Set over one summer, the film follows precocious six-year-old Moonee as she courts mischief and adventure with her ragtag playmates and bonds with her rebellious but caring mother, all while living in the shadows of Disney World.
In Northern Italy in 1983, seventeen year-old Elio begins a relationship with visiting Oliver, his father's research assistant, with whom he bonds over his emerging sexuality, their Jewish heritage, and the beguiling Italian landscape.
Pakistan-born comedian Kumail Nanjiani and grad student Emily Gardner fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family's expectations, and his true feelings.
A flat, self-important movie. I'm baffled by the critical bouquets.
Ronsel quick-drying mud stain: it does exactly what it says on the tin attempts to create a weighty, socially-conscious art movie from Hillary Jordan's plotty, slightly trashy but well-meaning page- turner.
Dee Rees's film spends more time in battle, fleshes out the Ronsel- Jamie relationship, and dwells on the minutiae of African-American life in the Deep South, but in a choppily uninvolving way, and at the expense of Laura's intriguing story of love, repression, sexual and racial guilt.
Critically, it never summons the book's sense of inexorable, fatalistic dread, nor knows what to do as it reaches its climax, which is first silly, then rushed and finally pointlessly and unconvincingly rose-tinted.
Mudbound has a few painterly images, good performances from Jason Mitchell and Carey Mulligan (who has one fantastic scene largely disconnected from the narrative and the worst pregnancy prop in decades) and an unvarnished understanding of the unglamorous, subservient pragmatism needed to survive as a black man in '40s Mississippi, but it isn't very compelling or convincing.
I say this as a middle-class white bloke, but... what promised to be a timely exploration of the African-American experience from an urgent and valuable contemporary voice is instead just a standard book adaptation: a mediocre melodrama that deals with big themes in a handsome but hackneyed way. Plus lots of Mary J. Blige staring out of windows.
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