Quantum of Solace (2008)

User Rating:

6.9/10   

Director:

Marc Forster

Writers (WGA):

Paul Haggis (written by) and
Neal Purvis (written by) ...

Release Date:

14 November 2008 (USA)

Genre:

Action | Adventure | Thriller

Plot:

Seeking revenge for the death of his love, secret agent James Bond sets out to stop an environmentalist from taking control of a country's valuable resource.

Plot Keywords:

Vengeance | CIA | Bolivia | Secret Agent | Knife Fight

Awards:

Nominated for 2 BAFTA Film Awards. Another 4 wins & 20 nominations

Cast

Daniel Craig	...	James Bond
Olga Kurylenko	...	Camille
Mathieu Amalric	...	Dominic Greene
Judi Dench	...	M
Giancarlo Giannini	...	René Mathis
Gemma Arterton	...	Strawberry Fields
Jeffrey Wright	...	Felix Leiter
David Harbour	...	Gregg Beam
Jesper Christensen	...	Mr. White
Anatole Taubman	...	Elvis
Rory Kinnear	...	Bill Tanner
Tim Pigott-Smith	...	Foreign Secretary
Joaquín Cosio	...	General Medrano
Fernando Guillén Cuervo	...	Colonel of Police
Jesús Ochoa	...	Lieutenant Orso

Also Known As:

B22 (UK) (promotional abbreviation)
Bond 22 (UK) (working title)
QoS (International: English title) (promotional abbreviation)

MPAA:

Rated PG-13 for intense sequences of violence and action, and some sexual content.

Runtime:

106 min

Country:

UK | USA

Language:

English | Italian | French | Spanish | Swiss German | German

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

SDDS | Dolby Digital | DTS

Certification:

USA:PG-13 (certificate #44263) | Ireland:12A | UK:12A | South Korea:15 | Norway:15 | Australia:M | Germany:12 | Finland:K-13 | Singapore:PG | Portugal:M/12 | Denmark:11 | Netherlands:12 | Brazil:14 | Switzerland:12 (canton of Vaud) | Switzerland:12 (canton of Geneva) | Philippines:PG-13 (MTRCB) | Argentina:13 | Canada:13+ (Quebec) | South Africa:10M | India:UA | Hong Kong:IIB | Sweden:11 | Malaysia:U | Peru:14 | Canada:14A (Alberta/British Columbia/Nova Scotia) | New Zealand:M | Canada:PG (Ontario) | UK:12 (DVD rating) | Taiwan:PG-12 | Iceland:14 (original rating) | Mexico:B

Filming Locations:

Antofagasta Region, Chile

Company:

Metro-Goldwyn-Mayer (MGM)

Trivia:

The film shoot used 200,000 rounds of blank bullets which were used for training, testing and filming.

Goofs:

Factual errors: During the aircraft "chase" scene the left engine of the C47/DC3 is shot out. Bond then sets both engines to full power and pulls back on the yoke to initiate a climb. Being that the left engine is the "Critical Engine" for the C47/DC3 Bond's course of action would not have resulted in a climb, but instead resulted in the C47/DC3 performing a roll to the left onto it's back and most likely crashing. Critical Engine Definition per the FAA: The engine whose failure would most adversely affect the airplane's performance or handling qualities is the critical engine. On any airplane with both engines rotating clockwise the left engine is critical. Aerodynamically, this is due to asymmetrical thrust or "P" factor. The center of thrust is offset to the right side of the propeller hub, creating a greater distance (ARM) from the longitudinal axis to the thrust line of the right engine. This longer arm in turn creates a greater yawing moment, and with rudder deflection fixed at its maximum value, airplane speed must be higher to overcome the effects of "P" factor. Failure of the left engine, therefore, creates the more "critical" situation (need for higher Vmc)

Quotes:

[first lines]
James Bond: It's time to get out.

Movie Connections:

Featured in "The South Bank Show: The South Bank Show: Bond" (2008)

Soundtrack:

Regresa

Stop the directors! Stop the editors! I want to get off!

This is the first time I ever came out of a Bond film at the cinema thinking, 'I enjoyed almost none of that.' And there was no mystery for me as to why I felt this way. I didn't have to weigh up the other pros and cons (it is not an unsophisticated film) or think far or deeply. I couldn't stand Quantum Of Solace because ninety-five percent of its action sequences are appallingly directed and edited. Endless, wobbly extreme closeups are cut together too rapidly into a meaningless dirge which prohibits you from discerning anything about the nature of the scene.

How many cars are participating in this car chase? Will I be allowed to glimpse anyone's face in this scene other than Bond's? Will I be allowed to glimpse even Bond's face? Which boat is in front? Where is anything in relation to anything else, ever? And just what was that? That blur in front of me for the past half a second, what the hell was it? The answers to these questions respectively throughout Quantum of Solace are, 'I have no clue, no, no, I don't know, I will never know, I don't know, I still don't know.'

I'm tired of reading any defence for the most extreme incarnation of this style of action coverage. It is purposeless obfuscation. It's anti-exciting, annoying and just plain rubbish. Bond films in particular are known for their history of spectacular action and stunts, and if you briefly consider any eighties Bond film, you'll recall that somewhere in it was a long, held shot of something amazing. People fighting on the back of an airborne plane, racing cars through Paris or pursuing each other down a mountain on skis. Compared to any one of those scenes, everything in Quantum is a disgrace, incapable of engendering marvel or wonder.

Perhaps I should try to be less catastrophic about the direction of cinema in general and just apportion blame directly to the guy from the Bourne films whose second unit did this to Quantum, and to Marc Forster, who directed the film, and either sanctioned or did not repel the Bourne-on-steroids content. Call me Mister Insane, but I demand the context, information and sense of place delivered by even the occasional wide shot. To see how Bond kung-fu'd an elevator full of guys would be cool, right? The event happens in this film, but what you actually see is a camera jerking crazily over ten inch wide patches of dark clothing, to the accompaniment of cabbages being walloped on the soundtrack. Imagine if Bruce Lee tried to get away with this crap. And this wasn't a well considered case of indicating what had just happened by offering the impression of it rather than the depiction of it, it was simply a continuation of the house style.

Quantum Of Solace takes anti-illuminating film-making to new, stupid lows!