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Zootopia (2016)

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In a city of anthropomorphic animals, a rookie bunny cop and a cynical con artist fox must work together to uncover a conspiracy.

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(story by), (story by) | 7 more credits »
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321 ( 42)
Won 1 Oscar. Another 42 wins & 65 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Judy Hopps (voice)
...
Nick Wilde (voice)
...
Chief Bogo (voice)
...
Bellwether (voice)
...
Clawhauser (voice)
...
Bonnie Hopps (voice)
...
Stu Hopps (voice)
...
Yax (voice)
...
Mayor Lionheart (voice)
...
Mrs. Otterton (voice)
...
Duke Weaselton (voice)
...
Gazelle (voice)
...
Flash (voice)
...
Young Hopps (voice)
...
Mr. Big (voice)
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Storyline

From the largest elephant to the smallest shrew, the city of Zootopia is a mammal metropolis where various animals live and thrive. When Judy Hopps becomes the first rabbit to join the police force, she quickly learns how tough it is to enforce the law. Determined to prove herself, Judy jumps at the opportunity to solve a mysterious case. Unfortunately, that means working with Nick Wilde, a wily fox who makes her job even harder. Written by Jwelch5742

Plot Summary | Plot Synopsis

Taglines:

Welcome to the urban jungle.


Motion Picture Rating (MPAA)

Rated PG for some thematic elements, rude humor and action | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

Language:

Release Date:

4 March 2016 (USA)  »

Also Known As:

Zootropolis  »

Box Office

Budget:

$150,000,000 (estimated)

Opening Weekend:

€2,806,793 (Italy) (21 February 2016)

Gross:

$341,268,248 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Color:

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

This is the fourth consecutive Disney animated feature for Alan Tudyk as an antagonistic role, following Wreck-It Ralph (2012) (as the Main Antagonist), Frozen (2013) (as the Secondary Antagonist), and Big Hero 6 (2014) (as an Anti-hero). See more »

Goofs

In the movie, Judy says Nick earns $200x365x20=$1,460,000. However, this disregards the fact that there are 5 leap years in 20 years. So Nick should earn $200x(365x15+366x5)=$1,461,000. See more »

Quotes

[first lines]
Young Hopps: [voiceover] Fear. Treachery. Bloodlust. Thousands of years ago, these were the forces that ruled our world. A world where prey were scared of predators. And predators had an uncontrollable, biological urge to maim and maul and...
[acting in a talent show, a small animal in a tiger costume attacks Young Hopps]
Young Hopps: [throws red confetti into the air as if it's coming out of her body] Blood! Blood! Blood!
[...]
See more »

Crazy Credits

The last bit of the end credits and the film's closing logos feature safari noises in the background. See more »

Connections

References Up (2009) See more »

Soundtracks

All By Myself
Written by Eric Carmen and Sergei Rachmaninoff (as Serge Rachmaninoff)
Performed by Eric Carmen
Courtesy of RCA Records
By arrangement with Sony Music Licensing
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Painfully Didactic & Political
1 July 2016 | by (United States) – See all my reviews

A great example of how didactism bores rather than inspires, regurgitates rather than re-imagines. There's a clear political message, and the unabashed way which it is presented won't change any minds, but at the least may spark political debate. Though its singular treatment preaching the current "hip" left-wing social platforms without nuance does nothing to elucidate any new ideas or attempt to shed new truths on issues that allow people to re-evaluate their current ideological stances. As such, its effect is similar to that of the person talking politics at the cocktail party who relies on volume rather than substance in order to bolster their (or more accurately their party's) talking points.

All in all, though there are some witty scenes and stereotypical romance & coming of age story lines, the overpowering pedantic verbal diarrhea exposes it as a thinly veiled political commercial rather than a great piece of art. The ratings, therefore, represent the extent to which the audience agrees with its sermon rather than recognizes its degree of unbiased (with respect to 21st century American politics) aesthetic merit.


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