A chance encounter between a travelling salesman and a lonely hitman triggers a strangely profound relationship which provokes each to act in ways neither would have imagined possible. Fate steps in to form a friendship between two men from irreconcilable worlds that will alter the lives of both forever. Written by
Of the two lead male characters of Julian Noble and Danny Wright, Richard Shepard said: "With Danny, it plays to the comedy, because Julian is so far out there, that Greg's character becomes our eyes and ears, reacting to Julian as we might. It's the darkest version of a man like Bond. It's the complete opposite end of the sort of smooth and perfect superhero. Julian is a man who has no one. He's lonely, sad, a real mess. While he's audacious, it's because he doesn't have normal relationships, he doesn't know how to act in those social situations. The tragedy of Julian is definitely something I'm interested in." See more »
When Julian is telling the story about his first mistake in Manila, the camera can be seen, hidden behind palm leaves and bamboo, when two guys holding a mirror are walking through the frame. See more »
[discussing possible escape routes]
That door over there, if it weren't locked.
A Vietnamese girl I once knew had her legs so locked together I couldn't get a whiff of her spring roll. Two drinks, half a quaalude later, I was at an all you can eat buffet. Every lock can be broken. It's just a matter of will and whether it's worth it.
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"The filmmakers do not condone bullfighting, but respect its long tradition in the Mexican culture. It was extremely important to the producers that no bulls were harmed because of the production of 'The Matador'. In no way did the producers of this film create, arrange or organize any of the bullfights seen within this movie. Sequences staged by the producers employed fake and computer-generated bulls exclusively. Absolutely no animals were harmed by the production of this movie." See more »
Entertaining crime comedy with Pierce Brosnan in a very successful comic turn
Pierce Brosnan has sipped his last Martini and returns, in an outrageous self-parody, as the aging foul-mouthed boozy assassin Julian Noble, who has a particular fondness for teenage girls, bullfights and tacky clothes. During a job in Mexico City he meets Danny (Greg Kinnear), a straight-faced Denver suburban business-man, who's in town to make his deal of-a-life-time, in a hotel bar. Despite their completely different personalities and Julian's crude and insensible remarks, they become friends.
Largely carried by the performances of Pierce Brosnan and Greg Kinnear, director Richard Shepard revealed that he didn't write the film with Pierce Brosnan in mind , but I can hardly imagine this without him. He proves to have a real talent for comedy and can be more than just James Bond or cold-war spies. The scene in which the two meet at a glossy hotel bar (stunning sets and beautifully photographed) really is a bravura piece of acting skills. The scene lasts almost fifteen minutes, and although it was probably carefully scripted, the two actors are largely improvising, but they succeed wonderfully! It almost feels like a new standard in screen acting. Think of Robert De Niro and Harvey Keitel in MEAN STEETS improvising and add one of the most subtle underpinnings of many genre clichés and the actors' own typecasting (Brosnan's James Bond in particular), and you got one of the most delightful pairings in recent Hollywood.
Sadly, the story wears thin after a while. After an hour, the film just runs out of steam. Nevertheless, and I can't put my finger on it exactly, I did enjoy this very much. It just feels very fresh and original, with some imaginative use of sets and lighting, and some hints to Seijun Suzuki and Jean-Pierre Melville. The other characters aren't given much to do, but this film does offer something new, in that respect it almost effortlessly succeeds in blending all conventional genres into quite an entertaining spoof. Very amusing.
Camera Obscura --- 7/10
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