A grown man caught in the crossfire of his parents' 15-year divorce discovers he was unknowingly part of a study on divorced children and is enlisted in a follow-up years later, which wreaks new havoc on his family.
Pete and Debbie are both about to turn 40, their kids hate each other, both of their businesses are failing, they're on the verge of losing their house, and their relationship is threatening to fall apart.
Julie and Jason have been best friends for years with no romantic interest in each other. He sleeps with someone new every few days, and she's looking for Mr. Right. Now in their thirties, they notice that their friends seem to lose all their good qualities when they have children - child rearing and the spark of Eros don't seem to co-exist. So, they decide to have a child together, share in child rearing, but pursue their own romantic lives. Things go well until he meets Mary Jane and she meets Kurt. Both seem like perfect mates. What could go wrong? Written by
The dialogue between Chris O'Dowd and Maya Rudolph about their age difference was a rewrite by Jennifer Westfeldt. After casting Chris O'Dowd, the issue of the couple's age difference had to be addressed in the film. See more »
When Jason describes his girlfriend Mary Jane to Julie and insists that she should meet her, while leaving the house Julie's white scarf is tied in one scene and untied in the next scene. See more »
You think that we don't love each other? You know, I have loved this girl for nineteen years, Ben. That is fully half my life. I know everything there is to know about her. I know the mood she's in when she wakes up in the morning - always happy, ready for the day. Can you imagine? I know that she is honest; she won't even take the little shampoo bottles from the hotel room, or sneak into the movie theater for a double feature. She always buys a second ticket. Always. I know that we have the ...
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As with any film, we bring to it as much as we take away, so I'm guessing this is why I thought Friends with Kids was a beautifully written and executed tale of modern love, friendship and family, whereas many people (it seems), thought otherwise. To set the scene of my particular disposition, I'm in my late 30's, female, I don't want children, have many friends with them and see only stress and unhappiness when I'm around them. So the opening 45 minutes was pretty must grist to my particular mill. And then, three lovely moments were subtly conveyed in the remainder of the film, there were no fanfares, or big shiny signposts, which made it all the better. I'm not going to say what they are, dare you to find them for yourselves. All I can say is, for me, the film got love just right and actually made me slightly (very very slightly) broody. This is the kind of film which I think is rarely done well, and whilst there's always room for Sci-fi, thriller and horror (in my world at least), a well observed, funny and moving commentary on the human state that you can relate to is what I think filmmakers should be most proud to do. It makes you think, it makes you feel part of something more.
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