rankin | .... | crowd simulation research and development | |
| Andrew Rawling | .... | computer graphics supervisor: Framestore-CFC | |
| Michael Ridgwell | .... | digital artist | |
| Martin Riedel | .... | digital compositor: MPC | |
| Tim Riley | .... | crowd simulation technical director: MPC | |
| Tim Riley | .... | digital effects artist | |
| Gary Roberts | .... | motion capture | |
| Dave Robinson | .... | systems engineer | |
| Neil Roche | .... | animator: MPC | |
| Norbert Ruf | .... | digital compositor | |
| Jeremy Sawyer | .... | data operator | |
| Claude Schitter | .... | effects animator | |
| Eduardo 'Lalo' Schmidek | .... | digital artist: MPC | |
| Petra Schwane | .... | digital compositor: Baseblack | |
| David Scott | .... | digital effects artist: MPC | |
| Alexander Seaman | .... | effects technical director: MPC | |
| Wesley Sewell | .... | visual effects supervisor | |
| Aatesh Shah | .... | systems engineer: Framestore CFC | |
| Foad Shah | .... | digital compositor: Double Negative | |
| David Shere | .... | compositor | |
| Jennifer Silver | .... | visual effects producer: Double Negative | |
| Serdar Simga | .... | digital matte painter | |
| William Skellorn | .... | visual effects editorial: Double Negative | |
| Sally Spencer | .... | visual effects coordinator: MPC | |
| Penn Stevens | .... | digital effects artist: MPC | |
| Penn Stevens | .... | render wrangler: MPC | |
| David Swift | .... | digital matte artist: MPC | |
| Giuseppe Tagliavini | .... | digital compositor: MPC | |
| Giuseppe Tagliavini | .... | roto/prep supervisor: MPC | |
| Gemma Thompson | .... | visual effects coordinator | |
| Jon Thum | .... | visual effects supervisor: Framestore CFC | |
| Chris Thunig | .... | digital matte artist: MPC | |
| Matthew Tinsley | .... | digital compositor | |
| Jensen Toms | .... | technical director: lighting & pre-vis | |
| Neil Turnbull | .... | digital artist | |
| John Van Hoey Smith | .... | rotoscope artist | |
| Giuliano Dionisio Vigano' | .... | digital compositor | |
| Tara Walker | .... | digital artist | |
| Shawn Walsh | .... | digital compositor | |
| Shawn Walsh | .... | lighting artist: MPC | |
| Daniel Walton | .... | digital artist | |
| Ian Ward | .... | lighting technical director | |
| Val Wardlaw | .... | visual effects supervisor: Baseblack | |
| Roland Watson | .... | digital resources manager: MPC | |
| Joern Weisspfennig | .... | crowd simulation technical director | |
| Sheila Wickens | .... | lead compositor: MPC (as Sheila Gorman) | |
| Julia Wigginton | .... | post production manager | |
| Stephen Willey | .... | systems engineer | |
| Jason Williams | .... | lead matchmove | |
| Matt Willis-Jones | .... | digital compositor | |
| Robert A. Willis | .... | digital film recordist | |
| Jonathan Wills | .... | effects technical director | |
| Chris Wilson | .... | render wrangler: MPC | |
| Oliver Winwood | .... | data wrangler: MPC | |
| Anthony Wonsoff | .... | digital compositor | |
| Melody Woodford | .... | match move artist: MPC | |
| David Woodland | .... | senior matte painter | |
| Lisa Woodland | .... | digital compositor | |
| Tom Wood | .... | visual effects supervisor: MPC | |
| Tim Young | .... | digital paint & roto artist: Framestore CFC | |
| Trevor Young | .... | digital compositor | |
| David J. Zimmerman | .... | data operator: CLEAR | |
| Ben Aickin | .... | compositing artist: Framestore CFC (uncredited) | |
| Denise Ballantyne | .... | visual effects consultant (uncredited) | |
| Carl Bianco | .... | technical director: Framestore CFC (uncredited) | |
| Sule Bryan | .... | compositing artist: Framestore CFC (uncredited) | |
| Hayley Collins | .... | roto/prep artist: MPC (uncredited) | |
| Jonathan Davies | .... | junior visual effects artist: CLEAR (uncredited) | |
| Martyn Drake | .... | systems: MPC (uncredited) | |
| Louis Dunlevy | .... | technical director: Framestore CFC (uncredited) | |
| Hayley Easton | .... | digital artist: Framestore CFC (uncredited) | |
| Michele Fabbro | .... | technical director: Framestore CFC (uncredited) | |
| William Foxwell | .... | scanning operator: Lip Sync Post (uncredited) | |
| Simon French | .... | camera technical director (uncredited) | |
| Lisa Gonzalez | .... | matchmove artist: MPC (uncredited) | |
| Sian Lawson | .... | biomechanist (uncredited) | |
| Katy Lemon | .... | digital lab operator: Lip Sync Post (uncredited) | |
| Steve Lynn | .... | technical support (uncredited) | |
| Julian Mann | .... | crowd software developer and supervisor: MPC (uncredited) | |
| Tony Man | .... | digital compositor (uncredited) | |
| Alex Payman | .... | compositing artist: Framestore CFC (uncredited) | |
| Stuart Penn | .... | senior modeller: Framestore CFC (uncredited) | |
| Richard Poet | .... | Avid editor: Framestore CFC (uncredited) | |
| Elsa Santos | .... | digital paint artist: Framestore CFC (uncredited) | |
| Ben Schrijvers | .... | technical director: Framestore CFC (uncredited) | |
| Anthony Smith | .... | digital compositor: Framestore CFC (uncredited) | |
| Sharon Warmington | .... | digital artist (uncredited) | |
| Rob Woiwod | .... | effects editorial (uncredited) | |
Animation Department | |||
| Cathy Burrows | .... | digital artist: ILM | |
| Silvana Sacco | .... | assistant breakdown artist (uncredited) | |
Casting Department | |||
| Abigail Barbier | .... | adr voice casting | |
| Salah Benchegra | .... | casting: Morocco | |
| Billy Dowd | .... | extras casting | |
| Louis Elman | .... | adr voice casting | |
| Robin Hudson | .... | casting assistant | |
| Tannis Vallely | .... | casting associate | |
Costume and Wardrobe Department | |||
| Abdelkrim Akallach | .... | crowd wardrobe supervisor | |
| Abderrahim Benkhayi | .... | costume assistant | |
| Amanda Bone | .... | armor maker: FBFX | |
| Mohamed Bougati | .... | wardrobe | |
| Rob Brown | .... | wardrobe master: second unit | |
| Sabina Buzdon | .... | costume assistant | |
| Paul Colford | .... | costume assistant | |
| Andrea Cripps | .... | assistant costume designer | |
| David Crossman | .... | associate military costume designer | |
| Emily-Rose Da Silveira | .... | costume trainee (as Emily-Rose Yiaxis) | |
| Alleyne Kirby Davies | .... | costume maker | |
| Gabriela Dolenska | .... | set costumer | |
| Zineb Drissi | .... | costume assistant | |
| Jirina Eisenhamerova | .... | wardrobe | |
| María Isabel Escobar | .... | set costumer (as Isabel Escobar) | |
| Annie Hadley | .... | chief costume cutter | |
| Gordon Harmer | .... | wardrobe master | |
| Maria Hubackova | .... | costumer | |
| Andrew Hunt | .... | costume truck supervisor | |
| Otmane Khammari | .... | wardrobe assistant | |
| Stephen Kill | .... | costume dyer/breakdown | |
| Klara Kobosva | .... | set costumer | |
| Alenka Korla | .... | crowd dresser | |
| Joe Kowalewski | .... | assistant costume supervisor | |
| Linda Lashley | .... | costumer | |
| Martin Mandeville | .... | costume department coordinator | |
| Tim McGaw | .... | senior costume props technician | |
| Danny McGrath | .... | set costumer | |
| Mustapha Mimis | .... | set costumer | |
| Neil Murphy | .... | assistant military costume supervisor | |
| Kate Newbold | .... | costume trainee | |
| Sophie Norinder | .... | key dresser | |
| Linda O'Reilly | .... | costume assistant | |
| David Otzen | .... | costume assistant | |
| Timothy Shanahan | .... | key costume breakdown artist | |
| Uli Simon | .... | costume assistant | |
| Sunita Singh | .... | set costumer | |
| Thomas Sjolander | .... | embroidery | |
| Sophia Spink | .... | costume maker | |
| Clare Spragge | .... | costume supervisor | |
| Rupert Steggle | .... | wardrobe master: stunt wardrobe | |
| Amanda Trewin | .... | costumer: Mr. Bloom | |
| Ros Ward | .... | costume buyer | |
| Joanna Weaving | .... | costume breakdown | |
| Vanessa Woolgar | .... | set costumer | |
| Robert Worley | .... | assistant costume designer: extras | |
| Ian Jones | .... | costumes (uncredited) | |
| Lora E. Revitt | .... | illustrator: costume concept (uncredited) | |
| Silvana Sacco | .... | assistant costume breakdown artist (uncredited) | |
Editorial Department | |||
| Roger Berger | .... | digital intermediate editor (director's cut) | |
| Keith Brachmann | .... | associate editor | |
| Carmen Ruiz de Huidobro | .... | post-production assistant | |
| Paul Ensby | .... | digital color timer | |
| Steve Farman | .... | negative cutter | |
| Andrew Haigh | .... | assistant editor | |
| Jeffrey Harlacker | .... | post-production executive | |
| Skip Kimball | .... | digital intermediate colorist (director's cut) | |
| Jonathan Mann | .... | digitizer | |
| David McKimmie | .... | post-production coordinator | |
| Lea Morement | .... | assistant editor | |
| Michael Nollet | .... | assistant editor | |
| Pablo Prietto | .... | assistant editor (director's cut) | |
| Ian Redmond | .... | digital intermediate consultant: Technicolor | |
| Debs Richardson | .... | assistant editor | |
| Zara Roberts | .... | digital intermediate producer (directors cut) | |
| Dominic Thomson | .... | digital editor | |
| Jay Warren | .... | digital intermediate project manager | |
| Rab Wilson | .... | assistant editor: avid | |
| Chisako Yokoyama | .... | assistant editor (director's cut) | |
| Mark Sahagun | .... | digital intermediate editor (uncredited) | |
Music Department | |||
| Stephen Barton | .... | composer: additional music | |
| Christopher Benstead | .... | assistant music editor | |
| Becky Bentham | .... | score coordinator | |
| Catherine Bott | .... | musician: Soprano solo | |
| Tom Chichester-Clark | .... | assistant music editor | |
| Toby Chu | .... | composer: additional music | |
| Geoff Foster | .... | score recordist | |
| Harry Gregson-Williams | .... | conductor | |
| Harry Gregson-Williams | .... | orchestrator | |
| Isobel Griffiths | .... | orchestra contractor | |
| Richard Harvey | .... | musician: flute | |
| Robert Houston | .... | assistant scoring engineer | |
| Seanine Joyce | .... | orchestrator | |
| Noah Katz | .... | assistant music editor (director's cut) | |
| Alastair King | .... | orchestrator (as Alistair King) | |
| Hugh Marsh | .... | musician: violin | |
| Bradley Miles | .... | orchestrator | |
| Sam Okell | .... | assistant scoring engineer | |
| Marc Streitenfeld | .... | music supervisor | |
| David Walter | .... | assistant scoring engineer | |
| Gavyn Wright | .... | orchestra leader | |
| Junkie XL | .... | composer: additional music (uncredited) | |
| Paul Kegg | .... | musician: cello (uncredited) | |
| Martin Tillman | .... | composer: additional music (uncredited) | |
Transportation Department | |||
| Khalid Ameskane | .... | transportation assistant | |
| Brian Baverstock | .... | transportation coordinator | |
| Hicham Regragui | .... | transportation coordinator | |
| Mickey Davie | .... | vehicle technician (uncredited) | |
Other crew | |||
| Abdellah Achir | .... | stand-in | |
| Topaz Adizes | .... | set production assistant | |
| Saad Ajedigue | .... | production assistant | |
| Jill Anderson | .... | payroll accountant | |
| Mohamed Atbir | .... | production assistant | |
| Simon Atherton | .... | weapons master | |
| Ali Bakkioui | .... | key location manager | |
| Fred Baron | .... | production executive | |
| Stephanie Bell | .... | armoury graphic artist | |
| Lola Belsito | .... | assistant production coordinator | |
| Lola Belsito | .... | executive assistant: Mr. Lustig | |
| Jinane Ben Zaida | .... | assistant production coordinator | |
| Géraldine Bergé | .... | assistant to cast | |
| Brian Bero | .... | armorer | |
| Mark Birmingham | .... | accountant: DCMS | |
| Carlos Ruiz Boceta | .... | assistant to line producer (as Carlos Ruíz Boceta) | |
| Carlos Ruiz Boceta | .... | assistant: Mr. Escolar | |
| Billy Budd | .... | military advisor | |
| Kevin Richard Buxbaum | .... | financial controller | |
| Gonzalo Cañellas | .... | location manager | |
| Roisin Carty | .... | dialect coach | |
| Roisin Carty | .... | dialogue coach | |
| Giorgio Catalano | .... | production accountant | |
| Houssna Choukri | .... | assistant: Mr. Lustig, Morocco | |
| Henry Christopher | .... | armorer: second unit | |
| Peter k Christopher | .... | assistant armorer | |
| Matthew K. Coleman | .... | assistant: Liam Neeson | |
| Ivo Coveney | .... | armorer | |
| Steve Cummings | .... | supervising armorer | |
| James Cutting | .... | assistant location manager | |
| Matt Dalton | .... | production accountant: UK | |
| Angel de la Serna | .... | production assistant | |
| Jesus Del Caso | .... | stand-in: Orlando Bloom | |
| Steve Dent | .... | horse master | |
| Clifford De Spenser | .... | dialogue coach: adr (as Clifford De Spencer) | |
| Mandi Dillin | .... | production secretary | |
| Quinn Donoghue | .... | unit publicist | |
| John Eccleston | .... | location accountant: Spain | |
| Hicham El Ghorfi | .... | set production assistant | |
| Colonel El Jaouhari | .... | military advisor: Morocco (as Colonel Mohamed El Jouhari) | |
| Sana El Kilali | .... | accountant: Morocco | |
| Stephen Finch | .... | electrics coordinator | |
| Duncan Flower | .... | assistant location manager | |
| Justo Garasa | .... | first aid | |
| Fiona Garland | .... | assistant production coordinator | |
| Bianca Gavin | .... | assistant production coordinator | |
| Marco Giacalone | .... | location supervisor: foreign | |
| Conor Gibbons | .... | assistant armorer | |
| Beatrice Giraud | .... | first assistant accountant | |
| Ana María González | .... | production secretary | |
| Christopher J. Green | .... | assistant accountant | |
| Robin Green | .... | assistant production accountant | |
| Brendan Gunn | .... | dialogue coach: adr | |
| James Hinton | .... | assistant accountant | |
| Christian Holden | .... | payroll accountant | |
| Jonathan Hook | .... | location manager | |
| Kelly Johnson | .... | post-production accounts | |
| Aymen Khalifa | .... | cultural consultant | |
| Nick Komornicki | .... | supervising armorer | |
| Ashifa Lalani | .... | first accountant | |
| Nicole Luther | .... | key set production assistant | |
| Natascha Maksimovic | .... | assistant: Mr Needham | |
| Natascha Maksimovic | .... | assistant: Mr. Needham | |
| Calero Marta | .... | assistant accountant: payroll | |
| Shaun M. McGovern | .... | accountant | |
| Cinta Meniz | .... | manager: base camp | |
| Julian Murray | .... | assistant accountant | |
| Ginette Nelson | .... | dialogue coach: Mr. Bloom | |
| Steve Newman | .... | publicist | |
| Abdessalam Ngadi | .... | assistant location manager | |
| Patricia Nieto | .... | production coordinator | |
| Trilby Norton | .... | travel coordinator | |
| Eva Obregón | .... | production secretary | |
| Sandra Odelga | .... | production coordinator | |
| David Olivares | .... | key office assistant | |
| Kevin Otero | .... | assistant: Mr. Bloom | |
| Matthew O'Toole | .... | location accountant | |
| Ana Palacios | .... | assistant production coordinator | |
| Dan Palmer | .... | post-production accountant | |
| Anil Patadé | .... | construction accountant | |
| Allan Poppleton | .... | sword master | |
| Juan Lorenzo Prada | .... | assistant location manager | |
| Joel Proust | .... | horse master | |
| Samantha Quinn | .... | second assistant accountant | |
| Stephen Ralphs | .... | archery master | |
| Lindy Ransom | .... | travel coordinator | |
| Mohammed Hamza Regragui | .... | base camp assistant: Morocco | |
| Sandra Reis | .... | digital paint and rotoscope artist: Double Negative | |
| Alice Ritscher | .... | assistant accountant | |
| Brett Robinson | .... | assistant to producers | |
| David Roker | .... | production runner | |
| Jordan Sheehan | .... | executive assistant: Mr. Scott | |
| Neville Shulman | .... | special advisor: Mr. Scott | |
| Ashun Sierra | .... | assistant to cast | |
| Abi Sila | .... | key accounting assistant | |
| David Sillery | .... | assistant armourer | |
| C.C. Smiff | .... | sword master | |
| Robert Stone | .... | body double | |
| Eve Swannell | .... | assistant production coordinator | |
| Celeste Talaszek | .... | post/vfx accountant | |
| Jose Tamayo Fernandez | .... | office runner | |
| Jane Templeton | .... | executive assistant: Mr. Scott | |
| Aminta Townshend | .... | script supervisor: second unit | |
| Derek Jan Vermaas | .... | production coordinator | |
| Teddy Villalba | .... | key location assistant | |
| Peter White | .... | horse master | |
| Tim Wildgoose | .... | armory model maker | |
| Marc Wolff | .... | aerial coordinator | |
| Anna Worley | .... | script supervisor | |
| Cristina Zavalia | .... | second assistant accountant | |
| Ngadi Abdeslam | .... | assistant location manager (uncredited) | |
| Natalie Lovatt | .... | script continuity assistant (uncredited) | |
| Sam Mangan | .... | cutting room manager (uncredited) | |
Thanks | |||
| Ezna Sands | .... | very special thanks | |
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| The Lord of the Rings: The Return of the King | 300 | Beowulf | Gladiator | Braveheart |
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"Why was the Crusader braver then the pirate? Because he fought, not for himself, but for the Cross. What force was it that met him with a valor as reckless as his own? The force of men who fought, not for themselves, but for Islam. They took Spain from us, though we were fighting for our very hearths and homes; but when we, too, fought for that mighty idea, a Catholic Church, we swept them back to Africa."
Clearly, director Ridley Scott does not agree with the above somewhat simplified philosophy expressed by Shaw through his character Don Juan. In "Kingdom of Heaven", wars and battles are fuelled by an assortment of motivations including land, money, political consideration, natural desire for violence, lust for fame, love of the common people, among others. Even more importantly, this "idea" thing does not prevent leaders from practicing tolerance, reaching compromises and even recognizing equality with alien faiths, as the movie tries to show us.
Recognizing that this movie is a mix of historical fact and dramatized fiction, let me focus on one rather unusual aspect of the hero Balian (Orlando Bloom), a blacksmith inheriting knighthood and an estate from a father appearing out of the blues. As Balian takes over the barren desert estate after the untimely death of the recently-discovered father, he does something that the father apparently has failed to do in all these years dig into the earth to find a reliable source of water and proceed to make the estate productive. Later, the resilient defence of Jerusalem owes just as much to Balian's knowledge of practical laws of mechanics as to his military skills. In the end, he turns away from the inherited knighthood and goes back to be a blacksmith, taking with him a queen. Triumph of the working class, as my summary line suggests.
Depiction of the arch adversary Saladin follows very much the line taken in the novels of Sir Walter Scott (another Scott here!), particularly "The Talisman", as someone mysterious (to the extent of being almost omnipresent - in the novel) but wise and benevolent, a breed of political leader that is sadly in short supply today. The hero Balian, as mentioned, has little interest in divinity and every interest in the welfare of the people. These two leaders, put in today's context, could qualify "Kingdom of Heaven" for a fairy tale.
It's difficult to refrain from comparing the attack of Jerusalem with the attack of Minas Tirith, and this very comparison can be construed as an unreserved compliment on Kingdom of Heaven. Another comparison that can be made is the depiction of a mighty army, done so unimaginatively in two similar movies last year. In Kingdom of Heaven, we see first a solitary figure on horseback at a distant mountain gap. "Saladin's army of 200 thousand is here" says Balian. "There's only one person", comes the reply from a follower. "No, they're all here" Balian quietly responses, at which point the angle of the camera starts to rise, first revealing the patch behind the mountain gap, filled with soldiers. Then, as the horizon of our vision continues to extend, layers of mountains and vales continue to appear, together with Saladin's mighty army deployed in an apparently haphazard, but ultimately strategic fashion. This must be seen to appreciate.
Of the cast, I must first mention Edward Norton. As the leper king of Jerusalem, he appears all the time behind a mask which covers his entire face, showing only his eyes with disfigured corners. But it's the voice that is so mesmerizing. Ever since Fight Club, Norton's voice has such a timbre that soft as he sounds, there are lurking behind tantalizing hints of subtlety, intrigue, compassion, power, and twenty other different and conflicting emotions all at once.
Bloom grows into his role, starting rather expressionless (which may not be totally unreasonable considering that the character has just lost a wife and a child) but gradually gaining in confidence. Liam Neeson and Jeremy Irons, playing father and mentor respectively, do not exactly have the most challenging parts in their careers. Eva Green retains the girlish defiance in The Dreamer, but adds to it the maturity and allure required for the role of Sibylla (as portrayed by the script, but not necessarily as recorded in history). And there is good old Brendan Gleeson, in the customary role of big bully fighter which he has perfected in Gangs of New York and Troy.
Kingdom of Heaven is one cut above Troy and Alexander last year.