Vicky Cristina Barcelona (2008)

Director:

Woody Allen

Writer (WGA):

Woody Allen (written by)

Release Date:

15 August 2008 (USA)

Genre:

Drama | Romance

Tagline:

Life is the ultimate work of art

Plot:

Two girlfriends on a summer holiday in Spain become enamored with the same painter, unaware that his ex-wife, with whom he has a tempestuous relationship, is about to re-enter the picture.

Plot Keywords:

Summer | Painter | Ex Wife | Artist | Marriage

Awards:

Won Oscar. Another 19 wins & 27 nominations

Cast

Rebecca Hall	...	Vicky
Scarlett Johansson	...	Cristina
Chris Messina	...	Doug
Patricia Clarkson	...	Judy Nash
Christopher Evan Welch	...	Narrator (voice)
Kevin Dunn	...	Mark Nash
Julio Perillán	...	Charles
Juan Quesada	...	Guitarist in Barcelona
Richard Salom	...	Art Gallery Guest #1
Maurice Sonnenberg	...	Art Gallery Guest #2
Javier Bardem	...	Juan Antonio Gonzalo
Manel Barceló	...	Doctor
Josep Maria Domènech	...	Julio Josep
Emilio de Benito	...	Guitarist in Asturias
Jaume Montané	...	Juan Antonio's Friend #1

Also Known As:

Midnight in Barcelona (Spain) (working title)
Woody Allen Spanish Project (USA) (working title)

MPAA:

Rated PG-13 for mature thematic material involving sexuality, and smoking.

Runtime:

96 min

Country:

Spain | USA

Language:

English | Catalan | Spanish

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital (Mono)

Certification:

USA:PG-13 (certificate #44252) | Finland:K-11 | Singapore:M18 | Spain:13 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | Sweden:7 | Australia:M | Hong Kong:IIB | Brazil:12 | Ireland:15A | New Zealand:M | South Africa:13LS | UK:12A | Portugal:M/12 (Qualidade) | Netherlands:6 | Philippines:R-13 (MTRCB) | Argentina:16 | South Korea:15 | Iceland:L | Peru:14

Filming Locations:

Avilés, Asturias, Spain

Company:

Mediapro

Trivia:

Woody Allen wrote the parts of Cristina and Juan Antonio with Scarlett Johansson and Javier Bardem in mind. Apparently, Bardem was his first and only choice for the male lead.

Goofs:

Incorrectly regarded as goofs: Christina gets sick when they are at Oviedo for the week-end. The doctor goes to her hotel room and advices her to rest and tells that she became sick because of her ulcer. In another scene, someone asks for a painkiller and she takes aspirin from her purse, despite the fact that aspirin worsens ulcers. However, she could merely carry aspirin in the event family/friends need it, which is what happens during the movie.

Quotes:

[first lines]
Narrator: Vicky and Cristina decided to spend the summer in Barcelona. Vicky was completing her master's in Catalan Identity, which she had become interested in through her great affection for the architecture of Gaudí. Cristina, who spent the last six months writing...
[...]

Movie Connections:

Referenced in "The Bachelor: (#13.1)" (2009)

Soundtrack:

Granada

A triumphant effort from Woody Allen

Although this film has bizarrely been described as breezy summer entertainment by some top critics (which leads me to wonder if they saw the same movie I did, or just the first half hour), "Vicky Cristina Barcelona" is the closest thing to the sort of examination of relationships that Allen became famous for in quite some time ("Anything Else" counts, I suppose, but lacks the sharpness this film has), and although it is far from as weighty as some of his dramas or even some of his comedies, this is his first really inspired script in a while, featuring a cast of detailed, well-developed characters, some razor-sharp observations on relationships, and a wicked sense of humor.

Although I never thought Woody's work this decade was particularly poor (other than "Cassandra's Dream" and although I'm in a minority "Match Point"), it has mostly been completely inconsequential and almost entirely dependent on broad characterizations and heavy plotting rather than real people and awkwardly comic situations (which has always been Allen's strong suit). A career-best performance from Scarlett Johansson, a wickedly entertaining turn from Penelope Cruz, and the absolute revelation that is Rebecca Hall form a great cast along with Javier Bardem in a role that may surprise the majority of the American public (well, for most of the movie, anyway). You can feel Allen's mark on their mannerisms, but they all seem to disappear into these characters, that's how good they are.

I'm keeping this as spoiler-free as possible, because it's really worth going into the theater not expecting anything in particular and savoring the film's often unexpected but never contrived plot twists and turns. All you should know is that Vicky (Rebecca Hall) and Cristina (Scarlett Johansson) go to Barcelona for the summer and things get complicated when they meet a charming, mysterious, and rich painter (Javier Bardem) and he makes a rather upfront proposition to both of them. It's best if you know nothing of how Cruz' character impacts the film prior to watching it.

In relation to Allen's other work I thought it was interesting that he never attempted to analyze sex. The whole movie is in many ways about sex, and there is a lot of the expected philosophical and psychological examination of the relationships between the characters in the film, but sex itself is never analyzed as it is in much of Allen's work, and is instead treated as the impenetrable mystery it is. That said, Allen's script is extraordinarily nuanced, something that I haven't expected from his writing in a while. Sure, the characters still represent opposing romantic philosophies, but there's a spark in the writing that makes these feel like real people as opposed to mere characters. That spark, that chemistry is there throughout "Vicky Cristina Barcelona", it's there in the vibrant cinematography by Javier Aguirresarobe, it's there in the performances, it's there in the shot composition, and it's there in the editing, and in pretty much anything else I haven't mentioned yet.

The first forty minutes or so of "Vicky Cristina Barcelona" may be the sort of romantic comedy (very good romantic comedy, at that) that the advertising campaign seems to suggest it is, but for the rest of the film there's the sort of pessimistic optimism that colors much of Allen's work (if that makes sense, pretend you didn't read it if it didn't), and let's just say it doesn't end well for these characters. There's real complexity and intensity in this film, and all I have to say is this: Woody Allen is back, the perceptive, intelligent examiner of the human heart, that is, not what we've had for the past while. To say this is one of his best films would be ignoring the fact that through the 70's and 80's he pretty much made nothing but great films, but I can at least say that this is on par with some of his better work.

8.5/10