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Burn After Reading (2008)
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Overview
User Rating:
Release Date:
12 September 2008 (USA) moreTagline:
Intelligence is relative. morePlot:
A disk containing the memoirs of a CIA agent ends up in the hands of two unscrupulous gym employees who attempt to sell it. full summary | full synopsisAwards:
Nominated for 2 Golden Globes. Another 9 nominations moreNewsDesk:
(584 articles)
Us Box Office Visited By Three Ghosts... (From EmpireOnline. 9 November 2009, 1:15 AM, PST)
Moviegoers Stingy with Scrooge
(From BoxOfficeMojo.com. 8 November 2009, 5:22 PM, PST)
User Comments:
Tonight We Laugh more (444 total)US TV Schedule:
| Sun. Nov. 15 | 9:30 AM | MAX |
Cast
(Cast overview, first billed only) more
Additional Details
MPAA:
Rated R for pervasive language, some sexual content and violence.Parents Guide:
View content advisory for parentsRuntime:
96 minLanguage:
EnglishColor:
ColorAspect Ratio:
1.85 : 1 moreCertification:
USA:R (certificate #44448) | Canada:13+ (Québec) | Canada:14A (Alberta/British Columbia/Ontario) | Denmark:15 | Finland:K-13 | Australia:MA | Singapore:M18 (cut) | Singapore:NC-16 (video rating) (heavily cut) | UK:15 | Portugal:M/12 | Germany:12 | New Zealand:R16 | Norway:15 | Sweden:15 | Switzerland:12 (canton of Vaud) | Switzerland:12 (canton of Geneva) | Brazil:14 | Argentina:16 | Netherlands:12 | Hong Kong:IIB | Philippines:R-13 (MTRCB) | Japan:PG-12 | Czech Republic:15 | Peru:14 | France:U | South Korea:18 | Iceland:14 (video rating) | Iceland:16 (original rating)Filming Locations:
Bronx Community College - University Avenue at West 181 Street, Bronx, New York City, New York, USA moreFun Stuff
Trivia:
George Clooney's second film opposite Tilda Swinton following Michael Clayton (2007) the year before. While in this film they play lovers, in the other they are rivals. moreGoofs:
Revealing mistakes: Olive St. is depicted to be a one-way street, from the way the cars are parked. But the "SCHOOL ZONE" paint on the pavement faces the opposite direction to the supposed one-way traffic. moreQuotes:
Harry Pfarrer: Go around the corner, we'll do it in the back.Katie Cox: You're so coarse.
Harry Pfarrer: Back of the car... not the rear entry situation...
more
Soundtrack:
Judy moreFAQ
What are the songs from the trailer?Is "Burn After Reading" based on a book?
What is the song that plays in the end credits?
more
more (444 total)
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Norman Cousins would have loved the Coen Brothers' "Burn After Reading." The late great Saturday Review editor had treated his illness with Marx Brothers movies, having "made the joyous discovery that 10 minutes of genuine belly laughter had an anesthetic effect and would give me at least two hours of pain-free sleep."
I have never felt healthier than after 96 minutes of explosive and grateful laughter at the "Burn" screening, also marveling at the array of British-stage caliber acting from "Fargo"-invoking Frances McDormand, witchy-icy Tilda Swinton, a more-manic-than-ever John Malkovich, and a dozen major players, such as J.K. Simmons as the deadpan CIA boss and Richard Jenkins as the former Greek Orthodox priest, now running an upscale gym.
Others may lead the cast list with George Clooney and Brad Pitt, but to me, their performances were just a bit on the self-conscious side, trying too hard. At any rate, it's a great cast, and while the plot might have turned into a dud in somebody else's treatment, the Coen Brothers' writing is hilarious, their zingers deadly.
A critic, probably with bad digestion, has decried this "very black comedy set in a blanched, austere-looking Washington, D.C. an uninspiring and uncomfortable place in which everyone betrays everyone else, and the emotional tone veers from icy politeness to spitting rage and back again." If I had a chance to think, instead of enjoying "Burn," I would have contemplated Molière and Evelyn Waugh, their comedies of manners, psychological insight, and unbridled great humor.
Yes, there are betrayals (none better than the totally unexpected one at the end of the film), and there is rage, but all contained within a glorious bubble of writing-directing-acting excellence. "Burn" grips and holds, surprises and entertains, it is a virtuoso piece.
Don't be misled by the a "action-trailer" on TV, saturating the airwaves; it says nothing of the film. Malkovich punching Pitt over a compromising CD of spook stuff is not at the heart of this - the McDormand character's pursuit of cosmetic surgery is, what with her self-examination, a lengthy session with the surgeon (Jeffrey DeMunn, in a brilliant turn), her desperate quest for a way to pay for it. Funny and going deep at the same time, "Burn" presents a series of character studies (hence the thought of Molière), in the context of mannered yet true social interactions (Waugh).
Skip descriptions of the plot, reject self-righteous denunciations of smart skepticism and charming evil, go and wallow in life-affirming laughter.