WWII American Army Medic Desmond T. Doss, who served during the Battle of Okinawa, refuses to kill people, and becomes the first man in American history to receive the Medal of Honor without firing a shot.
A five-year-old Indian boy gets lost on the streets of Calcutta, thousands of kilometers from home. He survives many challenges before being adopted by a couple in Australia. 25 years later, he sets out to find his lost family.
During the Cold War, an American lawyer is recruited to defend an arrested Soviet spy in court, and then help the CIA facilitate an exchange of the spy for the Soviet captured American U2 spy plane pilot, Francis Gary Powers.
Troy Maxson makes his living as a sanitation worker in 1950s Pittsburgh. Maxson once dreamed of becoming a professional baseball player, but was deemed too old when the major leagues began admitting black athletes. Bitter over his missed opportunity, Troy creates further tension in his family when he squashes his son's chance to meet a college football recruiter. Written by
In Lila & Eve (2015), a recurring line is that Viola Davis' character has 'a date with Denzel' meaning she's staying home watching movies starring Denzel Washington. One year later she actually plays his wife in this film. See more »
In the first Friday after work scene, when Troy and Jim Bono share a bottle of gin, the amount of gin ranges from nearly full to half-full to three quarters empty, depending on the camera angle. See more »
[riding their garbage truck job]
Troy, you oughta stop that lyin'.
I ain't lyin'. The nigger had a watermelon this big. Talkin' about "What watermelon, Mr. Rand?" I liked to fell out... "What watermelon, Mr. Rand?" And it's sittin' there bigger than life.
What Mr. Rand said?
He said nuthin'. He figured the nigger too dumb to know he carryin' a watermelon, he wouldn't get no sense out of 'im. Trying to hide that great big watermelon under his coat. Afraid to let the white man see him...
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Just because it is the same script from a play does not mean it is a good movie
Their is a reason why the Oscars has an award for best adapted screenplay. Adapting a story from one piece of media to the next is an art in it of itself. The writer has to take the story, that was based around the limitations of the media it told, and put it in a new media that different set of challenges. What happens if the writer simply copies word by word from one platform to the next, you get Fences.
The main problem with fences is that there is just there is just too much information being told per scene. Characters have so much dialogue that it is hard to keep up with the story. Audiences will get so overwhelmed by the dialogue, that they're bound to miss some information and that information can be important to the plot.This will might cause confusion. The play can get with all this because the actors are speaking directly to the audience and the audience is actually seeing the actors. This means that audience will have a better sense of the emotional context of the story and dialogue, but in a movie that context is lost by the fact that they're staring at a screen.
This is too bad because everything else in movie is fantastic. This movie has some of the best acting I have scene in cinema. The set design really makes audiences feel a sense of lost hope. Even objects have character based on what they represent on the story. The movie seems to love symbolism and it is certainly powerful.I just wish their were more setting in this movie. The majority of the movie only takes place in one house. That can get boring because while the set is interesting it is only one set, and that can lose its charm.
If you like great acting and willing to put up paragraphs of dialogue then see this movie, but if can't put up the long,unnatural ,and fast dialogue with less than four setting then don't see this move.
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