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| Tue. Nov. 10 | 3:00 PM | MAX | |||
| Tue. Nov. 10 | 10:00 PM | MAX | more |
| Emily Browning | ... | Anna | |
| Arielle Kebbel | ... | Alex | |
| David Strathairn | ... | Steven | |
| Elizabeth Banks | ... | Rachel Summers | |
| Maya Massar | ... | Mom | |
| Kevin McNulty | ... | Sheriff Emery | |
| Jesse Moss | ... | Matthew Hendricks | |
| Dean Paul Gibson | ... | Dr. Silberling | |
| Don S. Davis | ... | Mr. Henson | |
| Lex Burnham | ... | Iris Wright | |
| Matthew Bristol | ... | David Wright | |
| Danny Bristol | ... | Samuel Wright | |
| Heather Doerksen | ... | Mildred Kemp | |
| Alf Humphreys | ... | Priest (as Alfred E. Humphreys) | |
| Ryan Cowie | ... | Orderly #1 | |
| Troy Rudolph | ... | Orderly #2 | |
| John Prowse | ... | Butcher |
Directed by | |||
| Charles Guard | (as The Guard Brothers) | ||
| Thomas Guard | (as The Guard Brothers) | ||
Writing credits(WGA) | ||
| Craig Rosenberg | (screenplay) and | |
| Doug Miro | (screenplay) & | |
| Carlo Bernard | (screenplay) | |
| Ji-woon Kim | (motion picture "Changhwa, Hongryon") (as Jee-Woon Kim) | |
Produced by | |||
| Doug Davison | .... | executive producer | |
| Casey Grant | .... | co-producer | |
| Michael Grillo | .... | executive producer | |
| Roy Lee | .... | producer | |
| Laurie MacDonald | .... | producer | |
| Walter F. Parkes | .... | producer | |
| Tom Pollock | .... | executive producer | |
| Ivan Reitman | .... | executive producer | |
| Riyoko Tanaka | .... | co-producer | |
Original Music by | |||
| Christopher Young | |||
Cinematography by | |||
| Dan Landin | (director of photography) (as Daniel Landin) | ||
Film Editing by | |||
| Jim Page | |||
| Christian Wagner | |||
Casting by | |||
| Debra Zane | |||
Production Design by | |||
| Andrew Menzies | |||
Art Direction by | |||
| Margot Ready | |||
Set Decoration by | |||
| Dominique Fauquet-Lemaitre | |||
Costume Design by | |||
| Trish Keating | |||
Makeup Department | |||
| Gitte Axen | .... | makeup artist | |
| Donna Bis | .... | hair stylist | |
| Kevin Kirkpatrick | .... | special makeup effects artist: lifecasting | |
| Bart Mixon | .... | special makeup effects artist | |
| Christopher Mark Pinhey | .... | special makeup effects artist | |
| Bill Terezakis | .... | special makeup effects designer | |
| Maureen Terezakis | .... | special makeup effects producer | |
Production Management | |||
| Abby Callahan | .... | post-production supervisor | |
| Casey Grant | .... | production manager | |
| Michael Grillo | .... | production manager | |
Second Unit Director or Assistant Director | |||
| James Bitonti | .... | second assistant director (as James A. Bitonti) | |
| Jim Brebner | .... | first assistant director | |
| Justin Elsworth | .... | trainee assistant director | |
| Megan M. Shank | .... | third assistant director | |
| Rhonda Taylor | .... | third assistant director | |
Art Department | |||
| Vaughan V. Baker | .... | key scenic artist | |
| David Clarke | .... | set designer | |
| John Coven | .... | storyboard artist | |
| Sharon Dever | .... | construction buyer | |
| Michael Dundas | .... | paint foreman | |
| Andrew Glavina | .... | signwriter | |
| Harry Griffin-Beale | .... | construction coordinator: re-shoot | |
| Scott Holburn | .... | on-set dresser | |
| Leah Hong | .... | graphic designer | |
| Bryan Korenberg | .... | property master | |
| Charles Leitrants | .... | construction coordinator | |
| Andrew Reid | .... | buyer: set dressing | |
| Al Rourke | .... | construction foreman | |
| Troy James Sobotka | .... | leadman | |
Sound Department | |||
| Michael J. Broomberg | .... | foley artist | |
| Naomi Dandridge | .... | adr mixer | |
| Carmen Flores De Tanis | .... | assistant sound editor | |
| Robert Fernandez | .... | score mixer | |
| David E. Fluhr | .... | additional sound re-recording mixer | |
| Terry Garcia | .... | assistant sound editor | |
| Tiffany S. Griffith | .... | dialogue editor | |
| Jeffrey J. Haboush | .... | sound re-recording mixer | |
| Gary A. Hecker | .... | supervising foley artist | |
| Scott Hecker | .... | supervising sound editor | |
| Michael Hibberson | .... | boom operator | |
| Rick Hromadka | .... | sound designer | |
| Travis MacKay | .... | adr recordist | |
| Derek Pippert | .... | foley editor | |
| Miguel Rivera | .... | dialog and adr supervisor | |
| Philip Rogers | .... | adr recordist | |
| Greg P. Russell | .... | sound re-recording mixer | |
| Jeff Sawyer | .... | sound effects editor | |
| Karen Schell | .... | sound | |
| Roy Seeger | .... | assistant sound editor | |
| Eric Thompson | .... | adr mixer | |
| Hugo Weng | .... | dialogue editor | |
| David Werntz | .... | sound effects editor | |
| Rob Young | .... | sound mixer | |
Visual Effects by | |||
| Simon Ager | .... | digital compositing artist | |
| Graeme Baitz | .... | lead rotoscope artist | |
| J. Cody Baker | .... | digital intermediate assistant (as James Baker) | |
| Michael Boggs | .... | scanning manager | |
| Justin Brekke | .... | digital film I/O technician: CIS Vancouver | |
| Brian Fisher | .... | lead digital compositing artist | |
| Chad Lee Fox | .... | previs artist | |
| Steven Hodgson | .... | on-set supervisor | |
| Alicia Johnson | .... | visual effects coordinator | |
| Tom McHattie | .... | digital compositing artist | |
| Christine Petrov | .... | digital compositing artist | |
| Gary Poole | .... | digital compositing artist | |
| Chris Roff | .... | visual effects producer | |
| Casey Rolseth | .... | previs artist | |
| Lorraine Rozon | .... | visual effects producer | |
| Curtis Tsai | .... | data I/O: CIS Vancouver | |
| Mike Washburn | .... | rotoscope artist | |
| Bruce Woloshyn | .... | visual effects supervisor | |
Stunts | |||
| Byron Briscoe | .... | stunt double | |
| Kimberly Chiang | .... | stunt performer | |
| Laura Lee Connery | .... | stunt double: Elizabeth Banks | |
| Marny Eng | .... | stunt coordinator | |
| Maja Stace-Smith | .... | stunt double: Arielle Kebbel | |
Camera and Electrical Department | |||
| Rob Brady | .... | lighting technician | |
| Stephen S. Campanelli | .... | camera operator | |
| Dean Collins | .... | key rigging grip | |
| Drew Davidson | .... | gaffer | |
| Shane Dobie | .... | best boy electric | |
| Dan Fraser | .... | lighting technician | |
| Kimberly French | .... | still photographer | |
| Sean M. Harding | .... | first assistant camera: "a" camera | |
| James S. Harvey | .... | lighting technician | |
| Phil Klapwyk | .... | dimmer board operator | |
| Kim Olsen | .... | key grip | |
| Tyler Woeste | .... | second assistant camera | |
| Keith Woods | .... | rigging gaffer | |
Casting Department | |||
| Heike Brandstatter | .... | casting: Canada | |
| Andrea Brown | .... | extras casting director | |
| Andrea Brown | .... | extras casting | |
| Tiffany Mak | .... | casting assistant | |
| Coreen Mayrs | .... | casting: Canada | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting | |
| Tannis Vallely | .... | casting associate | |
| Chrissie S. Vides | .... | casting assistant (as Chrissie Armstrong) | |
Costume and Wardrobe Department | |||
| Silke Guglielmo | .... | truck costumer | |
Editorial Department | |||
| Michel Aller | .... | first assistant editor | |
| Gary Burritt | .... | negative cutter | |
| Leigh Folsom | .... | first assistant editor | |
| Shaun Paul Gordon | .... | post-production coordinator (as Shaun Gordon) | |
| Nick Monton | .... | digital intermediate producer | |
| Wendy Nomiyama | .... | post-production assistant | |
| Tyler Ruocco | .... | editorial production assistant | |
| Kevin Stermer | .... | apprentice editor | |
| Ian Turpen | .... | digital intermediate scanner: Company 3 | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Pete Anthony | .... | orchestrator | |
| Bruce Babcock | .... | conductor | |
| Bruce Babcock | .... | orchestrator | |
| Kristen Baum | .... | score coordinator | |
| Richard Bronskill | .... | auricle programmer | |
| Mark Buys | .... | score coordinator | |
| Tom Calderaro | .... | supervising music copyist | |
| Christy Crowl | .... | choir conductor | |
| Greg Dennen | .... | music recordist | |
| Jennifer Hawks | .... | executive in charge of music | |
| David Klotz | .... | music editor | |
| Jon Kull | .... | orchestrator | |
| Sean McMahon | .... | orchestrator | |
| Thomas Milano | .... | supervising music editor | |
| Jasper Randall | .... | choir contractor | |
| Peter Rotter | .... | orchestra contractor | |
| David G. Russell | .... | composer: additional music | |
| David G. Russell | .... | synthesizer programmer: score | |
| Jimmy Schafer | .... | score synth programmer | |
| Samuel Joseph Smythe | .... | score programmer | |
| Andrew Spence | .... | score programmer | |
| Richard Temple | .... | synthesizer programmer: score | |
| Jonathan Timpe | .... | score coordinator | |
| Gregory Tripi | .... | music programmer | |
| Brandon K. Verrett | .... | score coordinator | |
| Max Blomgren | .... | synthesizer programmer (uncredited) | |
Transportation Department | |||
| David Holm | .... | transportation captain | |
| Scott Irvine | .... | transportation coordinator | |
| Dave Miller | .... | driver: cast | |
Other crew | |||
| Sheri Buckham | .... | accounting clerk | |
| Bill Burns | .... | location manager | |
| Unjoo Lee Byars | .... | main title producer | |
| Charlene Callihoo | .... | assistant accountant | |
| Jason Crosby | .... | marine coordinator | |
| Alix Falkiner | .... | assistant location manager | |
| Dan Griffin | .... | production assistant | |
| Katherine Kohler | .... | post-production accountant | |
| Adam Kulick | .... | representative: Goldcrest Pictures Limited | |
| Susan Lambie | .... | script supervisor | |
| Peter Lapres | .... | first assistant production coordinator | |
| Eddie Lombardi | .... | representative: Goldcrest Pictures Limited | |
| Tom MacNeill | .... | production assistant | |
| Petar Mateiasevich | .... | production assistant | |
| James McBurney | .... | production assistant | |
| Lee Anne Muldoon | .... | unit publicist | |
| Tony Murphy | .... | representative: Goldcrest Pictures Limited | |
| Claire Oakley | .... | assistant to the Guard brothers | |
| Simona Pandele | .... | production assistant | |
| Laura Porkert | .... | assistant location manager | |
| Carmen Siegers | .... | first assistant production coordinator: additional photography | |
| Carmen Siegers | .... | second assistant production coordinator | |
| Shelly Strong | .... | production executive | |
| Kimberley Sutton | .... | assistant: Mr. Grillo | |
| Anthony Walters | .... | representative: Goldcrest Pictures Limited | |
| Scott Steyns | .... | playback coordinator (uncredited) | |
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| Don't Look Now | The Grudge | The Fugitive | Let's Scare Jessica to Death | The Living and the Dead |
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While many people are just so put off by this film for many reasons, I was very surprised by how it actually turned out.
Although the original, "A Tale of Two Sisters", was an epic movie that delivered certain moods and feelings that this movie (and most other films to date) couldn't quite capture, this film was still just great.
One thing to understand was that this movie was completely westernized. Remakes such as "The Grudge" take place in Japan, but the main characters are replaced with an American or European cast, and sometimes the story just doesn't quite fit the way it should with that type of a cast. In this film, the "A Tale of Two Sisters" story is completely translated into an American setting, in the north in a small town. The characters are tweaked a little to accommodate the new setting, and so are some of the scenes and plot lines. This is where many fans of the original get upset and get their panties in a bunch.
If this film was truly remade true to the original, it would just be the original film itself being remade 5 years later with the same cast and same script. This film is honestly one of the best Asian-horror remakes that has been made in the past 3 or 4 years if not ever. The cast gives solid performances and there were little or no plot holes. There were actually less plot holes in this film than the original. Of course I liked the original more, but I'm just saying this film executed certain things that the first film didn't, just like the first film executed certain things this film didn't. They are meant to be similar but different, and that is what makes both of them worth seeing.
8.5/10