| Videos (see all 13 NEW) |
| Manuela Velasco | ... | Ángela Vidal | |
| Ferran Terraza | ... | Manu | |
| Jorge Serrano | ... | Policía Joven (as Jorge-Yamam Serrano) | |
| Pablo Rosso | ... | Pablo | |
| David Vert | ... | Álex | |
| Vicente Gil | ... | Policía Adulto | |
| Martha Carbonell | ... | Sra. Izquierdo | |
| Carlos Vicente | ... | Guillem Marimon | |
| María Teresa Ortega | ... | Abuela (as Ma Teresa Ortega) | |
| Manuel Bronchud | ... | Abuelo | |
| Akemi Goto | ... | Japonesa | |
| Chen Min Kao | ... | Japonés (as Kao Chen-Min) | |
| Maria Lanau | ... | Madre histérica | |
| Claudia Font | ... | Jennifer (as Claudia Silva) | |
| Carlos Lasarte | ... | César | |
| Javier Botet | ... | Niña Medeiros | |
| Ben Temple | ... | Médico | |
| Ana Isabel Velásquez | ... | Chica colombiana (as Ana Isabel Velásquez) | |
| Daniel Trinh | ... | Niño Japonés | |
| Marita Borrego | ... | Operadoras Cuartel Bomberos | |
| Jana Prats | ... | Operadoras Cuartel Bomberos (as Ana Prats) | |
| Víctor Massagué | ... | Niño Buhardilla | |
| rest of cast listed alphabetically: | |||
| Pep Sais | ... | (voice) (uncredited) | |
Directed by | |||
| Jaume Balagueró | |||
| Paco Plaza | |||
Writing credits(in alphabetical order) | ||
| Jaume Balagueró | writer | |
| Luis Berdejo | writer | |
| Paco Plaza | writer | |
Produced by | |||
| Carlos Fernández | .... | executive producer | |
| Julio Fernández | .... | executive producer | |
| Julio Fernández | .... | producer | |
| Teresa Gefaell | .... | line producer | |
| Alberto Marini | .... | co-executive producer | |
| Oriol Maymó | .... | line producer | |
Cinematography by | |||
| Pablo Rosso | |||
Film Editing by | |||
| David Gallart | |||
Casting by | |||
| Cristina Campos | |||
Art Direction by | |||
| Gemma Fauria | |||
Costume Design by | |||
| Glòria Viguer | |||
Makeup Department | |||
| David Ambit | .... | special makeup effects artist | |
| Imma Pérez | .... | hair stylist | |
| Lucía Salanueva | .... | makeup artist | |
Production Management | |||
| Teresa Gefaell | .... | production manager | |
| Oriol Maymó | .... | production manager | |
| Jesús L. Pérez Villar | .... | post-production manager | |
Second Unit Director or Assistant Director | |||
| Inés Lugo | .... | second assistant director | |
| Fernando Sánchez-Izquierdo | .... | first assistant director (as Fernando Izquierdo) | |
Art Department | |||
| Pau Albin | .... | set dresser | |
| Maruxa Alvar | .... | set designer | |
| Nuria Muni | .... | property master | |
Sound Department | |||
| Xavier Mas | .... | sound | |
| Marc Orts | .... | sound re-recording mixer | |
| Filippo Restelli | .... | boom operator | |
| Oriol Tarragó | .... | sound designer | |
| Oriol Tarragó | .... | supervising sound editor | |
| Edgar Vidal | .... | foley artist | |
| Edgar Vidal | .... | sound editor | |
| Kiku Vidal | .... | foley artist | |
Special Effects by | |||
| Enric Masip | .... | special effects | |
Visual Effects by | |||
| Álex Villagrasa | .... | visual effects supervisor | |
Editorial Department | |||
| Quique Cañadas | .... | colorist | |
| Marga Villalonga | .... | digital intermediate coordinator | |
Other crew | |||
| Sofia Escudé | .... | editor assistant | |
| Martin Samper | .... | making-of director | |
| Anna Vilà | .... | script supervisor | |
|
|
|
|
|
| Quarantine | Day of the Dead | Diary of the Dead | [Rec] 2 | Zombi 2 |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Spain section |
| Add this title to MyMovies |
Viewed at Manchester Cornerhouse Viva film festival. REC is one of the most terrifying and thrilling horror films to come out of recent years, that displays some clever inventiveness along with the traditional 'boo' scares expected of the horror genre. Filmed from the point of view of a local Madrid TV crew who are profiling fire fighters as part of a fly on the wall documentary series. Though the night consists at the beginning of nothing much happening at all, things take an unexpected turn when the crew follow a call out to an apartment where they find a crazed old women who attacks and bites a policemen present, infecting him and turning him into a crazed zombie. Its not long before there chance of finding outside help is stopped as the authority's isolate all the apartment block inhabitants and essentially quarantine them, leading the inhabitants and the TV crew to fight against and avoid the ever increasing zombie infection. REC achieves its scares and intensity through the use of close up point of view camera, that has most notably been used in two American films this year CLOVERFIELD and GEORGE ROMERO'S DIARY OF THE DEAD, and also the night vision sequence in THE DESCENT, where the scare comes from, the camera panning to one side and revealing something you don't want to see. This use of p.o.v makes the film more intense and personal, and interestingly enough, the director who was present at the screening, explained in a Q &A after the film that he didn't tell or inform the cast of what was going to happen in the scenes thereby increasing the realism of there horrified reactions. It's this brilliant style and memorable shocks that lend REC as one of the most clever and inventive horror films of recent memory. Go see it at the cinema, as this is the only way that will make you appreciate the intensity of the film, though be prepared to be exhausted, of ever a film had the mantle of shakiest camera in the world, this is it, and also see it before the Hollywood remake QUARANTINE is released later this year.