| Photos (see all 28 | slideshow) | Videos (see all 12 NEW) |
| Ryan Reynolds | ... | Gary / Gavin / Gabriel | |
| Melissa McCarthy | ... | Margaret / Melissa / Mary | |
| Hope Davis | ... | Sarah / Susan / Sierra | |
| Elle Fanning | ... | Noelle | |
| David Denman | ... | Parole Officer / Agitated Man | |
| Octavia Spencer | ... | Streetwalker | |
| Ben Falcone | ... | Himself | |
| Dahlia Salem | ... | Herself | |
| John Gatins | ... | Himself | |
| Andy Fielder | ... | Moderator | |
| Jodi Sellards | ... | Piano Player | |
| Greg Baine | ... | Delivery Boy | |
| Martin Yu | ... | Focus Group Participant #1 | |
| Gregg Naaman | ... | Focus Group Participant #2 | |
| Lorene Scafaria | ... | Game Night Guest | |
| Jim Rash | ... | Game Night Guest | |
| Rawson Marshall Thurber | ... | Game Night Guest | |
| Dan Jinks | ... | Game Night Guest | |
| rest of cast listed alphabetically: | |||
| Sean Andrews | ... | Officer Cooper (uncredited) | |
| Nicholas Garren | ... | Russian Drug Dealer (uncredited) | |
| Malia Herrick | ... | Check-in girl (uncredited) | |
| Ben Kermode | ... | Focus group participant #3 (uncredited) | |
| Howard A. Rodman | ... | Himself (uncredited) | |
| Ellen Treanor | ... | Christine Walsh (uncredited) | |
Directed by | |||
| John August | |||
Writing credits(WGA) | ||
| John August | (written by) | |
Produced by | |||
| Bruce Cohen | .... | producer | |
| Dan Etheridge | .... | producer | |
| Dan Jinks | .... | producer | |
| Todd King | .... | co-producer | |
Original Music by | |||
| Alex Wurman | |||
Cinematography by | |||
| Nancy Schreiber | |||
Film Editing by | |||
| Douglas Crise | |||
Art Direction by | |||
| E. Colleen Saro | (as Colleen Saro) | ||
Set Decoration by | |||
| Christopher Marsteller | |||
Costume Design by | |||
| Molly Grundman | |||
Makeup Department | |||
| Romy Fleming | .... | hair department head | |
| Paula Jane Hamilton | .... | makeup department head | |
Production Management | |||
| Brigitte Mueller | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Howard Butler | .... | day player second second assistant director | |
| Shelly Heyward | .... | second second assistant director | |
| Mark G. Mathis | .... | first assistant director (as Mark Mathis) | |
| Ryan Ramos | .... | second assistant director | |
| Anneke Scott | .... | second second assistant director | |
Art Department | |||
| Matt Center | .... | additional swing | |
| Ara Darakjian | .... | additional swing | |
| Gregory M. Edgar | .... | property master | |
| Vincent Lucido | .... | storyboard artist | |
| Rebecca Rosenthal | .... | on-set dresser | |
| Ilya Seperich | .... | additional property assistant | |
| Russell Tamashiro | .... | additional swing | |
Sound Department | |||
| Richard Adrian | .... | sound designer | |
| Kevin Becker | .... | boom operator | |
| Michael Brown | .... | foley supervisor | |
| Monroe Cummings | .... | sound mixer: video unit | |
| Rene Defrancesch | .... | additional boom operator | |
| James Dehr | .... | sound mixer | |
| Mark Ettel | .... | sound re-recording mixer | |
| John Fairlamb | .... | field recordist | |
| Darrell Hanzalik | .... | adr supervisor | |
| Yagmur Kaplan | .... | adr mixer | |
| Anthony Krajchir | .... | sound engineer | |
| Sylvain Loiseau | .... | post-production audio manager | |
| Matthew Nicolay | .... | sound mixer | |
| Phillip Perpich | .... | field recordist | |
| Jeff Prosser | .... | foley mixer | |
| Christopher Sheldon | .... | supervising sound editor | |
| Steven Utt | .... | sound engineer | |
| David Warburton | .... | post facility coordinator | |
| Stacey A. Washer | .... | boom operator | |
Visual Effects by | |||
| Kevin R. Browne | .... | digital artist | |
| Marie Victoria Denoga | .... | digital compositor | |
| Buddy Gheen | .... | visual effects | |
| Danny S. Kim | .... | visual effects | |
| Vincent Lavares | .... | data manager: Laser Pacific | |
| Migs Rustia | .... | visual effects editor | |
| Doug Witsken | .... | digital compositor | |
Stunts | |||
| Hiro Koda | .... | stunt coordinator | |
| Larry A. Lee | .... | car stunt rigging | |
Costume and Wardrobe Department | |||
| Samantha Schwartz | .... | wardrobe intern | |
| Kia Tyrrell | .... | key costumer | |
Editorial Department | |||
| Kenny Becker | .... | color timer | |
| Denise Crise | .... | assistant editor | |
| Mike Sowa | .... | digital intermediate colorist | |
Music Department | |||
| Christine Bergren | .... | music clearance | |
| Julianne Jordan | .... | music supervisor | |
| Jen Pray | .... | music clearance | |
| John Rodd | .... | music mixer: song "Is That All There Is" | |
Transportation Department | |||
| Andrea Clemente | .... | driver | |
| Paul Feddersen | .... | transportation coordinator | |
| Gary Lowrance | .... | driver | |
| Dennis Matsuoka | .... | driver | |
| Colleen Rea | .... | driver | |
| Craig Shenk | .... | driver | |
Other crew | |||
| Carina Angeli | .... | additional stand-in | |
| Ruth Auerbach | .... | studio teacher | |
| Ben Bernard | .... | additional production assistant | |
| Eva Bloom | .... | stand-in | |
| Tom Brickner | .... | key set production assistant | |
| Judith M. Brown | .... | studio teacher | |
| Aimee Burton | .... | craft service | |
| Lisa Collins | .... | script supervisor | |
| Greg Cooper | .... | production assistant | |
| Chad Gomez Creasey | .... | assistant: John August (as Chad Creasey) | |
| Patrick Duchesne | .... | caterer | |
| Michael J. Escobar | .... | assistant production coordinator | |
| Alex Farrington | .... | set medic | |
| Ray Fortman | .... | additional production assistant | |
| Paizley Kirk | .... | additional stand-in | |
| Catie Laffoon | .... | additional production assistant | |
| Ket Lamb | .... | photo double | |
| Ket Lamb | .... | stand-in | |
| Mark Leone | .... | production assistant | |
| Don Mann | .... | location manager | |
| Mike Mannino | .... | production assistant | |
| Lisa McNeil | .... | script supervisor: re-shoots | |
| Gary Mitchell | .... | additional production assistant | |
| Tyjuan Mitchell | .... | additional production assistant | |
| Gregg Naaman | .... | production assistant | |
| J.C. Oburgh | .... | key accounting assistant | |
| James Payne | .... | production accountant | |
| Jessica Plautz | .... | location assistant | |
| Hailey Reid | .... | additional stand-in | |
| Tim Rogier | .... | assistant: Dan Jinks and Bruce Cohen | |
| Linde Sayles | .... | production assistant | |
| Julie Solomon | .... | location manager: New York | |
| John Parker Sullivan | .... | production assistant | |
| Clio Tegel | .... | production coordinator | |
| Ryan Throckmorton | .... | additional production assistant | |
| Ivan Van Norman | .... | additional production assistant | |
| Brett Williams | .... | location assistant | |
| Ryan Witherspoon | .... | production assistant | |
| Warner Loughlin | .... | acting coach (uncredited) | |
| Irwin M. Rappaport | .... | production attorney (uncredited) | |
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| 8½ | Across the Universe | Slaughterhouse-Five | Woman in Distress | Go Into Your Dance |
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The film is divided in to three acts: "The Prisoner" tells of a troubled actor, Gary, under house arrest living in another person's house because he burned down his own. While living in the house he is befriended by both a P.R. 'handler', Margaret, and the single mom next door, Sarah, who may or may not be interested in him romantically. Over the course of his house arrest, Gary becomes convinced that he is being haunted by the number nine.
"Reality Television" tells of a television writer, Gavin, trying to get his pilot made. The house he lives in is the house Gary later stays in. During the process of post production and the 'upfronts', a television executive, Susan, pushes for Gary to ditch the unconventional lead actress of his project, Melissa. This segment was somewhat inspired by writer/director John August's own experiences in the television industry.
"Knowing" tells of an acclaimed video game designer, Gabriel, who is lost when his car breaks down, a situation shown in Gavin's pilot. Gabriel leaves his wife and daughter with the stranded vehicle and meets up with Sierra, a mysterious woman.
"The Nines" is a film definitely worth watching, just for the weirdness of it and how thought-provoking and unlike any film you've ever seen. It's in the vein of, let's say, "Being John Malkovich" and "Eternal Sunshine of the Spotless Mind." This is the film where you won't stop thinking about it and that you'll talk about it with the people who have seen it.
It's not a film that you'll forget after the credits start rolling. Now that you get the point, it's time to talk about the movie. Even so, it's hard to describe this movie in words. When you ask people if this movie is good or not, they'll either like it or not, but it's hard to explain their reason and it's hard to explain why I love this.
The performance by the three main characters from the three stories, Ryan Reynolds, Melissa McCarthy, and Hope Davis, were all fantastic, having themselves to change their personality so much. It's pretty amazing. But of course, the movie will arise more questions than answering them. It's like "Donnie Darko," per se. This should be a cult hit, even though it isn't right now.
This is a really weird film and it's hard to explain anything, as you can tell. All I can say is watch it because the way the stories are told, the thought put into all of this, and the strong performances are already some reasons to watch it.