6.5/10
219
4 user 24 critic

La Maison de la radio (2013)

Not Rated | | Documentary | 3 April 2013 (France)
Twenty-four hours in the life of Radio France, from one dawn to another. Along its corridors, inside its recording studios, with its producers, presenters, journalists and various guests. ... See full summary »

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2 wins & 2 nominations. See more awards »
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Cast

Credited cast:
Jean-François Achilli ...
Himself
Evelyne Adam ...
Herself
Jean-Claude Ameisen ...
Himself
Arno ...
Himself
Alain Arnstamm ...
Himself
Pierre Bastien ...
Himself
Thomas Baumgartner ...
Himself
Sophie Becherel ...
Herself
Sihem Bensedrine ...
Herself (voice)
Alexandre Besikian ...
Himself
Sophie Bessis ...
Herself (voice)
Sophie Bissantz ...
Herself
Céline Bonhomme ...
Herself
Angélique Bouin ...
Herself
Alain Bédouet ...
Himself
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Storyline

Twenty-four hours in the life of Radio France, from one dawn to another. Along its corridors, inside its recording studios, with its producers, presenters, journalists and various guests. And outside on a motorbike in the wake of the Tour de France or in the company of a thunderstorm photographer. Written by Guy Bellinger

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Documentary

Certificate:

Not Rated | See all certifications »
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Details

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Release Date:

3 April 2013 (France)  »

Also Known As:

Casa Radio  »

Box Office

Opening Weekend:

$1,291 (USA) (13 September 2013)

Gross:

$7,169 (USA) (8 November 2013)
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Company Credits

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1.85 : 1
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Trivia

French visa # 125659 delivered on 14-12-2012. See more »

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User Reviews

 
Amusing
23 January 2015 | by (London, England) – See all my reviews

I liked it! It's the kind of documentaries that let the subject talk for itself (quite literally) without meddling with the viewing pleasure by suggesting a narrative. Not much happens, I am certain that for some it will be a snoozefest, but it's quite engaging, and funny. The author is so sympathetic towards its subject, making fun of no-one, always showing everyone at their most interesting, professional, human.

It's not for everyone I guess; there is no drama, no critique, no denunciation, it's an intimate and suffuse portrait with some comedic moments, and an occasion to play cultural celebrity spotting. In a few decades it will be a prized object of nostalgia, a very alive document of a bygone era.


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