Langston Whitfield is a Washington Post journalist. His editor provocatively sends him to South Africa to cover the Truth and Reconciliation Commission hearings, in which the perpetrators ... See full summary »
The daughter of a brilliant but mentally disturbed mathematician, recently deceased, tries to come to grips with her possible inheritance: his insanity. Complicating matters are one of her father's ex-students who wants to search through his papers and her estranged sister who shows up to help settle his affairs.
A fictionalized account of the first major successful sexual harassment case in the United States -- Jenson vs. Eveleth Mines, where a woman who endured a range of abuse while working as a miner filed and won the landmark 1984 lawsuit.
In 16th century Venice, when a merchant must default on a large loan from an abused Jewish moneylender for a friend with romantic ambitions, the bitterly vengeful creditor demands a gruesome payment instead.
Langston Whitfield is a Washington Post journalist. His editor provocatively sends him to South Africa to cover the Truth and Reconciliation Commission hearings, in which the perpetrators of murder and torture on both sides during Apartheid are invited to come forward and confront their victims. By telling the unvarnished truth and expressing contrition, they may be granted amnesty. Can the deep wounds of Apartheid be healed through reconciliation? Langston is deeply skeptical. He tracks down Col. De Jager, the most notorious torturer in the SA Police and tries to penetrate the mind of a monster, an experience that obliges him to confront his own demons. Anna Malan is an Afrikaans poet who is covering the hearings for radio. As a white South African she is shattered by the accounts of the cruelty and depravity committed by her fellow countrymen. Anna and Langston must both question their sense of identity. Where do they each belong? How responsible are they for what is done in the ... Written by
Composed by Murray Anderson & Warrick Swinney
Arranged as Love Theme by Murray Anderson, Warrick Swinney & Philip King
Performed by Murray Anderson & Orchestra
Published by Hi-Z Sound See more »
A sensitive and courageous portrayal of social justice
Country of My Skull manages to address a subject that no Hollywood film has touched, to my knowledge. Jackson's character navigates the anger and frustration any black person would feel about the situation of racist South Africa (where to this day the tiny white population owns an overwhelming majority of the land) during the Truth and Reconciliation Commission, and his respect for a white South African, played by Binoche.
It is interesting that while Jackson is assigned by the Washington Post to report on the Commission, he has to struggle to make the headlines in the United States even though it is an important issue. I think this says quite a lot about our free press.
12 of 18 people found this review helpful.
Was this review helpful to you?