Set over one summer, the film follows precocious six-year-old Moonee as she courts mischief and adventure with her ragtag playmates and bonds with her rebellious but caring mother, all while living in the shadows of Disney World.
In Northern Italy in 1983, seventeen year-old Elio begins a relationship with visiting Oliver, his father's research assistant, with whom he bonds over his emerging sexuality, their Jewish heritage, and the beguiling Italian landscape.
Thirty years after they served together in Vietnam, a former Navy Corpsman Larry "Doc" Shepherd re-unites with his old buddies, former Marines Sal Nealon and Reverend Richard Mueller, to bury his son, a young Marine killed in the Iraq War.
Pakistan-born comedian Kumail Nanjiani and grad student Emily Gardner fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family's expectations, and his true feelings.
Halley lives with her six year old daughter Moonee in a budget motel along one of the commercial strips catering to the Disney World tourist clientele outside Orlando, Florida. Halley, who survives largely on welfare, has little respect for people, especially those who cross her, it an attitude that she has passed down to Moonee, who curses and gives the finger like her mother. Although the motel's policy is not to allow long term rentals, Bobby, the motel manager, has made arrangements for people like Halley to live there while not undermining the policy as he realizes that many such tenants have no place to go otherwise. Halley, Moonee and Moonee's friends, who live in the motel or others like it along the strip and who she often drags into her disruptive pranks, are often the bane of Bobby's existence, but while dealing with whatever problem arises, Bobby has a soft spot especially for the children and thus, by association, their parents, as he knows that Moonee and others like her... Written by
In a 2017 BBC radio interview, the director clarified that the film's garish motel settings are genuine motels. They continued operating as working businesses during filming, and some real-life residents and staff are seen in the film. See more »
[to tourist at ice-cream stand]
Excuse me. Could you give us some change, please? The doctor said we have asthma and we have to eat ice-cream right away.
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A brilliant character study, that blends a powerful story with great humor
I really liked this film, as unorthodox as it was. The first hour was uproariously funny, before becoming a deep, and poignant study of the millions of lives of Americans who are living on the fringes of society, just barely surviving day to day. There is a shocking lack of cinema devoted to this underclass, and seeing this small film, was refreshing, enlightening, and surprising, and a refreshing contrast to the plutocracy we see all around us today.
The performances were outstanding. I am not sure where Bria Vinaite has been hiding, but she was astonishing as the mom, Hailey. Her daughter and all of the other kids were great, and their interactions, behavior, dialogue and play was hysterical. Then it kind of morphed into a more serious story, that was credible, and powerful. Willem Dafoe was his usual masterful self, and played a very real, very likable guy. A tough guy with a heart of gold.
I highly recommend this film. Not for everyone. Several people walked out during the film. My presumption was that they either thought the film focused too much time on the kids, or they were living in a state of denial, like so many Americans these days, pretending that this huge underclass does not exist. Regardless, it felt like a story that needed to be told. And it was told very well. Kudos to the filmmakers.
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