In the 1970s, a young trans woman, Patrick "Kitten" Braden, comes of age by leaving her Irish town for London, in part to look for her mother and in part because her gender identity is beyond the town's understanding.
Joaquin (Polo Ravales), an unassuming fisherman, is forced to confront his homosexuality when his sex-starved wife Cynthia (Althea Vega) returns from her overseas job eager to get pregnant.... See full summary »
Bo is a transexual prostitute in Brussels who left home after being abused by her father. She's now in an abusive relationship with a neighbor and suspected by the police in a series of ... See full summary »
Fernando, a.k.a. Fernanda, a 19-year-old Brazilian transvestite, travels to Milan and becomes a prostitute to finance sex-change surgery. Fernanda dreams of becoming a "real" woman, but in ... See full summary »
Ingrid de Souza,
Felix is secretly in love with Ralph. This doesn't seem to be the biggest problem. But Felix is 15 and Ralph his 34 years old soccer coach. They meet every day in an ambush. One day Felix ... See full summary »
A young transwoman, Patrick "Kitten" Braden, comes of age in the 1970s. She leaves her Irish town, in part to look for her mother and in part because her transgender nature is beyond the town's understanding. She's taken in by a rock band, falls for the lead singer, has brushes with the IRA, is arrested by the London police, works in a peep show, and poses as a survey researcher for the phone company. Throughout, her nationality and her nature put her at great risk. In her search for her mother, she makes surprising discoveries of friendship and family. But, will she survive? Written by
Although The Wombles would have been at the height of their popularity during the film's mid-70s setting, the appearances of the featured Wombles are based on the designs from their late-90s revival, in particular Wellington. Also, Alderney is shown - although included in the books, she didn't make her screen debut until the 90s series. See more »
I saw BOP in Toronto last week and it was one of my favorites (of the 29 I saw). Cillian Murphy was fabulous as the brave and relentless seeker of the truth who faced life with conviction even when everything around him seemed to be disintegrating. Liam Neeson as the town priest was credible and at times heartbreakingly genuine in his reactions to unfolding situations. Stephen Rea was an unorthodox but sweet magician who brought a great deal to his small part. The supporting cast, especially Brendan Gleeson and Ruth Negga, acted with realism and intensity that helped bring the film to life. Neil Jordan, whose track record stands on its own, delivered a delicious dim sum that left me wanting more and at the same time completely sated. Declan Quinn's dulcet cinematography, much like that of Monsoon Wedding and Vanity Fair, made the film one of the most lustrous at Toronto. After getting the willies watching how evil Murphy can be it was great to see him as an uber-hero. Oh, and did I say I want some of those outfits?
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