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A Separation (2011)

Jodaeiye Nader az Simin (original title)
PG-13 | | Drama, Mystery | 16 March 2011 (Iran)
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A married couple are faced with a difficult decision - to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.

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Top Rated Movies #110 | Won 1 Oscar. Another 82 wins & 44 nominations. See more awards »
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Cast

Credited cast:
...
Nader (as Peyman Moadi)
...
...
...
Sarina Farhadi ...
...
Miss Ghahraii
...
...
Interrogator
...
Shirin Yazdanbakhsh ...
Simin's Mother
Sohibanoo Zolqadr ...
Azam (as Sahabanu Zolghadr)
Rest of cast listed alphabetically:
Mohammadhasan Asghari ...
Creditor
Shirin Azimiyannezhad ...
Woman in the Bus
Hamid Dadju ...
Creditor
Mohammad Ebrahimian ...
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Storyline

Nader (Payman Maadi) and Simin (Leila Hatami) argue about living abroad. Simin prefers to live abroad to provide better opportunities for their only daughter, Termeh. However, Nader refuses to go because he thinks he must stay in Iran and take care of his father (Ali-Asghar Shahbazi), who suffers from Alzheimers. However, Simin is determined to get a divorce and leave the country with her daughter. Written by Amin Davoodi

Plot Summary | Plot Synopsis

Taglines:

Ugly truth, sweet lies See more »

Genres:

Drama | Mystery

Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic material | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

16 March 2011 (Iran)  »

Also Known As:

A Separation  »

Filming Locations:


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Box Office

Budget:

$500,000 (estimated)

Opening Weekend:

IRR 1,023,080,000 (Iran), 18 March 2011

Opening Weekend USA:

$59,481, 1 January 2012, Limited Release

Gross USA:

$7,098,492

Cumulative Worldwide Gross:

$24,426,169
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider. See more »

Goofs

Although Razieh had gone to the doctor to see if her baby is still alive a few hours before she was beaten by Nader, the judge never asked her about the result of medical check. Also after medical examination, it should be clear for Razieh to know about the situation of her baby unless she couldn't reach the doctor at the time. See more »

Quotes

Simin: He
[Nader's Father]
Simin: doesn't even know who you are.
Nader: He does not know me but i know that he is my father.
See more »

Connections

Featured in Ebert Presents: At the Movies: Episode #2.12 (2011) See more »

Frequently Asked Questions

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User Reviews

 
unsaid words can turn into a separation
25 March 2011 | by See all my reviews

It seems that a court room drama could be the best place for Frahadi to recreate his very own world and confront us with a short and somehow faraway situations and incidents in life. We think these kinds of happenings and conflicts would not take place in our lives but with his realistic world and characters they seem so close and possible to anyone. Asghar Farhadi loves to put his audience in place of judge, as his other pictures like About Eli or Fireworks Wednesday and here with no fear he takes us straight to a court room. But the thing is that the judge does not provide any help for us to make a clear judgment and surprisingly makes the situation even more complicated. Yes Farhadi doesn't want us to make a judgment, He makes us watch and observe and leave the theater with a big fork in front of us.It Seems that any single decision creates another world full of forks and not taken ways.

when nobody is clearly guilty and the line between black and white is so dim. And again here we are in Frhadi's powerful hands surprised to the end of the movie. You can't leave your chair even for one second because the story never lets you to lose even a single moment. And like a tennis ball we're always being shot from this side to the other. And finally we are the daughter shocked and disable to make a decision. May be we haven't seen or we don't want to see this side of life, where nothing is clear, when small lies and unimportant undone things and unsaid words gang up against us and turn to a big disaster. Frahadi has found his own world and his own language and his own version of life. Something we'd never seen before. We appreciate that. He can easily bombard us with information and surprise us with tiny details that seem nothing but like a snowball rolling down a slope they can form a big drama.


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