Pete and Debbie are both about to turn 40, their kids hate each other, both of their businesses are failing, they're on the verge of losing their house, and their relationship is threatening to fall apart.
A grown man caught in the crossfire of his parents' 15-year divorce discovers he was unknowingly part of a study on divorced children and is enlisted in a follow-up years later, which wreaks new havoc on his family.
Julie and Jason have been best friends for years with no romantic interest in each other. He sleeps with someone new every few days, and she's looking for Mr. Right. Now in their thirties, they notice that their friends seem to lose all their good qualities when they have children - child rearing and the spark of Eros don't seem to co-exist. So, they decide to have a child together, share in child rearing, but pursue their own romantic lives. Things go well until he meets Mary Jane and she meets Kurt. Both seem like perfect mates. What could go wrong? Written by
The dialogue between Chris O'Dowd and Maya Rudolph about their age difference was a rewrite by Jennifer Westfeldt. After casting Chris O'Dowd, the issue of the couple's age difference had to be addressed in the film. See more »
When Jason describes his girlfriend Mary Jane to Julie and insists that she should meet her, while leaving the house Julie's white scarf is tied in one scene and untied in the next scene. See more »
Slow painful death by disease... or watching the love of your life die a slow painful death by disease?
A. Definitely A. Much worse to be without the person you love than to have a slow painful death.
Really? You would rather watch the love of your life die slowly and painfully?
Well, it wouldn't be awesome, but better them than me. Got a lot of good years left.
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I hate when comedies try to be "real". For some reason a writer will feel that they know the secret to human beings that will totally connect with audiences and make them say, "Finally, someone gets it." Of course this never works and it always comes off as artificial and forced from the actors. Thankfully this doesn't happen so much here with Jennifer Westfeldt's directorial debut (she also wrote it). There are a few moments where this can slightly creep in, but for the most part it actually tackles things in a refreshing, honest way and I was surprised by that.
Of course the premise (two thirtysomething best friends decide to stop waiting and have a kid together) is straight from the rom-com horsecrap handbook, but there are some turns along the way that I thought were surprisingly dark and genuine for something with such a cheap, hokey idea. There are some scenes that key into the stupidity of it all and I was impressed with how Westfeldt's script delved into that. Then again the film does end up being a pretty standard rom-com at the end of it all, so it kind of takes a jab at itself in the end.
Westfeldt assembled a nice group of her actor friends to play out the parts, but unfortunately she didn't have the smarts to cast someone other than herself in the lead. Her co-lead Adam Scott and the supporting cast are all fantastic here, in particular Jon Hamm who steals the entire movie as far as I'm concerned, but the director herself is a very cold and robotic actor. It was hard to feel anything for her or her dynamic with Scott when I couldn't even buy her as a real person. Overall though, this is a solid film of it's type with slightly better writing, a great cast for the most part and unfortunately one god awful ending.
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