In 1942, a Canadian intelligence officer in North Africa encounters a female French Resistance fighter on a deadly mission behind enemy lines. When they reunite in London, their relationship is tested by the pressures of war.
The only residents of young Nicholas' sea-side town are women and boys. When he sees a corpse in the ocean one day, he begins to question his existence and surroundings. Why must he, and all the other boys, be hospitalised?
The monster does not come walking often. This time it comes to Connor, and it asks for the one thing Connor cannot bring himself to do. Tell the truth. This is a very touching story about a boy who feels very damaged, guilty and mostly angry. He struggles at school with bullies, and pity looks from everyone, and at home with his mother's sickness. Will Connor overcome his problems? Will everything be okay? Will Connor be able to speak the truth?
This will be the sixth time that Liam Neeson has voiced a CGI character. The first three were for Aslan in the Chronicles of Narnia franchise, the fourth as Phango in Khumba (2013), and the fifth was Good Cop/Bad Cop in The Lego Movie (2014). See more »
When Conner and his dad have a conversation in the car (after they spend some time together), Conner's seat belt is on at first, disappears, and reappears a few times between shots. See more »
What do I do?
Now all that is left is for you to speak the simplest truth of all.
I don't want you to go.
I know my love.
I don't want you to go...
How does the fourth story end?
It ends with a boy holding on tight to his mother. And by doing so... he can finally let her go.
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One of the most emotionally powerfully films I've seen in a while
Based on the novel of the same name by Patrick Ness, A Monster Calls is one of the most emotionally powerful films I've seen in a long time. Directed by J. A. Bayona, this is a film you'll want to be making sure you have a pack of tissues ready for.
Conor O'Malley (Lewis MacDougall) lives at home with his terminally ill mother (Felicity Jones). Bullied relentlessly at school on a daily basis and with no friends, Lewis finds himself spending most of the free time he does have helping his mother.
One night, Conor encounters a monster (Liam Neeson) in the form of a giant yew tree. With the help of the monster, Conor learns a number of valuable life lessons, as well as facing the nightmarish reality he knows will come soon enough.
Reports of A Monster Calls causing audiences to flood theatres with tears during the festival circuit have been well documented however, even they couldn't prepare me for J. A. Bayona's stunningly beautiful film. The warning of emotional distress was even there for all to see as the classification certificate appeared on screen prior to the film.
This is an incredibly moving story, depressing for the most part however, thanks to the fantasy elements of the story and the relationship Lewis has with the monster, it can be strangely uplifting at times. The film packs one hell of an emotional punch towards the end but it doesn't just spring it on the audience because you can sense that is exactly where it's going from the very beginning.
The performances of Felicity Jones, Sigourney Weaver and Toby Kebbell are all good but there is no debating here that the film ultimately belongs to the young Lewis MacDougall, who manages to deliver a performance that would make you think he's been acting for years, when this is in fact only his second film. MacDougall really makes you empathise with Conor and his performance in the final stages of the film is sensational.
The visuals deserve a special mention as well, the monster in particular brought to life quite brilliantly through special effects and a gruff vocal performance from Liam Neeson. They go hand- in-hand with Bayona's visionary style as a director to make A Monster Calls a must-see film.
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