| Photos (see all 90 | slideshow) | Videos (see all 27 NEW) |
Directed by | |||
| Susanne Bier | |||
Writing credits(WGA) | ||
| Allan Loeb | (written by) | |
Produced by | |||
| Pippa Harris | .... | executive producer | |
| Barbara Kelly | .... | co-producer | |
| Allan Loeb | .... | executive producer | |
| Sam Mendes | .... | producer | |
| Sam Mercer | .... | producer | |
Original Music by | |||
| Johan Söderqvist | (score by) | ||
Cinematography by | |||
| Tom Stern | (director of photography) | ||
Film Editing by | |||
| Pernille Bech Christensen | |||
| Bruce Cannon | |||
Casting by | |||
| Debra Zane | |||
| Heike Brandstatter | (uncredited) | ||
| Coreen Mayrs | (uncredited) | ||
Production Design by | |||
| Richard Sherman | |||
Art Direction by | |||
| Geoff Wallace | |||
Set Decoration by | |||
| Dominique Fauquet-Lemaitre | |||
Costume Design by | |||
| Karen L. Matthews | (as Karen Matthews) | ||
Makeup Department | |||
| Ian C. Ballard | .... | key hair stylist (as Ian Ballard) | |
| Rick Glassman | .... | dental special effects: Mr. Del Toro (as Rick Glassman, D.D.S.) | |
| Norma Hill-Patton | .... | makeup artist: Ms. Berry | |
| Connie Parker | .... | key makeup artist | |
| Jessica Rain | .... | assistant hair stylist | |
| Gail Rowell-Ryan | .... | hair stylist: Mr. Del Toro (as Gail Ryan) | |
| Debra Wiebe | .... | hair stylist: Ms. Berry | |
| C.J. Wills | .... | assistant makeup artist | |
Production Management | |||
| Abby Callahan | .... | post-production supervisor (as Abigail Callahan) | |
| Barbara Kelly | .... | unit production manager | |
| Paul A. Levin | .... | post-production supervisor (as Paul Levin) | |
Art Department | |||
| Don Anderson | .... | property buyer | |
| Victoria Balharry | .... | graphic artist | |
| Derek Bobroff | .... | on-set painter | |
| Raul Casillas | .... | lead set dresser | |
| Anthony Chruszcz | .... | set dresser | |
| Graham Coutts | .... | property master | |
| Jennifer Donaldson | .... | assistant art director (as Jenny Donaldson) | |
| Keith Esch | .... | paint foreperson | |
| Larry Gonsalves | .... | set dresser | |
| Gillian Goodman | .... | assistant property master (as Gill Goodman) | |
| Jim Green | .... | chief greensperson | |
| Alan Hemsworth | .... | lead greensperson | |
| Scott Holburn | .... | set dresser | |
| Randal Holden | .... | construction foreperson (as Randal James Holden) | |
| Sheri Hunter-Locke | .... | assistant set decorator | |
| Leonardo Lara | .... | on-set dresser | |
| Shannon McFarlane | .... | set dresser | |
| Chris Thompson | .... | construction coordinator | |
| Mario Tomas-Niedworok | .... | paint coordinator (uncredited) | |
Special Effects by | |||
| Alex Burdett | .... | special effects coordinator | |
| Adam Tayler | .... | special effects technician | |
| Kai Hirvonen | .... | special effects assistant (uncredited) | |
Visual Effects by | |||
| Danny Albano | .... | digital compositor: Technicolor Digital Services | |
| Mary E. Manning | .... | pre-visualization artist: Illusion Arts | |
| Erin L. Nelson | .... | digital restoration | |
| Wilson Tang | .... | digital restoration | |
Stunts | |||
| James Bamford | .... | stunts | |
| Simon Burnett | .... | stunts | |
| Jon Kralt | .... | stunt coordinator | |
| Gerald Paetz | .... | stunts | |
| Wade Simmons | .... | stunts | |
Camera and Electrical Department | |||
| Sandes Ashe | .... | first assistant photographer | |
| Tony Derkach | .... | dolly grip operator | |
| Glen A. Dickson | .... | camera operator (as Glen Dickson) | |
| Gareth Farfan | .... | on-set rigger | |
| Rod Feldmeier | .... | chief rigging technician | |
| Jeremy Giles | .... | grip | |
| Doane Gregory | .... | still photographer | |
| Sean M. Harding | .... | first assistant photographer (as Sean Harding) | |
| Carl Jensen | .... | second company grip | |
| Andrei Jercan | .... | camera trainee | |
| Dave Joshi | .... | video coordinator | |
| Saubrie Mohamed | .... | assistant chief lighting technician (as Saubrie Said Mohamed) | |
| Kevin O'Leary | .... | generator operator | |
| Jason Raschke | .... | second company grip | |
| Jean-Marc Saldini | .... | second assistant photographer | |
| Pawel Sedzimir | .... | assistant chief lighting technician | |
| Bryce Shaw | .... | dolly grip | |
| Morten Søborg | .... | camera operator (as Morten Soborg) | |
| Bill Stefandis | .... | grip (as Bill Stefanidis) | |
| Owen Taylor | .... | chief lighting technician | |
| Tony Thorpe | .... | grip | |
| John Westerlaken | .... | first company grip | |
| Tyler Woeste | .... | second assistant photographer (as Tyler L. Woeste) | |
| Ian Seabrook | .... | underwater camera operator (uncredited) | |
| Leon Serginson | .... | leadman grip (uncredited) | |
Casting Department | |||
| Andrea Brown | .... | background casting | |
| Leslee Feldman | .... | casting executive | |
| Tiffany Mak | .... | casting assistant | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting | |
| Peter Mulholland | .... | extras casting assistant | |
| Leah Nelson | .... | casting assistant | |
| Trica Thompson | .... | casting assistant | |
| Tannis Vallely | .... | casting associate | |
| Adam Cook | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Marnie Ander | .... | costumer | |
| Steve Holloway | .... | costume supervisor | |
| Jana MacDonald | .... | assistant costume designer (as Jana Rayne MacDonald) | |
Editorial Department | |||
| Jill Bogdanowicz | .... | digital intermediate colorist: Technicolor Digital Intermediate | |
| Gary Burritt | .... | negative cutter | |
| Rasmus Gitz | .... | assistant editor (as Rasmus Gitz-Johansen) | |
| Shaun Paul Gordon | .... | post-production coordinator (as Shaun Gordon) | |
| Julia Iriarte | .... | editing production assistant | |
| Bruce Lomet | .... | digital intermediate producer: Technicolor Digital Intermediate | |
| Julia Nessling-Douglas | .... | digital intermediate producer: Technicolor Digital Intermediate (as Julia Nessling) | |
| Francis Power | .... | post-production coordinator | |
| Carrie Puchkoff | .... | assistant editor | |
| Steve Sheridan | .... | color timer | |
| Shelly Theaker | .... | assistant editor | |
| Everette Webber | .... | digital intermediate editor: Technicolor Digital Intermediate (as Everette Jbob Webber) | |
| Justin Bourret | .... | first assistant editor (uncredited) | |
| Thor Roos | .... | colorist: dailies (uncredited) | |
Music Department | |||
| David Richard Campbell | .... | conductor (as David Campbell) | |
| David Richard Campbell | .... | score arranger (as David Campbell) | |
| John Carbonara | .... | assistant music editor | |
| Troy Halderson | .... | score recordist | |
| Susan Jacobs | .... | music supervisor | |
| Anibal Kerpel | .... | score co-producer | |
| Anibal Kerpel | .... | score recordist | |
| Wolfram Koessel | .... | contractor | |
| Suzana Peric | .... | music editor (as Suzana Períc) | |
| Bettie Ross | .... | supervising music copyist | |
| Gustavo Santaolalla | .... | composer: themes | |
| Gustavo Santaolalla | .... | performer: ronroco and guitars | |
Transportation Department | |||
| Jake Callihoo | .... | transportation coordinator (as Jake Calihoo) | |
| Dean Rama | .... | transportation captain | |
| Fred Stephens | .... | transportation co-captain | |
| Terence Chase | .... | driver (uncredited) | |
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| The Kite Runner | City of Shoulders and Noses | Hollywoodland | Mysterious Skin | Don't Look Now |
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Saw this last evening at a preview screening here in Arizona and it was a LOT heavier than the trailer leads you to believe, which, I for one, was grateful for! Granted, this is only MY opinion, but I think that Halle does some of her best work in a long time here and for me, ranks up there with Monster's Ball and Losing Isaiah. Of course, Benecio is a great pleasure to watch as always, playing the demonized friend of David Duchovny, but I think Halle rises just a notch up everything here and truly shines! The supporting cast is also really enjoyable to watch, especially John Carroll Lynch playing a next door neighbor who finds an unlikely friend in Benecio's character. Great camera work and great direction all the way around and although the film is a bit long, I am glad the director had the wisdom not to rush through the story. Great film and I cannot wait to purchase it on DVD!