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Always Crashing in the Same Car (2007)
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Overview
User Rating:
Tagline:
A wrong turn in the middle of the night tips the balance of power between two influential men in a way that will affect their relationship forever.User Comments:
Intriguing and intense 12 minutes more (4 total)Cast
(in credits order) | Richard E. Grant | ... | James Booth |
| Paul McGann | ... | Bill Mackinnon |
| Susannah Harker | ... | Mary Booth |
| Aki Papacosta | ... | Daniel Segal |
| Helen Barford | ... | Angela Kotowicz |
| Peter Brad-Leigh | ... | John |
 | Penelope Granycome | ... | Connie |
| Isher Edgeler | ... | Minister |
| Mike Henley | ... | Minister |
| Jonathan Hansler | ... | Minister |
| Anthony James Berowne | ... | Minister |
| Nick Ewans | ... | Minister |
 | Guy Henderson | ... | Minister |
| Peter Rnic | ... | Driver |
| Kevin Sweeney | ... | Driver |
| Glenn Anderson | ... | Jounalist |
| Justin Pelling | ... | Journalist |
| Hereward Pelling | ... | Journalist |
| Thom Alder | ... | Journalist |
| William Bliss | ... | Journalist |
| Phil Pritchard | ... | Journalist |
| Kenneth G. Hodgson | ... | Journalist |
| Ed Weidman | ... | Journalist |
| David Thorn | ... | Journalist |
| Patrick Sullivan | ... | Journalist |
| Michael Fox | ... | Security Guard |
| Tony Bowden | ... | Security Guard |
| rest of cast listed alphabetically: | |||
 | Leander Pittis | ... | Journalist |
| Gavin Ryder | ... | Journalist |
| Steve Kingett | ... | Journalist (uncredited) |
Directed by | |||
| Duncan Wellaway | |||
Writing credits(in alphabetical order) | ||
| Duncan Wellaway | writer | |
Produced by | |||
| Zoë Ball | .... | producer | |
| Jo Gross | .... | line producer (as Josie Gross) | |
Original Music by | |||
| Edward Elgar | |||
| If Thousands | |||
Cinematography by | |||
| Alex Barber | |||
Film Editing by | |||
| James Rosen | |||
Production Design by | |||
| Lee Whiteman | |||
Art Direction by | |||
| Kingsley Barker | |||
Set Decoration by | |||
| Kingsley Barker | |||
| Vaughn Williams | |||
Costume Design by | |||
| Helen Woolfenden | |||
Makeup Department | |||
| Lulu Hall | .... | assistant makeup artist | |
| Sarah Jane Hills | .... | makeup designer | |
Second Unit Director or Assistant Director | |||
| Rawdon de Fresnes | .... | first assistant director | |
Art Department | |||
| George Barron | .... | props | |
Sound Department | |||
| Howard Bevan | .... | boom operator | |
| Naomi Dandridge | .... | sound studio assistant | |
| Richard Lewis | .... | sound re-recording mixer | |
| Daniel Peña | .... | foley editor | |
| Keith Tunney | .... | sound designer | |
| Keith Tunney | .... | sound recordist | |
Stunts | |||
| Steve Caswell | .... | stunt performer | |
| Rod Woodruff | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Sean Barclay | .... | still photographer | |
| Gareth Brough | .... | electrician | |
| David Fennings | .... | key video assist | |
| Mark Morley | .... | co-key grip | |
Costume and Wardrobe Department | |||
| Gresham Blake | .... | tailor: suits for Mr Grant and Mr McGann | |
| Martha Howard | .... | costume supervisor | |
Thanks | |||
| Zoë Ball | .... | thanks | |
| Alex Barber | .... | thanks | |
| Gresham Blake | .... | thanks | |
| Dan Clark | .... | thanks | |
| Rawdon de Fresnes | .... | thanks | |
| Richard E. Grant | .... | thanks | |
| Jo Gross | .... | thanks (as Josie Gross) | |
| Susannah Harker | .... | thanks | |
| Paul McGann | .... | thanks | |
| James Rosen | .... | thanks | |
Production CompaniesDistributors
- Handmade Films (2007) (worldwide) (all media)
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
UK:12 minCountry:
UKLanguage:
EnglishColor:
ColorAspect Ratio:
2.35 : 1 moreSound Mix:
Dolby DigitalFilming Locations:
London, England, UKFAQ
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An 
company.
Two late 30's/early 40's professional men - something like high flying City types who we gather have got a considerable history together, perhaps murky, that both binds them but in particular puts the more personable but nervier one of the two under the control of the other, Bill (Paul McGann). This he struggles to escape but some kind of sense of obligation mixed with fear fights with his really desperate efforts to escape the other's control. What's in it for the cooler of the two to exercise power over the other? Pleasure it seems even it suggests, sexual pleasure. But then, in the unkindest turn of fate, caused by his extreme desperation, the nervier of the two by accident creates a situation which suddenly makes him now entirely beholden to the other. His reputation, his marriage, his survival have suddenly become the gift - and we can guess perhaps the plaything of the other. Does this all really matter? It does when we learn that the nervier one is....... But that would be telling!
How was his tormentor able to phone him on THAT phone? Is it all a dream or rather repeating nightmare? Where else would someone be "Always crashing in the same car".
This could, if it were possible to sustain the intensity of the situation, the writing and the acting have been a really remarkable feature film. As it is as a 12 minute short it is intriguing and holds our attention. Shame that it is only a short.
A few might wished to be warned that there is very bad (but entirely naturally occurring) language in the film which wasn't bleeped on the early evening TCM showing.