Amidst a wild flat meadow encircled by an Edenic lush forest, a couple has cocooned itself in a secluded grand mansion that was not so long ago burned to the ground, devotedly restored by the supportive wife. Within this safe environment, the once famous middle-aged poet husband is desirous of creating his magnum opus, however, he seems unable to break out of the persistent creative rut that haunts him. And then, unexpectedly, a knock at the door and the sudden arrival of a cryptic late-night visitor and his intrusive wife will stimulate the writer's stagnant imagination, and much to the perplexed wife's surprise, the more chaos he lets in their haven, the better for his punctured male ego. In the end, will this incremental mess blemish irreparably the couple's inviolable sanctuary? Written by
The music in the first half of the end credits is followed by a long period with only quiet ambient noise. The near-silence is broken when Javier Bardem's character's calligraphy is inscribed in white ink next to (and sometimes over) the remaining credits. See more »
Maybe the intention was to make a terrifying comedy about, about, about...well, I'm not sure. A Mother! like that with an exclamation mark? An artist with an ego bigger than their house? Who knows. I certainly tried to cling on to something but I couldn't. It seems like a terrible confession to make but the truth is I couldn't care less about that mother because I didn't believe in her plight and couldn't understand her behavior. Jennifer Lawrence is a terrific actress we all know that but here, she screams and screams while I glanced at my watch with mounting impatience. Borrowing from other, better films, doesn't help, on the contrary, it irritates. Rosemary's Baby came to mind as well as The Tenant, Apartment Zero, Common Wealth. All films that terrified me without explicit gore and superb screenplays. Mother! seems like an interesting idea totally derailed by an out of control ego.
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