| Anthony Flanagan | ... | D.C.I. Thomas Flynn | |
| rest of cast listed alphabetically: | |||
| Andonis Anthony | ... | Surveillance Officer | |
| Christine Bottomley | ... | Milly | |
| Anthony Bowers | ... | Young Funeral Director | |
| Liam Boyle | ... | Jake | |
| Alison Burrows | ... | Receptionist | |
| James Cartwright | ... | Jogger | |
| Lorraine Cheshire | ... | Judith | |
| Jack Dawber-Axon | ... | Sid | |
| Peter De Jersey | ... | Neil Langley | |
| Jon Foster | ... | D.S. Groves | |
| Alan French | ... | Rob Evans | |
| Fiona Glascott | ... | D.C. Ali Peters | |
| Jaye Griffiths | ... | D.S. Shakia Barton | |
| Claire Hackett | ... | Sue Richards | |
| Michael Hodgson | ... | Phil Richards | |
| Sara Kestelman | ... | Jill Bright | |
| Vanessa Knox-Mawer | ... | Mrs. Snoden | |
| Frank Lauder | ... | Van Man (as Frank J. Lauder) | |
| Rina Mahoney | ... | Nurse | |
| Lucy Meacock | ... | News Announcer | |
| Jacqueline Naylor | ... | Estelle | |
| Paul Ritter | ... | D.C. Daniel Yelland | |
| Richard Sinnott | ... | Anthony Snoden | |
| Tom Ward | ... | Ian Stanford | |
| Mike Dolan | ... | Grave digger (uncredited) | |
Directed by | |||
| Terry McDonough | |||
Writing credits(in alphabetical order) | ||
| Lizzie Mickery | written by | |
Produced by | |||
| Hilary Bevan Jones | .... | executive producer | |
| Adam Browne | .... | line producer | |
| Paul Frift | .... | producer | |
| Keith Halsall | .... | associate producer | |
| Lizzie Mickery | .... | executive producer | |
Original Music by | |||
| Tim Phillips | |||
Cinematography by | |||
| Ben Smithard | (director of photography) | ||
Film Editing by | |||
| Crispin Green | |||
Casting by | |||
| Doreen Jones | |||
Production Design by | |||
| David Butterworth | |||
Art Direction by | |||
| Andrea Hughes | |||
Costume Design by | |||
| Diana Moseley | |||
Makeup Department | |||
| Kathy Ducker | .... | hair designer | |
| Kathy Ducker | .... | makeup designer | |
| Rebecca Hodgkinson | .... | trainee hair stylist | |
| Rebecca Hodgkinson | .... | trainee makeup artist | |
| Davy Jones | .... | prosthetics | |
| Sharon Perks | .... | assistant hair stylist | |
| Sharon Perks | .... | assistant makeup artist | |
Production Management | |||
| Jonathan Davies | .... | unit manager | |
| Heidi Mount | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Jude Campbell | .... | first assistant director | |
| Nathan Holmes | .... | third assistant director | |
| Cath Lill | .... | second assistant director (as Cath Ashworth) | |
Art Department | |||
| Colin Bircham | .... | stand-by carpenter | |
| Trevor Devoy | .... | production buyer | |
| Michael Gleeson | .... | stand-by props (as Mike Gleeson) | |
| Michael Horrocks | .... | property master (as Mick Horrocks) | |
| Tommy Jolliffe | .... | painter (as Tom Jolliffe) | |
| Gavin Lewis | .... | stand-by art director | |
| Tony Martin | .... | stand-by props | |
| Kim Rowley | .... | art department assistant | |
| Linsey Shepherd | .... | art department assistant (as Lynsey Shepard) | |
| Colin Smith | .... | construction manager | |
| Roy Vivash | .... | dressing props | |
| Alan Waterfall | .... | dressing props (as Alan 'Wilbur' Waterfall) | |
| John White | .... | carpenter | |
Sound Department | |||
| Mark Briscoe | .... | dubbing mixer | |
| Dave Gibson | .... | sound assistant | |
| Paul Horsfall | .... | dialogue editor | |
| Reg Mills | .... | sound mixer | |
| John Senior | .... | sound effects editor | |
| Stuart Wright | .... | boom operator | |
Stunts | |||
| Gary Connery | .... | stunt coordinator | |
| Glenn Foster | .... | stunt performer | |
| Gary Hoptrough | .... | stunt performer | |
Camera and Electrical Department | |||
| David Bell | .... | focus puller | |
| Stuart Drummond | .... | gaffer | |
| Diederick Engelbrecht | .... | camera trainee | |
| Ron Fleet | .... | grip | |
| Steve Gartside | .... | electrician | |
| Eddie McCarthy | .... | electrician | |
| David Ode | .... | stand-by rigger | |
| Matilda Smith | .... | assistant camera | |
| John Welsh | .... | best boy | |
Casting Department | |||
| Liz Vincent-Fernie | .... | casting associate | |
Costume and Wardrobe Department | |||
| Russell Barnett | .... | costume supervisor | |
| Samantha Green | .... | wardrobe supervisor | |
| Jason Marshall | .... | wardrobe trainee | |
Editorial Department | |||
| Andy Donaldson | .... | on-line editor | |
| Susie Harrison | .... | assistant editor | |
| Neil Parker | .... | telecine colorist | |
Other crew | |||
| Jo Beckett | .... | script supervisor | |
| Lee Clyne | .... | unit medic | |
| Ian Galley | .... | location manager | |
| Karen Ingles | .... | assistant accountant (as Karen Inglis) | |
| Michelle McDermott | .... | floor runner | |
| Catriona McKenzie | .... | script executive | |
| Lisa Neely | .... | production runner | |
| Amanda Wasey | .... | production coordinator | |
| Charlotte Wilkinson | .... | production runner | |
| Helen Wood | .... | production secretary | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb UK section | Add this title to MyMovies |
We've seen a lot of this type of police thriller on British TV. It's the basic Lynda La Plante type.
This one is trashy. The story is wildly unbelievable, with paper-thin motivation and plotting for the characters, especially the murderer.
Anthony Flanagan is pretty dull in this. He plays the supposedly high-flying but uptight DCI in charge of the case. He is more or less a charisma-free automaton for large parts of the story, but gets to emote a bit near the end. Actually the character is boring. How he's supposed to have become a DCI by his early thirties is the biggest mystery in the programme.
Tom Ward is not good here either. He is cut out to play nice guys who are possibly slightly impulsive (his role in Silent Witness), and that's basically what he does here. Unfortunately he can't decide about his accent (he sporadically tries to sound northern). The supposed actions of his character are laughable and not sufficiently explained or supported by what has gone before.
We're living in times like those of the Roman Empire. Sensationalism for the masses is the order of the day. In this type of film the murders seemingly have to get more and more horrid with more and more shots of putrefying bodies and the like. Why do film makers have to be such slaves of fashion and the Zeitgeist?