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Hitchcock/Truffaut (2015)

PG-13 | | Documentary | 31 March 2016 (Russia)
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Filmmakers discuss how Francois Truffaut's 1966 book "Cinema According to Hitchcock" influenced their work.

Director:

1 win & 1 nomination. See more awards »

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Cast

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Narrator (voice)
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Rest of cast listed alphabetically:
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Himself (archive footage) (archive sound)
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Herself (archive footage)
Alma Reville ...
Herself (archive footage)
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Storyline

In 1962 Hitchcock and Truffaut locked themselves away in Hollywood for a week to excavate the secrets behind the mise-en-scène in cinema. Based on the original recordings of this meeting-used to produce the mythical book Hitchcock/Truffaut-this film illustrates the greatest cinema lesson of all time and plummets us into the world of the creator of Psycho, The Birds, and Vertigo. Hitchcock's incredibly modern art is elucidated and explained by today's leading filmmakers: Martin Scorsese, David Fincher, Arnaud Desplechin, Kiyoshi Kurosawa, Wes Anderson, James Gray, Olivier Assayas, Richard Linklater, Peter Bogdanovich and Paul Schrader. Written by Cohen Media Website

Plot Summary | Add Synopsis

Taglines:

The Greatest Story Hitchcock Ever Told

Genres:

Documentary

Motion Picture Rating (MPAA)

Rated PG-13 for suggestive material and violent images | See all certifications »
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Details

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Release Date:

31 March 2016 (Russia)  »

Also Known As:

Χίτσκοκ/Τριφό  »

Filming Locations:

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Box Office

Opening Weekend USA:

$28,178, 6 December 2015, Limited Release

Gross USA:

$304,899, 21 February 2016
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Company Credits

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Technical Specs

Runtime:

Aspect Ratio:

1.78 : 1
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Did You Know?

Trivia

Kathryn Bigelow was asked to speak in this film but she declined saying she was "too shy". See more »

Quotes

Peter Bogdanovich: It conclusively changed people's opinion about Hitchcock. And so, Hitchcock began to be taken more seriously.
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Connections

References Dial M for Murder (1954) See more »

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User Reviews

 
Excellen documentary minus one important phase
10 December 2015 | by See all my reviews

The only section missing in the film is a discussion of the MUSIC in Hitchcock films especially the work and career of BERNARD HERMANN! Neither director touched on the scores for VERTIGO, PSYCHO, or THE BRIDE WORE BLACK. Others like WAXMAN and TIOMPKIN were also neglected! Soundtracks are an integral part of both director's work! Shame on you! Also there was no discussion of the score for TORN CURTAIN! Why no Hermann score and a substitute for one by by John Barry? You can write an entire book on film noir music or THE SOUNDS OF DARKNESS. Think about PSYCHO and the "shower scene" without music. It loses its chilling effect. What about James Stewart hanging from a roof gutter in VERTIGO? And that haunting "love theme" in VERTIGO, when Stewart is following Kim Novak in his car and the crescendo of waves breaking against the shore when they finally embrace? I can cite many more moments where music was crucial to a scene in Hitchcock's work, too many to enumerate here. I just had wished the directors and filmmakers would have discussed this important phase of both director's work.

Dr. Ronald Schwartz at www.noir1937@aol.com Manhattan


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